This guide is as marvelously written as it is exceedingly informative. It takes a long look at each of the major and minor American guitar companies — Gibson chief among them — and recounts the story of every guitar to come off their workbenches. Buoyed by scads of historical photos and thoroughly researched copy, this book earns its place at the top of this list.

Here we have e very nice example of a great sounding and beautiful Vintage Martin D28 style copy acoustic guitars made by the master luthiers at Yamaha Japan Nippon Gakki. This is a high quality example folks not to be confused with the Taiwan China made versions.. this is the top of the line made famous from the last 1960's... The workmanship is excellent as is the woods chose he fit & finish is still 90% or better which translates to very good to excellent used vintage condition all-round .. The guitar plays with ease and has been upgraded here at JVG with a bone nut & saddle and a new set of Martin strings for its new owner who is going to love this classic no nonsense full sounding Boomer!... Here is a link to more pics of this fine Japanese crafted Yamaha: https://picasaweb.google.com/gr8bids/80sYamahaFG200TanLable4?authkey=Gv1sRgCO-azJ2orZPeLw#slideshow/5617864934522537362.

Often, multi-effects pedals and processors can be more cost-effective than purchasing multiple stompboxes. They also avoid the potential noise and tone-degrading impact of chaining numerous individual pedals together. That said, many guitarists prefer the way certain dedicated pedals sound or operate, and will collect many single-effect stompboxes along the way. If you are looking at purchasing multiple effect units but don’t have any favorites, purchasing a multi-effects processor can be a money-saving alternative.
In a very basic sense, your pickups create a magnetic field that is disturbed when guitar strings are vibrated above it. This, in turn, converts the vibration of the guitar strings into a current. The current is then sent through to your output jack where the signal then passes through your lead into your amplifier, where it is amplified. Different gauge strings vibrate at different rates e.g. an A string will typically vibrate at 440 cycles per second (440 hertz) which creates a current of 440 hertz in the pickup.
In 2003 Fender offered Telecasters with a humbucking/single coil pickup arrangement or two humbucking pickups featuring Enforcer humbucking pickups, and S-1 switching. These models were discontinued in 2007. As of 2008, all American Standard Telecasters came with a redesigned Tele bridge with vintage-style bent steel saddles. In March 2012 the American Standard Telecaster was been updated with Custom Shop pickups (Broadcaster in the bridge, Twisted in the neck); the body is now contoured for reduced weight and more comfort.
Description: Body: Maple - Flamed - Body Construction: Semi-Hollow (Chambered) - Top Wood: Spruce - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 20 - Inlay: Block - # of Strings: 6 - Scale Length: 25" (64cm) - Headstock: 3+3 - Bridge: Adjustable - Bridge Construction: Rosewood - Cutaway: Single - Hardware: Chrome, 2x Volume Control, 2x Tone Control, 3-Way Switch, Kluson Tuners - Pickups: Harmony - String Instrument Finish: Natural, Sunburst
Without going into technical details, the amp's power rating is directly correlated to its loudness. This means that the higher the power rating is, the louder the amp can go. But loud is not always better, especially when considering space and noise level restrictions, this is why even those with big wall of amps have a humble practice amp to play quietly with. Low power amps also let you crank the gain at lower volumes, so you can get to your amp's sweet spot without being a noise nuisance. Thankfully, some big amps now come with built-in power attenuators, which give you the option to lower the power rating when needed. Also note that many tube amps are louder than similarly rated solid-state amplifiers.
PRS: One of the best guitar brand one can go for (if they don’t want to go for the custom-built route). Their guitars look beautiful and sound buttery smooth. They have the most beautiful looking tops and inlay among non-custom guitars. The craftsmanship and attention to detail on PRS guitars is just exquisite. Of course they do have their custom shop called Private Stock and the Private Stock guitars are so gorgeous and meticulously built that anyone who sees them will be awestruck by their beauty, not to forget the sound of those guitars are like the voice of angels.

Amazing guitar for the price point. It's build is so accurate it requires no setup, just tune and it's ready to go. Great rich sound, very bright, great action up and down the neck. I can't put it down and I'm enjoying it more than my six string acoustics. There's something very forgiving about playing a 12 string vs a 6 string, the neck is slightly wider and there's more room for the fingers, and the pressure points on the fingers are wider too which lends to smoother playing.
Description: Guitar Type: Acoustic/Electric - Body Size: Dreadnought - Top Wood: Spruce - Back: Mahogany - Sides: Mahogany - Neck Wood: Mahogany - Neck Attachment: Set - Nut Width: 43mm - Fingerboard: Rosewood - # of Strings: 6 - Scale Length: 26" (66cm) - Headstock: 3+3 - Bridge Construction: Rosewood - Rosette: Pearloid - Hardware: 1/4" Output, Chrome Tuners, XLR Output - EQ/Preamp: Ibanez AEQ200T - String Instrument Finish: High Gloss Natural
went to great lengths to get here for a basic set up on a vintage les paul. after 3 months of long waiting guitar was no better off, it was different, but just as bad and completely unplayable. he may have spent 30 seconds tweaking the truss rod, but didn't do the necessary or requested fret leveling to resolve all the dead areas up high. unbelievable after 3 months to have a guitar unplayable after traveling such lengths to get here & back.
There are many excellent pedals out there, I especially like the ones that contain multiple reverbs like, plate, spring, hall, church, etc. Reverb can be a great subtle effect adding a slight bit of ambience to your guitar sound. This is especially nice when playing in small or dry rooms. Usually the larger the room, the less reverb you may want as the room produces its own reverb, which is exactly what we are trying to create with the effect! One of my favorite reverb tones is the old surf guitar sounds made famous by Dick Dale and the Ventures.
To finish, here's one damn good last trick: doubling an electric guitar with... anything else. I know that's pretty vague but I must say that I had a hard time putting it any other way. The goal is to listen to your guitar sound and analyze it to find out what it lacks. Then you "only" need to find a sound that can fill this "hole." For instance, a friend of mine once told me he doubled a crunchy guitar sound with a sample of a lightbulb being rubbed on his boot with the goal of emphasizing the strumming sensation. Much less arcane, there's the famous example of the particularly "fat" riff on Radiohead's Airbag. If you listen to the intro, you can hear that the riff is being doubled with a cello, which obviously adds a lot of the breadth to the sound, as I'm sure you'll agree. I would love to keep on giving you more ideas in this regard, but the scope of this method is so wide and open that the only thing I can tell you is to let your imagination fly, experiment and have fun!
Carvin is a guitar company with a different business model than the rest. You won’t find them at your local music store because Carvin only makes custom guitars. Their instruments are based around a handful of templates and each feature components that are individually chosen by the buyer. For this reason, it’s very rare to find two Carvins that are completely identical.
On paper it looks fantastic for the money, but having Google'd it I found some people were less than happy with the fit & finish. But I value the opinions of my fellow MLP'ers a bit more than those found on some other forums so I'd like to hear what you all think. Aside from the electronics, which I'd replace, how is the quality of this instrument? Is it as good as the singlecut models?
Our production/assemble time frame: 15 - 25 working days since our professional Control Team and Supervisor Engineer will ensure that your ordered guitar is top notch considering the fact that this guitar is intricate to assemble and they check very carefully every detail such as the finish, fret work, pickups, strings. And also, they will test the sound quality. We do not rush up the process of manufacturing your guitar since we would like to deliver to you best quality performance.
However, it does give you a good flavour of the Martin and is a very playable plug-in, one of the best ways to see proper guitar emulation in action without paying for it. There are tab and effects options and a keyboard for playing it (we’ll assume if you can play a guitar, you’ll opt for the real thing, anyway). While it is free, we think you’ll be sorely tempted to upgrade, which will set you back $169.
Oh, did you say you like lots of switches and pickups and knobbies?  Hell, welcome to our club!  Yes, the Norma 421-4 was the proverbial “king” of the catalog from 1968 to around 1970.  Similar guitars were sold in Japan at this same time, mostly carrying the brand name Liberty.This model was sold alongside a 12 string (EG412-2T) with a tremolo(!!!!!), a bass (EG467-2B), and a two pickup version (EG450-2).  Reading the catalog from 1968 is a real trip!  Here’s the description of the 412-4:

