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We ship exclusively with FedEx / Signature Required and only ship to listed address on the item order page. Tracking will be provided and uploaded to Reverb once shipping is processed. We strive to ship ASAP however processing can take 1 to 2 business days from the time payment has cleared. FedEx does not ship on Saturdays or ship to PO Boxes. Shipping Fee's are subject to change if costs are much higher than expected.


My 15 year old daughter recently renewed interest in the guitar she had bought a few years ago but had never really played much.  She was disappointed when she noticed the strings were loose.  We brought it here and Ted was so helpful and engaging. He recommended new guitar strings; normally you can buy the strings and do it yourself, or pay them to do it.  He readily understood that while my daughter didn't know how to do it herself, she would like to know. He showed both my girls how to string a guitar, talking them through each step while he expertly strung the guitar and got it in perfect tune. Ted teaches guitar and his tutorial was an excellent recommendation of his teaching skills.  He also threw in a cleaning cloth and gave us chocolates - how much better does it get than that?!

This tuning may also be used with a capo at the third fret to match the common lute pitch: G-c-f-a-d'-g'. This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments, such as, for instance, "La Canción Del Emperador" and "Diferencias Sobre Guardame Las Vacas" by Renaissance composer Luis de Narváez.


Fast forward to 2018 and ESP is still going strong, with a huge range of speedy guitars tailored for heavy rock and metal, including several 7- and 8-string models. ESP offers a range of popular models in the budget market (under its LTD subsidiary) as well as high-end guitars, played by some of the biggest names in heavy metal – Kirk Hammett, James Hetfield and Stephen Carpenter to name a few.

By 1966 Daniel sold Danelectro to MCA, but remained with the company. In 1967 the Coral line of guitars is introduced. At the time, Danelectro sold about 85% of it's products to Sears. So MCA started the Coral line to sell to other distributors. The difference was the Coral hollow bodies (only) were manufactured in Japan. All other Coral parts were made in the New Jersey Danelectro plant. Also all Silvertones and Danelectro instruments were made entirely in the U.S.
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{"id": "H98107", "skuOrProductId": "H98107", "categoryId":"site1AAG", "name":"DT1GFM Destroyer Electric Guitar", "pageUrl":"/guitars/ibanez-dt1gfm-destroyer-electric-guitar", "thumbnailUrl":"https://media.musiciansfriend.com/is/image/MMGS7/NonExistingImage-00-120x120.jpg", "addToCartUrl":"/guitars/ibanez-dt1gfm-destroyer-electric-guitar", "hasFeatures":"0", "isAccessory":"0", "message":"Made of mahogany, the Destroyer's iconic body style has been attracting artists for years. It features a mahogany slim neck grip and set-in neck that offers ultra-smooth playablity. Electronics include DiMarzio Air Norton and The Tone Zone pickups for a rich tonal palette. Gorgeous old school pearl/abalone block inlays make for a path back to one of rock's most dynamic chapters.

Air Norton
DP193
The Air Norton started out simply to be the Airbucker version of the Norton. DiMarzio thought it would make a distinctive-sounding bridge pickup with high-gain amps, but they soon discovered that it's a radically neat neck pickup, too. The tone is deep and warm, but not muddy. It's hot, but not distorted. It's even got cool harmonics, which are really unusual for a neck humbucker. The patented Air Norton magnetic structure reduces string-pull, so sustain is improved; and pick attack and dynamics are tremendously controllable and expressive. Combine the Air Norton with The Tone Zone in the bridge position for a perfect blend of power and tone.

The Tone Zone
DP155
Have you ever heard a bridge pickup that made a guitar sound like a giant mosquito attack? If you've run into this problem, The Tone Zone is the solution. The Tone Zone is hot enough to qualify as a high-output pickup, but it has a wider dynamic range - hard picking will produce a lot of power, and softer picking will be much cleaner and quieter. It's got tremendous bass and low-mid response to reinforce the bottom end and make the overall sound bigger. The highest single notes have depth, and chords sound huge. Patented dual-resonance coils reproduce more overtones than you'd expect from such a fat-sounding pickup. It makes a great match with an Air Norton.