Beginning in 1960 with the T-60 solidbody, Teisco began to use the elongated “Strat” six-in-line headstock. This lasted through 1963. In 1963, the squarish Strat headstock appeared with the GB-1 solidbody bass. This seems to have lasted through 1965, but only on selected models, and with several subtle variations, including a slightly more rounded version. In 1964, probably later in the season, most of the Teisco solidbody line acquired a new hooked Strat-style headstock with four-and-two tuners on the guitars and three-and-one on the basses. This had the little hook at the throat like a Strat, and a larger hook on the tip, almost like a Woody Woodpecker plume.
Pitch correction/vocal effects: Pitch correction effects use signal-processing algorithms to re-tune faulty intonation in a vocalist's performance [96] or create unusual vocoder-type vocal effects. One of the best known examples of this is Autotune, a software program and effect unit which can be used to both correct pitch (it moves a pitch to the nearest semitone), and add vocal effects. Some stompbox-style vocal pedals contain multiple effects, such as reverb and pitch correction.
Original plate reverbs were mechanical in nature. There was a literal plate inside the amplifier, which would transform input signal into vibration. Then you would have a pickup located somewhere near the plate, that recorded those vibrations. Today, such a contraption comes across as relatively crude, but many still love the unique mechanical sound it produces. Spring reverb uses a pretty much exact same principle, only this time you have a spring in there instead of a plate. The biggest improvement a spring reverb offers is reduction in both weight and size of the device.
Fulltone’s popular Full-Drive pedal has the bonus of a switchable booster channel, while its overdrive channel goes to a fairly high gain and, unusually, uses asymmetrical clipping for a more textured sound that is quite different from the Tube Screamer’s. Asymmetrical clipping is also at the center of Boss’ SD-1 Super Overdrive (as used by Eddie Van Halen), generated by a circuit that uses two silicon diodes in series in one direction, and only one in the other, to clip each side of the waveform differently. Some players credit asymmetrical clipping with more richness, body and character; others say it sounds clanky and harsh, like an amp with mismatched output tubes. Then again, some guitarists—those in the former camp, probably—say they prefer the sound of mismatched output tubes for these same reasons. As ever, what works is up to you.
Let me tell you about the vintage look at why it is favored among so many musicians and aestheticians around the world. Well, I won’t be able to tell you much about the vintage look in this short text, but what I can tell you is the fact that some of the best looking items out there, and best sounding, are entirely vintage. Well the Vox MINI3G2CL Battery Powered Modeling Amp is one of the vintage looking but entirely modern technology employing amps that produce a great sound while looking positively scrumptious. This small amp avoids the problem of weak low tones that so many other amp have by incorporating a bass boost technology into its construction. As a result we get a small, portable amp with a handsome look and an incredibly well rounded sound, with expressive lows and expressive high both present. And the price point relative to some of the other options on this list makes it a required purchase, unless something else catches your eye that is.
PICKUP CAVITIES Same basic thing here. Be careful routing as you don't want to go outside you lines. The pickup rings tend to be thin along the outter edge, so if you go outside you lines it will look like there is a hole in the body of the guitar once you fit the rings on. Determine the depth that you will need for the pickups you are using. This is usually based on the length of the mounting screws. You will need enough room for them to fit. I use a 1/4" bit for this as well. You can use a template if you want but I do it free hand because any imperfections will be covered by the pickup rings.
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Harmony almost wrote the book on guitars and responsible for so many rock stars. Youngsters all over the world ordered guitars from Sears, Montgomery Ward, and later by JC Penny. These affordable guitars are now very sort after and have become very expensive. Many of these models have been copied and reissued over the years. In their heyday, Harmony was the largest manufacture of guitars in the USA. In 1964-65 they sold over 350,000 instruments. The pickup used during and around those years were made by DeArmond Company. Today Vintage DeArmond Pups are still valued and sold. Look into years of bands, and you will find VIP's of the Rock World, with a Harmony in their hands.
Practice amps often have an auxiliary line-in jack, so that the bassist can plug in a recorded music signal (often via an 1/8" jack), to practice along with a recording. The line-in jack can also be used to plug a drum machine into the amp, also for practice purposes. Some practice amps have a level control knob for the line-in input. Practice amps often have a headphone jack, with a feature that turns off the power amplifier when headphones are connected. This feature enables bassists to practice silently at night, to avoid disturbing others in adjoining rooms or apartments. Higher-priced practice amps aimed at pro bassists may have a DI out jack, so that the amp's preamplifier signal can be connected directly to a mixing board for a live show's sound reinforcement system or for a sound recording session. DI out-equipped units effectively turn the practice amp into a preamplifier unit.
I have come across a few guitars that were easier to play than just about anything else I've ever played, including scores of very nice, expensive guitars.  My champion here is an old Yamaha acoustic that I found at a garage sale for $40.  It looks terrible (burns, dents, dirty, etc.).  The tone is not sweet (hint of cardboard).  It plays like butter.  It is the one guitar that I have kept (out of way too many to count) to give to any family member who decides they want to learn.
This is the name given to the amplifier, separate from the speakers. It’s the pre-amp and amp in one box, which is usually placed on top of a cabinet or a stack of speakers. This is a common configuration for large venues, and it might be useful to have a separate amp head if you play a lot of festivals or “battle of the bands” events, where the speakers are generally provided by the organizer.
I want to talk about a session that I got hired for this week. On this particular session, I was asked to recreate a very early-to-mid 70’s guitar tone. Something in the vein of George Harrison. Maybe “All Things Must Pass” era.

So I want to talk about my method, and the process to get this sound. The first key element is guitar and amp. I always start here. I feel like this is the most important relationship in getting any era of sound.

“The bottom line is you get a better dynamic response from the coil. Most people who play a hand-wound pickup say it sounds more ‘open’. It’s easy to make a pickup sound brighter but to have a truly open voice it’s got to be dynamically responsive – and that’s what scatter-winding [intentionally irregular hand-winding of a pickup coil] does. Also, compared to a machine-wound coil, the frequency response is slightly extended. So the sound is bigger and you hear more not just in the high frequencies but also in the depths of the frequency response.”
Definitely agree that Fender should be number one. Marshall is over rated, and fender brings the tone way better then a Marshall hands down. Marshall makes you pay for their name, fender only charges you for the amp components and the time tested fender quality. Why do you think so many amp companies try to replicate the fender tone?... Because its awesome and blows peoples minds!

When we talk about instruments, sometimes the guitar gets all the credit. Of course guitars are great, but an electric guitar on its own—even a hollow-body—is only so loud. For giving one of the world's favorite instruments its voice, guitar amplifiers deserve a little love too. These amps and speakers are the powerhouses of your audio setup, turning your guitar's output from a simple electric current into those familiar sounds.

The relationship between perceived volume (loudness) and power output in watts of an amplifier is not immediately obvious. While beginners sometimes assume that there is a linear relationship between perceived volume and wattage (e.g., beginners may think that a 50-watt amp will be much louder, or about ten times louder than a 5-watt amp), in fact the human ear perceives a 50-watt amplifier as only twice as loud as a 5-watt amplifier (which is a tenfold increase in power in watts). Doubling the power of an amplifier results in a "just noticeable" increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier. Such generalizations are also subject to the human ear's tendency to behave as a natural audio compressor at high volumes.


When Levon Helm of The Band sang "I pulled into Nazareth, was feelin' about half past dead" in "The Weight," he wasn’t alluding to a weary pilgrim’s desire for salvation. Rather, he was singing about a mythological trip to Nazareth, Pennsylvania, home of C. F. Martin & Co., makers of Martin flat top acoustic guitars. Founded in 1833 by a German immigrant named Christian Friedrich Martin, whose father was also an instrument maker, Martin...Continue Reading
Additionally, Gibson’s president Ted McCarty states that the Gibson Guitar Corporation merely approached Les Paul for the right to imprint the musician’s name on the headstock to increase model sales, and that in 1951, Gibson showed Paul a nearly finished instrument. McCarty also claims that design discussions with Les Paul were limited to the tailpiece and the fitting of a maple cap over the mahogany body for increased density and sustain, which Les Paul had requested reversed. However, according to Gibson Guitar, this reversal would have caused the guitar to become too heavy, and Paul’s request was refused.[12] Another switch: the original Custom was to be all mahogany and the Goldtop was to have the maple cap/mahogany body. Beyond these requests, Les Paul’s contributions to the guitar line bearing his name were stated to be cosmetic. For example, ever the showman, Paul had specified that the guitar be offered in a gold finish, not only for flashiness, but to emphasize the high quality of the Les Paul instrument, as well.[12] The later-issue Les Paul models included flame maple (tiger stripe) and “quilted” maple finishes, again in contrast to the competing Fender line’s range of car-like color finishes. Gibson was notably inconsistent with its wood choices, and some goldtops have had their finish stripped to reveal beautifully figured wood hidden underneath.[citation needed]
Epiphone zenith guitar from the early 1960's,made from the 1931-1969,,16-3/8" body,oval pearl inlays,sunburst in color,single wide binding top & back.this guitar has a deep scratch on the top but not thru the wood,a couple extra holes in the top body on each side of the frettboard were it looked like an extra pickguard was,lots of finish crazing on the back of neck.this guitar has a new set of strings and plays and sounds great with nice action.

A Delay or Echo pedal creates a copy of an incoming sound and slightly time-delays it, creating either a "slap" (single repetition) or an echo (multiple repetitions) effect. Delay pedals may use either analog or digital technology. Analog delays often are less flexible and not as "perfect" sounding as digital delays, but some guitarists argue that analog effects produce "warmer" tones. Early delay devices actually used magnetic tape to produce the time delay effect. U2's guitarist, The Edge, is known for his extensive use of delay effects. Some common Delay pedals are:


“Volume pedals work well just before any delay or echo effects, as you can fade in and out of delays smoothly. A volume pedal at the very end of the chain just before the amp input will control master volume, and can also be used as a mute. Reducing the signal at this point will also reduce any noise. I put clean boosts right at the end—also just before the amp input—to ensure that any effects earlier in the chain would not be overloaded.”
“He played an SG, a Les Paul, a Flying V, as well as a Stratocaster, but he always sounded like Hendrix,” Clive Brown states. “He didn’t suddenly sound like Jimmy Page because he played a Les Paul. That’s where everybody’s perception seems to go wrong. It’s the playing, and not necessarily the guitar.” In spite of an entire multi-million dollar industry revolving around selling musicians the latest gear, and in spite of thousands of axeslingers, aspiring and acclaimed alike, who readily gobble up that gear, it all seems to boil down to two implements— and we’re born with those.
There’s a common belief that certain strings are better for beginners than others. While nylon strings can be easier on beginner’s fingers, the main thing that matters when it comes to guitar strings is the style of music you are planning to play, because the difference in feel and sound between the two materials is significant – even for a beginner.
Lest anyone think left-handed guitarists are at a disadvantage compared to their right-handed contemporaries, consider this list of some of the best known lefties: Paul McCartney, Dick Dale, Jimi Hendrix, and Albert King are just a few of the world’s most esteemed left-handed guitar players. In the 1950s and ’60s, though, left-handed guitars were often difficult to come by, especially for guitarists on a budget. This makes left-handed...Continue Reading
Featuring a small scale neck, the Squier by Fender Mini Strat Electric Guitar comes with three single-coil electronic pickups, with solid and intuitive master volume and tone control. The neck of the guitar is made of C-shape maple wood design, whiles the rosewood fretboard holding the strings and containing dot markings is designed in a manner that makes it easy to strum.
Echo controls usually let you determine the level, the period between playbacks, and the decay—the rate at which succeeding notes become quieter and quieter until they fade out altogether. The period (or time) parameter is often controlled by a single button you push repeatedly in time with the music. This is called tap delay and keeps your echo effect from clashing with the music's time signature.
1946 to present: Sitka spruce (darker than Adirondack). The change to Sitka happened on the larger "D" models first (in very early 1946). It took Martin a little while to use up all the smaller pieces of older Adirondack red spruce, hence the change to Sitka happend slower on the smaller body models. This is also the reason multiple piece Adi red spruce tops are sometimes seen on 0,00,000 bodies in 1946.
So you decided to play electric guitar. Once you get a guitar and an amp, the next step is to explore effects. Effects pedals can be separated into groups based on their functions. Understanding the different pedal groups is the key to getting the best sound when chaining them together. The largest pedal group is probably overdrives and distortions, and BOSS currently makes 16 different pedals in this category. For our example pedal board, we’ll pick the ST-2 Power Stack. Another category with many choices is modulation.These are effects like flanger, phaser, chorus, tremolo, and others. Let’s use the most versatile of these—the BF-3 Flanger. Another group is ambience effects, such as delays and reverbs. We’ll use one of each: a DD-7 Digital Delay and the FRV-1 ’63 Fender Reverb. There are some pedal effects that can add notes or alter the pitch of what you’re playing. For want of a more esoteric name, we’ll call these “pitch-altering” pedals. From this category, let’s throw in a BOSS OC-3 Octave. BOSS also has a few pedals that make your instrument sound like some other instrument. The AC-3 Acoustic Simulator will do the job. Some effects change your sound with filtering. This effect type can be used in different places in the signal path, so we’ll use the GE-7 Graphic EQ. A few BOSS effects defy categorization, but are nevertheless very useful in any signal path. The most common of these is the CS-3 Compression/Sustainer. Loopers fall into this category also, so let’s add an RC-3 Loop Station to the mix. And you might want the NS-2 Noise Suppressor to kill the noise in your rig, so let’s add that in, too. What about a tuner? The TU-3 is the most popular pedal tuner in the world.
The F Series Martin electrics were before my awareness of the diversity of the guitar universe, but I recall the appearance of the GTs, which got to stores in Wisconsin in the summer of ’67. I recall admiring the cool shapes and burgundy finish, although I’ve never been a fan of DeArmond pickups and, rightly or wrongly, always considered them a weakness. As already indicated, the GT Series was hardly a winner and fell victim to the general guitar malaise that swept the world guitar markets in around 1968. The same guitar bust that did in Valco/Kay and a host of Japanese guitarmakers did in Martin’s archtop electrics.
Even if he had never progressed beyond the brain-rattling riffing of "2112" and "Xanadu," Rush's guitarist would have left his mark on Metallica and other like-minded metalheads. But he went on to fill out Rush's power-trio sound with a seamless mix of lush arpeggios and rock crunch that sounded like at least two players at once. "The guitar just had to make a broader statement," he says. Alex Lifeson reserves his most daring playing for his solos – just try wrapping your head around the extra­terrestrial lunacy of "Freewill."

Third, the power ratings of guitar amps tend to be nebulous because the power is measured at a certain distortion threshold, yet most guitar amps are specifically designed to create distorted tones. Even with home audio gear, which isn’t designed to distort, it’s difficult to compare numbers across brands because each manufacturer comes up with their numbers in a different way. With guitar amps, it’s nearly impossible to make apples-to-apples comparisons of power ratings.


Prince at #10 just shows me that whoever made this list hasn't seen him play that often. And really, KR doesn't even need to be on the top 10. JH is way overrated, yes on the list, but NOT #1. But anyways, cool to see Prince even on the list. Those stupid people writing those comments are probably the ones that say "Prince plays guitar?" They are so living in a box!