Case sold separately.
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Make sure to sit down and strum the notes when trying out a guitar. It should not be hard to push down the strings with your fretting hand, even if you are just starting out. The action should be as low as possible to make learning easy. Make sure to check for loose parts; there should be no rattling noises coming from the inside of the guide or inside of the neck. Also take a business card and run it along the bottom of the bridge to make sure that the bridge isn't coming off. An electronic system is not a big deal when buying an acoustic because it's relatively easy to add an electronic pickup component later on should you decide you need one.
Lawsuit Takamine F375s Hand built in Japan and still in excellent vintage condition! Build type is Rare Exotic Tone woods series Jacaranda Brazilian Rosewood back-sides-fingerboard & headstock overlay JUST Gorgeous. Its workmanship is really top shelf by any standards, We installed and set up with Martin Marquis 80/20 strings 12's, as well as setting this guitar up with a New bone nut & saddle, Condition is very good with a few minor hard to see scratches on its back you have to look closely sometimes at an angel ( clear coat only not threw to wood ) general play here and there as any 37 year old guitar that has been played would get... dinks and such but nothing major to detract from its obvious outward beauty, This example has an excellent neck its 1-11/16th's at the bone nut, fingerboard is very good as are the frets at 90%, its straight and has a nice meaty feel, has the Martin design detail of the Diamond Volute on back, original tuners are excellent as well, a warm vintage vibe to this 37 year old vintage Gem. Tone is rich with good volume she Sings well!!! JVG Rated 9/10 higher if it wasn't for the few minor clear coat scratches in its clear coat not to the wood that I can see more like swirls and such may be possible to fine grade 3000 wet sand and polish out its possible if it doesn't sell soon when I get the chance I'll do it, its a commitment because it may not sand out alone it may require a few thin clear lacquer applied and buffed out to cure it forever if so a guitar of this caliber deserves the attention.. ( the price will go up after I do that work ) and that really doesn't have to be done to make this guitar just very good -excellent vintage it would bring it very close to mint!.... aside from the few minor scuffs this guitar still qualifies as vintage excellent right now, just thought I would point those out. So to be clear about this listing the way you see it now is the way it is offered.Its a F375s and not the EF375s yet This guitar has a factory installed transducer type pickup installed and it sounds wonderful, Its said to have been installed by original owner in Tokyo by Takamine shop its a very clean job I call it CLEAN where they do not make extra unnecessary holes for output jack instead they use the END PIN hole and its a combination strap pin and or output jack, So this guitar is either Acoustic or Electric really nice in deed in SUPER Condition well above average. This beautiful instrument comes with its original hard shell case it to is in very good vintage condition its heavy duty molded type with plush black interior all functional fully. This is the total package. Contact Joe to buy: jvguitars@gmail.com .
your right brian i been a acdc freak since u all been out in the early n mid 70s the greast band of all time. and i seen acdc 37 times through out the united states. i love my memories with the band and still watch and listen to the cds and dvds of the band. brian johnson is the best thing that happen to acdc since bond scott death. keep rockin guys i love u with a passion. mark