Octave effects take the input signal and produce synthesized tones that are one or more octaves above or below it. They can be blended in with the input signal to harmonize with it in real time. The effect can be synthesized by monitoring the waveform of the input and multiplying or dividing the observed frequency by, for example, 2 (to go up or down an octave) or 4 (to go up or down two octaves). This takes advantage of the fact that tones that are an octave apart have a 2:1 frequency relationship; the frequency of the tone one octave higher than a root tone is always double the frequency of the root tone.
This multi-effects pedal lets you setup your virtual rig with up to five effects that include various modulation, distortion, compressor, delay, reverb and other effects. They can also run alongside the Zoom G1Xon's built-in amp modeling, which lets you choose between 22 different amps. Those are a lot of features in a small unit, thankfully Zoom implemented an interface that makes tweaking and configuring easier. As expected although you are still limited by two footswitches, it comes with an expression pedal, which adds even more to its value and usability.
A. Many professional musicians invest thousands of dollars in high-end guitars made from expensive and rare tonewoods. A $100 student guitar made from spruce is not going to produce that level of tonality regardless of the player’s skill level. As a beginner, your main focus should be on skills such as chord formation, fretting techniques, and basic scales. Improving tonality and performance are long-term goals.
Now that you have made it through, if you chose to build a guitar, you are probably going to want to make more. Hopefully some of the info as well as links I have provided has helped to get you started in the right direction. Guitar building is fun and chalenging at the same time, and if your like me you will always want to improve your skills and find something else to try out on your next project. I have added some pictures of some of the guitars that I have made down at the bottom so you can see my progression. So here's to having fun and building a piece of art that you don't just have to look at. Though they do look good hung on a wall!
The Line 6 Spider Classic 15 is similar in many ways to the Fender Champion 20. It offers digital simulations of various amplifiers and built-in special effects. The two amps are usually priced identically. The reasons we didn’t make the Spider Classic 15 our top pick is that it’s much larger and heavier than the Fender (about 40 percent overall, at 14.7 by 15.7 by 8.3 inches and 18.4 pounds), and its controls work in an unusual fashion that sometimes frustrated our panelists.
Choosing guitar strings is like choosing lenses and frames for your glasses.  There is a right strength of lens for you and when you switch frames it may take some adjusting to get used to.  This analogy is referring to the bridge height, nuts, and truss rod tension.  Do take your time to experiment but once you settle it's best to keep using the same gauges so you can dodge the lengthy set-up process from happening again.
Rather than being period-correct reincarnations, Fender's Original series aims for a ‘best of decade’ vibe. So, this Strat is alder bodied with a ‘round-laminate’ rosewood fingerboard that was implemented in mid-1962. In a mid-'60s style we get Pure Vintage ’65 Gray-Bottom single coils on an 11-screw mint-green pickguard with aged white controls. Meanwhile, a concession to modernism is the second, lowest, tone control, which originally would have been for the middle pickup, but here works on both the middle and bridge pickups. Another 'modern' inclusion is the ubiquitous five-way lever switch, which didn’t actually replace the original three-way switch on the Stratocaster until 1977. We defy anyone who opens a case and sees one of these beauts not to have an ‘OMG’ moment. The guitar that launched thousands of dreams back in the day still impresses 64 years on. You’ll find these ‘fixes’ on many Fender Custom Shop models, of course, but while these don’t come with any ageing or relic’ing they are significantly cheaper. Yet, viewed from a 2018 perspective, it gives Fender’s USA models a rare unity, a vintage nod to the escalating modernism
 of the Professional and ultra-tweaked and posher Elites. If you hanker after a new USA-made production Fender and want the most vintage-spec possible, this is now it. Vintage-inspired, yes, but with the fixes that many players will embrace.
Specs for combos were as follows: Checkmate 10 (6 watts, 6″ speaker, two inputs, striped grillcloth); Checkmate 12 (9 watts, 8″ speaker, three inputs); Checkmate 14 (14 watts, 8″ speaker, three inputs, tremolo); Checkmate 17 (20 watts, 10″ speaker, tremolo, reverb); Checkmate 16 bass amp (20 watts, 10″ speaker, volume, tone); Checkmate 17 (20 watts, 10″ speaker, reverb, tremolo); Checkmate 18 (30 watts, two 10″ speakers, reverb, tremolo); and Checkmate 20 (40 watts, 12″ speaker, reverb, tremolo). Piggyback amps included the Checkmate 25 (50 watts, 15″ speaker, reverb, tremolo); Checkmate 50 (two-channels, 100 watts, two 15″ speakers, reverb, tremolo, “E tuner”); Checkmate 100C (two channels, voice input, 200 watts, two 15″ speakers, reverb, tremolo); and the big hugger-mugger Checkmate Infinite (200 watts, two 15″ speakers, stereo/mono preamp section, reverb, tremolo and a bunch of other switches). The one shown in the catalog actually has a block Teisco logo and carried the Japanese-marketed name – King – in the lower corner.

• Brute force game : Offers the same realistic engine that can be found in STRUMMED ACOUSTIC 1 and 2 – ideal for chord accompaniment. It also contains riffs and a new game mode by picking Picking: just play a chord for creating very convincing arpeggio patterns. Reproduction of these new types of patterns should be completely familiar to users of STRUMMED ACOUSTIC.


For those of you out there with a stereo or home theater system, you'll be fine as long as you run the audio directly from the xbox through that. But since I have neither, I was stuck. I ended up bringing down my old CD player from my bathroom, just to see if that would work. SO much better. But since I didn't want to leave that ugly thing sitting under my TV in my living room I went out and checked around for speaker prices. After the money spent on the game and the guitar, I didn't really want to put too much more money into this. I ended up with a Turtle Island headset for $40. It seems to be doing the trick. Just be prepared for this extra expenditure if you don't have an external speaker system in place.
Beautiful Teisco Electric Guitar refinished in sea foam green or Daphne blue color, it has a custom series parallel pickups toggle switch, nice low action, sweet sound, plenty of tonal possibilities. Buy with Confidence....... Blessings! Item will be well packed, shipped and insured to any of the 48 contiguous States, No Alaska, No Puerto Rico, No Hawaii, No International buyers.
ASIO drivers do a bunch of things. For one, your DAW talks directly to an ASIO driver, no going through the Windows Mixer and actually bypassing a bunch of other Windows stuff you can’t see. The ASIO driver itself is very efficient. And native ASIO drivers allow you to adjust the buffering on that interface. If you’re working a DAW with 64 tracks of audio going to and from hard drive, you may need to add some “buffer’ memory to keep everything working, because computers are way better at doing a fewer big things than lots of little things. But if it’s just your guitar playing live, you can dial down to minimum buffering to make the delay through the PC as small as possible.
Here you get a very bright sound but the output will be less than if it were wired in series and you no longer have hum canceling. Since you are using just one half of the humbucker, "coil-cut" sounds best when using a high output pickup (DiMarzio "X2N", DiMarzio "Distortion", Seymour Duncan "Invader", Seymour Duncan "Distortion", etc). A coil cut switch is relatively easy to wire up and it is just a matter of connecting one end of an SPST switch to that junction that was created for series wiring and connecting the other end of the switch to ground. So, we now have another 2 tone humbucker arrangement that can easily be switched back and forth between 2 tone options.
"Soft clipping" gradually flattens the peaks of a signal which creates a number of higher harmonics which share a harmonic relationship with the original tone. "Hard clipping" flattens peaks abruptly, resulting in higher power in higher harmonics.[37] As clipping increases a tone input progressively begins to resemble a square wave, which has odd number harmonics. This is generally described as sounding "harsh".
Once you’ve gotten past the touch-or input level–intensive effects, your next primary goal is to refine your tone while at the same time minimizing noise. If you use a compressor, its ideal location is directly after the pitch shifter/harmonizer, envelope follower/auto wah and wah pedals. Because a compressor compresses the entire signal, it’s not recommended to place one after a boost, overdrive or distortion/fuzz pedal as those pedals often generate noise that will be boosted by a compressor along with the guitar’s signal.
We perform within include rings. Personal big assortment of pedals, a few I really like, a few foul odor. I quickly discovered how the just people who worry about the results tend to be additional music artists. The actual people( ladies dance mostly) might treatment much less. Therefore right now I acquired the tuner, as well as generate your pedal with regard to single sculpt.... that is this, as well as my personal sculpt rocks ! as well as straight forward. With regard to facilities felines it might be another tale.
Even with such a lightweight configuration, the Fishman F1 system is still more than capable of rendering the tone of the DCPA4R with a great deal of accuracy due to the superior tight focus on the preamp. This guitar is our pick for the top acoustic electric guitar if price is no object. There are many other awesome models out there and we urge you to check them out as well, but you'll likely find that your search could have ended right here.
Wah – a frequency-based effect that creates a sound similar to a voice saying “Wah”. A Wah pedal uses a filter that sweeps across the frequency band. In a pedal wah, pressing the toe down will make the guitar signal brighter; heel down makes the signal darker. The filter can be controlled either automatically by electronics within the pedal or manually by the use of an expression pedal giving the guitarist’s hands-free control over their tone.



A perfect jammer or learner guitar, the Yamaha Pacifica is a super inexpensive electric guitar option. While you really shouldn’t use this electric to tour or play live, you can still hook it up to an amp and shred to your heart’s content. With a maple neck and rosewood fingerboard, this guitar actually has a great look to it while also providing for a comfortable neck and fast action. Expect to pay under $200 for this super-affordable, super-shreddable guitar.


A standard Squier Stratocaster is mass-produced in factories located in Indonesia or China. For its construction, Squier usually uses woods readily available in those countries, such asagathis and basswood. They also use stamped metal hardware and multiple pieces of wood in construction to reduce waste and to lower costs. In some cases, the body is laminated, much like a plywood, rather than consisting of two or three solid pieces glued together.
Though not much is known about the production of the Hi-Flier after about 1977, it clearly came to an end — and clearly has had an impact on players in the vintage market. Used by guitarists like Cobain and Lee Ranaldo of Sonic Youth, as well as many others in a variety of bands, the Hi-Flier gained notoriety as a unique guitar with a sound as striking as its looks.
Did I say WoW....your going to love this one...Here we have a VERY rare GREAT FIND and premium example at that this over 35 year old vintage mandolin has absolutely beautiful flamed AAA Fiddle grade Maple to both the back chevron 2 piece & sides .... this piece is simply gorgeous and has an aged & wonderfully grained figured Sitka spruce top this a VERY High Quality. This is a Japanese made Artist grade Mandolin from the prime Japanese Law-suit era ... the very talented Luthiers built this example... this one was made in the mid 1970's at the famous Ibanez factory in Japan this example is cleverly labeled with a beautiful mother of pearl logo then unheard of " CARLO ROBELLI "... This is a Gibson exact REPLICA of the " F Style " MANDOLIN this M-700 M700 ACOUSTIC Mandolin in excellent vintage condition WoW! its so nice dare I say Near Mint...its over 30 years old and has that aged and mellowed tone and has emerged as a great sounding professional quality constructed PRO level beauty that is available for a fraction of what the very same vintage Ibanez or Aria m-700 Logo'ed Mandolin will cost... ( same factory built those to ) same luthiers same materials... as seen with the great original golden plush lined hard shell case.. all & all one of the best sounding & playing mando's available under $1600.00 vintage F style and beautifully flamed & figured Maple ..looks like old school nitrocellulose lacquer but no visible checking cracks but just one short 3" finish check on back and is almost impossible to see... a few buckle mars on back but so faint not threw finish and again almost impossible to see... guard is also in top shape not all scratched up..this baby is in under the bed for 30 years condition it looks more like its one year old condition wise as it is actually 30+ years old...as you can tell the finish has that aged patina and warm appearance of a vintage Mando.. here is a great one w/ its original hard shell case ..WoW! Its being cleaned up now and is looking as new... the guard's glue just came loose so it will get cleaned prepped & re-glued and ready for another 30 years. I will also be restring her with a new set D'Addario strings we have in stock and set her up... she will ring like a sweet bell and be ready to record with or tour. Copy & paste this link to view many new pics of this beautiful Vintage Japanese crafted Mandolin... https://picasaweb.google.com/gr8bids/70sCarloRobelliFMandolin?authkey=Gv1sRgCNbp6p6_1cicsQE#slideshow/5588480984817011186.
A 5 way selector is commonly found on guitars with 3 pickups , a humbucker in the bridge , single coil in the middle and a humbucker in the neck. So the 5 way selectors job is to select only one or more pickups at a time to offer different sounds on the guitar. The way the selector is pointed will tell you which pickup is selected and this is common on guitars from all brands. The bottom position is your bridge pickup which is closest to where the strings begin , the middle position is all 3 pickups and the top position closest to the neck is your ....you guessed it neck pickup. The bridge pickup will offer heavier sounds if you play the right notes and the neck for soloing as the output (intensity) of the neck pickup isn't as powerful as the neck for a reason. The more you play the more you'll see uses for switching pickups on the selector. The tone knob on the other hand it depends on how you use it I know a lot of guys who are endorsed and so forth who never touch the tone knob or have guitars built without it , but used properly it can do a lot of stuff from Eric Clapton to Carlos Santana type stuff. you will also see a 5 way selector on guitars with two humbuckers this feature is called a mega or super switch depending on brand. It makes the pickups do different stuff but this feature is usually found on expensive guitars and keep in mind a 3 way blade switch looks like one but only goes in three positions. Bridge , middle and neck.
I borrowed the above quote from an article on effects pedals by Robert Keeley (a maker of seriously fine effects pedals) which can help you remember the order to place your pedals. I have a few slight modifications and additions to this that I use, but this is a great way to remember the rough order quickly, and it comes from one of the great pedal masters.
Searching for something to give them a boost, in July ’68, Ovation introduced its first electric guitars – the Electric Storm series. Two models were available initially, the Thunderhead and the Tornado. These were f-hole semi-hollowbody thinline, equal double-cutaway guitars with German-made bodies, bolt-on Ovation necks, and Schaller hardware. Most had Schaller pickups with metal covers, a row of poles along each edge, and split, small, black inserts in the middle. Each was available with or without vibrato.
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Even though Ibanez is thought of as a modern guitar brand, we have decades of accumulated knowledge and a history of pushing the boundaries. The AZ series carries with it all of the hallmarks of these tried and tested Ibanez qualities: the smooth oval neck grip, the well balanced asymmetrical body shape, and the neck heel allowing unrivaled playability.