Beginners want to hear the changes in their sound and get the blues, funk, and rock genres on their guitar. The DigiTech Element XP comprises essential features that enable a beginner guitarist to get more out of their guitar while still maintaining quality. These units also have durable metal foot-switches and an inclusive power supply. Other features include:
Includes hand cutting and shaping new fingerboard nut from scratch, and fitting it specifically for each instrument. Some variation in pricing is due to the unexpected difficulty in removing some nuts. It is highly recommended each instrument be set up to ensure optimal playability. Restringing is NOT included. Price excludes cost of blank ($6 for bone/synthetic)
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By the late 1950s, the Les Paul was considered “staid and old-fashioned” as well as too heavy and expensive, no longer competitive with the Stratocaster, and by 1961 Gibson stopped producing the traditional Les Paul in favor of a lighter redesign called the SG. The mid-1960s, however, brought a resurgence of interest in the Les Paul, a development credited to one man and one album: Eric Clapton, using a Les Paul plugged into a Marshall Bluesbreaker amplifier as recorded on Blues Breakers with Eric Clapton (the “Beano” album, 1966),[13] set the standard for tone for a new generation of guitar players in blues and rock and roll (see Keith Richards’ contribution to the Les Paul legend below in the section ‘Renewed interest in the Les Paul models’ below). [14][15] Clapton was initially followed by American guitarist Michael Bloomfield and British guitarist Peter Green, and the subsequent rise in the instrument’s popularity was such that by the late 1960s Gibson reintroduced an updated Les Paul and a variety of other instruments “in its mold”, including a bass guitar.
The new AC15 'Twin' retains the all-important dual-EL84, cathode-biased output section of its forebear, but otherwise it's very different. A quick scan across the top panel reveals two inputs for independent access to either normal or top boost channels. One benefit of the bigger, 2x12 enclosure is that it provides ample room for a full-length reverb tank, housed in the bottom. There's also an in-built tremolo effect, with controls for depth and speed. But the whole point of this amp is the pair of 25-watt Celestion G12M Greenback speakers. They are the speaker of rock in so many cases and while purists might hope for Celestion Blues, they would add a good £300 at least to the price; and he increased power handling of two Greenbacks on the end of just 15 watts is quite a tantalising prospect. It's fair to say that even with the master volume set-up, the magic doesn't really start happening until the amp's lungs are at least half way open, but happily, that's not far from perfect for many of today's pub and bar gigs - it may even be too much for some. The AC15 'Twin' does sound magnificent when clean, but listen carefully to those amps or this and it's rarely completely undistorted. That harmonically rich drive that was never supposed to be there is the key characteristic that latter day, non-master volume AC users find hardest to replicate.

While audio feedback in general is undesirable due to the high frequency overtone, when controlled properly, it can provide true sustain of the sound (instead of using a distortion/compressor to make quiet notes louder, or a feedback of a signal in a circuit as in a delay unit). Several approaches have been used to produce guitar feedback effects, which sustain the sound from the guitar:


Univox was not, as you might guess, just another isolated Japanese import, but was part of a much larger story of its importer, the Merson company. And in this context, Univox is a part of the much larger story that included names you probably see everywhere but know little about, since they’re off the beaten path, names such as Tempo, Giannini, Westbury, Korg and much more! You’re going to have to pay attention here, because a whole bunch of familiar and not-so-familiar names crisscross through this story.
Sometimes, I find the way that they progress songs odd, and that it actually makes them more difficult by causing you to use screwy timings, use easy and incorrect finger movements that you have to completely change when new notes are added, or when it would be simpler to just use cords (for example, in higher ground there is a part where you first play through and have a G and then an A on the 6th string. A beginner will probably play the G with the index finger and then the A with the ring finger. But later these turn to power cords and this no longer works as you have to slide your hand down. I've found that type of issue common, particularly with this song - I've only played about 6 songs so far in the game). Likewise, the strategy of playing is not always the best, for example they'l play a 2, 3, and 6 on the 6th string and maybe an open 5th string and the 2nd fret of the 5th string. Much easier and more efficient to convert the 6th fret on the E string to the 1st on the 5 string to keep everything within a reasonable reach(cheating by moving the note does work since the game is based on tone, but is not something a beginner would know)
An American company that makes some amazing acoustic and electric guitars, Taylor guitars are considered as one of the best in the world. Like Martin, they can be expensive, but surely worth every penny. Taylor and Martin have the upper hand when it comes to acoustic guitar brands in America. One of the popular series is the 200 series and is of great value. For beginners, Baby and Big Baby, and the GS Mini are perfect choices as they are small-bodied.
Half a step up from standard tuning. Used in most of Johnny Cash's music, for "Love Buzz" on Nirvana's Bleach album - apparently by mistake (according to Come As You Are - Michael Azerrad), 3 Doors Down on "Here Without You" (a capo was probably used), Vektor, Soundgarden's "Black Hole Sun" (The low E string was tuned to Eb/D# for a drop Eb/D# tuning), Nickelback on their song "When We Stand Together", Burzum on his first 3 albums, John Fedowitz in his solo project "Ceremony", and Joe Jackson on "Got the Time".
Since 1996, ESP’s subsidiary LTD has been creating quality guitars at very affordable prices. The EC-256, for example, is a great guitar if you’re looking to spend around $400. With extra-jumbo frets and a thin-U neck, this guitar is super comfortable to play. These guitars are known for their reliability and excellent build quality. And with a lightweight body, they make for great gigging guitars.

So fun...So dope...I am sure the game is really great, and I know that it has gotten a lot of acknowledgement, but the reason I give it only 4 Stars for me personally is because I test every single new game out that I purchase with my 60 Year old Parents to see if they are interested in it because if they are then we usually play the game together and watch the stories unfold....This game this game OMG this game I have been waiting for since PlayStation 3 I'm so glad I was able to play this let me tell you get this game if you have PlayStation or if you want to play it exclusive for PlayStation or if you want to just see the whole franchise get a PlayStation and play and I highly recommend getting a PlayStation 4 Pro you will not be disappointed with this game.
In fact, at the beginning of this article I mentioned John Mayer’s song, “I Don’t Trust Myself.” The way that guitar tone is achieved is by using a filter pedal called the AdrenaLinn III. That effect is a beat-synced filter effect, meaning it has the ability to sync up the sweeping filter with the rhythm of a song. This is accomplished by either tapping in the tempo on the pedal, or setting the tempo with the tempo knob.

Unfortunately, it appears it is no longer possible to grab a Standard MIM Telecaster for under $500. Still, the Standard Telecaster remains a solid option when it comes to reasonably priced guitars, and it is a great alternative to the American Tele. However, if this increase doesn't set well with you, and you aren't digging the Modern Player Telecaster Plus, I suggest checking out what Squier has to offer.


We avoid providing inaccurate ratings and recommendations that can arise due to the tested product or method of testing being flawed by analyzing large numbers of user and expert reviews to produce our ratings. This has the effect of reducing the impact of single opinions, including potentially flawed ones, in our results. We only end up with a high rating for a brand or product if the majority of reviews are positive and in the case of Seagull the overwhelming majority of reviews of all types are indeed positive.