Ok so currently i run a Mesa 20/20 along with a GSP1101 and a MXR 10-Band EQ pedal. I love the MXR but would like to get a EQ in rack form. I see about a millon rack EQs out there but not sure which ones are made for guitar? They seem more focused on live sound/PA/Home recording..I am not sure if there all the same, Meaning a PA EQ will work for a guitar rack. 

One app I can recommend for playing these SoundFonts on smartphones or tablets is bs-16i from bismark.  Large SoundFount files like Nice-Keys-* listed at the top of this page have been tested and run perfectly on newer iPads with 3gb of Ram or more. For iPads with 2gb (Air2) it is best to limit the SoundFont size to around 600mb. For older devices try SoundFonts around 300mb.

As the name implies, RockJam is a guitar capable of giving you the best of rock sound and deep melody similar to the type you only get from the studio and stage. The RockJam RGEG02-BK ST Style Electric Guitar Super Packstands as the highest quality and most accessible full-size electric guitar kit of the modern era, a quality that still outstands many buyers till date.
Additionally, Gibson’s president Ted McCarty states that the Gibson Guitar Corporation merely approached Les Paul for the right to imprint the musician’s name on the headstock to increase model sales, and that in 1951, Gibson showed Paul a nearly finished instrument. McCarty also claims that design discussions with Les Paul were limited to the tailpiece and the fitting of a maple cap over the mahogany body for increased density and sustain, which Les Paul had requested reversed. However, according to Gibson Guitar, this reversal would have caused the guitar to become too heavy, and Paul’s request was refused.[12] Another switch: the original Custom was to be all mahogany and the Goldtop was to have the maple cap/mahogany body. Beyond these requests, Les Paul’s contributions to the guitar line bearing his name were stated to be cosmetic. For example, ever the showman, Paul had specified that the guitar be offered in a gold finish, not only for flashiness, but to emphasize the high quality of the Les Paul instrument, as well.[12] The later-issue Les Paul models included flame maple (tiger stripe) and “quilted” maple finishes, again in contrast to the competing Fender line’s range of car-like color finishes. Gibson was notably inconsistent with its wood choices, and some goldtops have had their finish stripped to reveal beautifully figured wood hidden underneath.[citation needed]
Cap paralleled with a resistor. DiMarzio and Seymour Duncan recommend this configuration. Typical values are 560pF and 300K. It’s supposed to provide more consistent treble bleed but having a resistor paralleled with the pot will mess up pot taper. When rolling the pot down it is actually getting closer to a ~190K pot because 500K || 300K gives around 190K.
I have been watching Marty, subscribe to many, but found Jonathan Kehew also a very good teacher with longer than most videos and a calm organized presentation . Would like to see what anyone thinks about Swift guitar lessons. I stated using his site as he allows downloads of pdfs of scales and other written material to accompany the videos. He also has three camera in camera closeups of chords and hand position. His appearance clothes, pale skin, open neck shirt, facial hair is a turn off but his content is good I think.

Finally the ease and portability of the small amp will allow you so much more flexibility with when and where you can practice. Just weighing a couple of pounds is already a great advantage over the rest of the amps available on the market. And being able to take it on road trips, travel trips, backpacking trips (for a bit of extra buck, we all have thought of doing it) means you can practice anywhere, any time. Small storage requirement means a great storing capability where you don’t have to worry about taking up too much space in your tiny room or apartment. It is great stuff, honestly.
One of the most important attributes of boost pedals is their transparency. In other words, they need to able to boost the signal without changing the signal itself. As easy as it sounds, achieving good transparency is pretty hard and not many pedals are capable of doing so. With that said, a good booster pedal is a pretty powerful tool in the right hands.
While many individuals who want to become guitar technicians dream of working with big-name bands, it is more realistic to work with smaller bands first to gain experience. Local bands often need extra help with many of the technical aspects of show production. Techs may be asked to perform other tasks besides guitar maintenance, such as stage set-up and breakdown, driving the tour bus and selling merchandise. All of these activities can provide techs with invaluable knowledge regarding staging live performances.