Guitar amp modeling devices and software can reproduce various guitar-specific distortion qualities that are associated with a range of popular "stomp box" pedals and amplifiers. Amp modeling devices typically use digital signal processing to recreate the sound of plugging into analogue pedals and overdriven valve amplifiers. The most sophisticated devices allow the user to customize the simulated results of using different preamp, power-tube, speaker distortion, speaker cabinet, and microphone placement combinations. For example, a guitarist using a small amp modeling pedal could simulate the sound of plugging their electric guitar into a heavy vintage valve amplifier and a stack of 8 X 10" speaker cabinets.
Rotating speakers are specially constructed amplifier/loudspeakers used to create special audio effects using the Doppler effect by rotating the speakers or a sound-directing duct. The rotating speaker creates a chorus-type effect. Named after its inventor, Donald Leslie, it is particularly associated with the Hammond organ but is used with a variety of instruments as well as vocals. The Hammond/Leslie combination has become an element in many genres of music. The Leslie Speaker and the Hammond Organ brands are currently owned by Suzuki Musical Instrument Corporation. The stompbox that simulates this effect is the Uni-Vibe pedal.
Here we have another great Yamaha Its Sound is truly WELL beyond its price point someone will be very pleased. aprox..1972-74 YAMAHA FG160 WOW! . ...This is a Gorgeous MARTIN style REPLICA and for the money compares very well to the original in quality materials used..sweet vintage SPRUCE TOP now wonderfully ambered in color from age just too cool, The Back - Sides & Neck are all made from choice AAA Mahogany just what you would expect from an expensive Martin or Gibson...only you would expect to pay much more for one of those , but this is a rare early non "Nippon Gakki" model with the Red Label from Korea.. These early issue Red Label Guitars from Korea utilize the very same materials that were made in Japan. These components were used under strict quality control and 100% assembled in Korea from the very same vintage wood - components & parts as the Japan made Yamaha's. We have had many of these Red Labeled Yamaha's in the 180's & 160's currently and over the years I see up close and in person the very high grade AA mahogany neck s sides & back & the same nice nickel tuners & hardware the very same one piece solid neck no scarf joint at the back of the headstock area like the later Korean & Chinese examples ... This era exhibits just the same just as nice woods as those Japanese big dollar players but " SOME" not all are hidden treasures and are still a real bargain today when compared to the Japanese Red Label versions or a Martin or even Japan made models of this quality...fit & finish & the materials on this guitar are very nice! This guitar does not take the back seat to the Red Label Nippon Gakki version at all. The action is very EZ to play and the TONE is simply wonderful..The Condition is very good++ to excellent vintage it is not mint,and it is not beat..it has natural minor play wear and dings associated with a well loved and played quality guitar it has all the rich patina now of a true vintage acoustic and is quite beautiful in its own right. This guitar has a good history of care its a California guitar where the climate is stable and quite favorable to guitars and was adult owned & loved. This guitar has the preferable a nice MEATY U Shaped Premium Mahogany one piece solid NECK, the frets are still good, The Rosewood is gorgeous too it looks to be Premium grade as well..You will not be disappointed with this guitar at this price the sound is rich like a an expensive $1,000+ guitar, big tone ...no repairs, structural damage..It comes with a new set of Martin strings installed ready to play out of the box. TRULY STUNNING, SEE MORE ... This baby is nice and sweet in person...very nice, , with a classic MARTIN LIKE feel & Sweet-Tone that simply is very hard to beat. The neck is STRAIGHT and the frets are fine w/plenty of life left,this baby plays real nice she stays in tune very well.. .nice workmanship & choice select materials used....You will not be disappointed with this FINE YAMAHA FG160 guitar with NICE TONE & SOUND...its a real Great Player ....This guitars condition is rated at a 8+ Very good+ or better and is very good to excellent condition only a few very minor dings can be seen. this is a real Vintage guitar" and as you can see its in Gorgeous shape!. no known problems cracks-breaks-repairs with no other known issues at all. This one is is 100% READY TO GO!!! its in very good to excellent condition a solid 8+ OR BETTER. This .
However, Class D amplifiers (also called "switching amplifiers" or confusingly, "digital amplifiers") are more efficient than conventional Class-AB amplifiers, and so are lighter in weight and smaller. The Acoustic Image Focus head, for example, produces 800 watts of power and weighs 2.2 kilograms (about 4 pounds). Class-D amplifiers use MOSFETs (Metal Oxide Semiconductor Field Effect Transistors) rather than 'ordinary' (bipolar) transistors, and generate a pulse-width modulated signal that is filtered before it reaches the speaker.[15] In the 2010s, the availability of Class D amplifiers has enabled amp manufacturers to produce very lightweight and small, yet very powerful amp heads and small, lightweight combo amps.
Some of the most well-rounded acoustics on the market. They may not boast the character of some of the big names like the Martins and Gibsons but they fit in most musical situations just as well. Remember that Takamine achieved its success by copying Martin guitars - and they did a good job. Also they have some of clearest and cleanest electronic preamp systems on the planet. In fact, they essentially pioneered the style of electronics that we see in most guitars today. While you can spend an arm and a leg on one, you don't have to. I've had Takamines under $1,200 that played phenomenally. Don't make your purchase until you've tried one out.
This has always been one of the most revered brands of guitars amongst professional musicians. They sell one of the most affordable and durable electric guitars. The acoustic and classic guitars sold by this brand are ideal for students and beginners. The dreadnought sized body with cutaway has a Sitka spruce top with nato back & sides. The neck has 20 frets & dot inlays on the fretboard and made of nato. The bridge and fingerboard are made of rosewood. Yamaha’s own System55T. The starting price of a Yamaha acoustic 6-string guitar is 6990 INR.approximately.
Power-tube distortion is required for amp sounds in some genres. In a standard master-volume guitar amp, as the amp's final or master volume is increased beyond the full power of the amplifier, power tube distortion is produced. The "power soak" approach places the attenuation between the power tubes and the guitar speaker. In the re-amped or "dummy load" approach, the tube power amp drives a mostly resistive dummy load while an additional low power amp drives the guitar speaker. In the isolation box approach, the guitar amplifier is used with a guitar speaker in a separate cabinet. A soundproofed isolation cabinet, isolation box, isolation booth, or isolation room can be used.
Though it gained immense popularity during the rock ‘n’ roll days of the 1950s and 1960s, the electric guitar was invented in 1931. The need for the amplified guitar became apparent during the Big Band Era as orchestras increased in size, particularly when guitars had to compete with large brass sections. The first electric guitars used in jazz were hollow archtop acoustic guitar bodies with electromagnetic transducers. By 1932, an electrically amplified guitar was commercially available. Early electric guitar manufacturers include Rickenbacker in 1932, Dobro in 1933, National, Epiphone and Gibson in 1935 and many others by 1936.
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