Originally this effect used 1/4″ tape going round a machine like the Echoplex. It then recorded whatever you were playing and played it back to you a set time later.Since its launch in the 1950’s tape based delay started to appear in more and more recordings. Its saturated sound and imperfect repeats gave it some stunning character that is still loved today.Now tape is dwindling so most people have moved on to emulated digital pedals. These get close to the sound of an original tape unit without any of the added maintenance.
Featuring a comfortable neck and solid spruce top, the Epiphone Dove Pro Acoustic-Electric Guitar rings out with full, rich sound. Based on a design going back to 1962, the Dove Pro is equipped with a Fishman Sonicore pickup system that accurately reproduces its acoustic tone when you plug the guitar into an amplifier or PA system to play with amplified instruments. A terrific value.
Unintentional phase cancellation can also occur if a guitar's pickups are wired incorrectly, or if a new pickup installed in the guitar has different magnetic or electric polarity from the one it replaced. To fix this, the pickup's magnetic or electric polarity needs to be reversed (which one exactly depends on the respective polarities of the other pickup(s) and whether or not hum-cancelling combinations are desired). While the latter is usually a small matter of reversing the pickup's hot and ground wires,[24] the former may be more difficult, especially if it requires the magnet(s) to be removed and reinstalled in a different orientation, a process which can damage the pickup and render it unusable if not done carefully.[25] This is the case with most humbuckers. On the other hand, single-coil pickups with magnetic polepieces can simply be repolarised by applying a strong enough external magnetic field.
I’m not a Fender amp guy at all. I know, a lot of people swear by them, and they do sound great, and are a standard in the indie world. They tend to have less options and features that a beginner might want to play around with, and to get those options you end up spending more money than you might be comfortable with. You also don’t get much horsepower for the cash compared to some of the other lower priced options. To me, a cheap Fender sounds like…a cheap Fender. Blues guys sure do love those Mustangs though.
Those who appreciate a more vintage design will love the Schecter S-II CUSTOM. It’s an original design which borrowed a lot of ideas from Gibson’s legendary SG series. Pickups are also in line with the overall theme, and they sound pretty great. There’s balance in the tone, the kind you don’t really expect to get from a Schecter. It definitely took me by surprise, a very pleasant surprise.
I'm unsure if this company existed or not, but since many major electronics manufacturers jumped into the electric guitar market in the 1970s, it seems reasonable that Hitachi could have ventured briefly into guitar production. A seller of the badged guitar "Splender" claims it was made by this company. Yet another seller claims the badge Slendon was made by this company.
Hawaiians were still available, but no information was available to me except on the EG-TW which was an eight-string double-neck with three telescoping legs. Each neck had two pickups, a selector switch, volume and tone control. Also offered was a curious instrument called a “Harp Guitar,” which was some sort of three-legged Hawaiian console with four electronic pedals!
I’m starting at guitar too at sixty years old, my opinion is that it’s not the guitar, but the time put into practicing, you can dup any type of sound with the features from amps, and guitar processors. You can even make an electric guitar sound like an acoustic. I purchased a line 6 150 watt amp, and a processor from line six, and I can dup any type of guitar sound. I built my own guitar
I gave one star at the Guitar, the running pegs that are in the product picture are not the same that you send me and sixth string tuning peg is winding back when I try to tune the gears inside has a play. I am really disappointed you put $6+ worth of tuning pegs in this guitar. On the left is is the picture of the T. pegs that Got. on the right is the one you send me as advertised
Yes and he lost the finger tips on his left hand and attached makeshift fingers out of thimbles but managed to play some of the greatest evil licks ever. I love Eddie but he screwed up Van Halen terribly by getting rid of Dave and turning it into a girl band. Duane was awesome and highly skilled and a sought after studio musician. Clapton is the master.
If you're in need of some assistance, you've come to the right place. At BestReviews, our goal is to help you find the perfect products to fit your individual requirements. We test items in our labs, gather feedback from existing customers, and consult experts. The result? Fair and thorough reviews that help you cut through the jargon. Read on for our full guide to electric guitars to learn all you need to know to pick the right one for your next jam session.
This legendary thinline electric guitar has been in continuous production since 1958 and has been updated for 2019. The new Gibson ES-335 Figured has the classic semi-hollow body construction with a chambered maple center block with a three-ply AAA-grade figured maple/poplar/maple top and back. Its bracing is made of quarter-sawn Adirondack spruce. The center block and bracing are both thermally engineered.
I play in cover bands. Own large collection of pedals, some I love, some stink. Then I found out that the only people that care about the effects are other musicians. The people( girls dancing mostly) could care less. So now I got a tuner, and drive pedal for solo tone....that's it, and my tone is awesome and hassle free. For studio cats it may be a different story.
Solder the electronics. The pickups you purchased should come with a schematic that shows exactly how to connect these to the controls and to the input for the guitar cord. Follow this schematic, using an ordinary electronics soldering iron to complete the job. Wrap any wiring connections with electrical tape, unless the manufacturer’s instructions suggest another method.
The Supro Spanish Guitar was a non-cutaway archtop built by Regal with electronic components supplied by National Dobro. Except for the fairly modern block-style Supro logo, this was pretty much a typical downscale pressed-top Regal archtop guitar, with a mildly rounded headstock, neck joining the body at the 14th fret, 20-fret rosewood fingerboard, five single-dot inlays, wooden adjustable compensated bridge and a simple trapeze tailpiece. The most distinctive feature was that the guitar had no f-holes. You’ll recall that the ’35 Dobro Electric Spanish was a “conventional” archtop, most likely with f-holes (a comparable National archtop also had f-holes in the beginning, but switched to the non-f-hole design in late ’36 or ’37, following the Supro pattern). The pickguard was typical Regal made of black Ebonoid plastic. In catalog illustrations this appears to have white trim around the edge, but this was apparently company “retouching” to make the pickguard stand out better in the pictures; real examples have plain black ‘guards. The oval, covered pickup sat on a wider oval surround which also held the single volume control. This pickup was nestled down near the bridge. The tuners were Harmony Tune-Rites, with polygonal pot metal buttons. The necks on National Dobro guitars which were entirely made by other manufacturers were glued in. Slightly later, when they began making their own necks and applying them to other bodies, National Dobro Spanish guitars had bolt-on necks.
Inspirational, motivational and light background tune with beautiful and atmospheric melody. Good production audio for the slideshow, presentation, youtube, advertising, business project, motivational and successful videos, inspiring moments, bright achievements, film scores. I used electric guitar, muted guitar, piano, staccato strings, bass, drums, Glock, bright pads.
Place one mic on each speaker at the same distance and orientation, and check the pair for phase cancellation by panning them to the same spot and listening in mono. The minute differences between the speakers, mics, and mic positions, combined with double-tracking, creates a monstrous presence when the tracks are hard-panned in the mix, and opens up a world of possibilities for separate EQ and effects processing. If you don't need the guitar to dominate the mix, you also can sum these mono-compatible tracks together to a single pan position for a noticeably bigger sound.

You should be aware of some drawbacks to using the 'free' sites over the licensed sites (or purchasing a book of official TAB). First, the versions of the songs at the free sites were created by folks who enjoy music and did their best to document how to play the song. It may not be correct. Second, even though these sites don't charge for access to the TAB, most are in the business of making money. You'll have to put up with advertisements, often including flashing banners and pop-up ads. Finally, the original artists do not get paid for these transcriptions. If you like what you find, you should follow-up by purchasing the official music from an licensed reseller.
A DPDT (2PDT or 2P2T) on/on switch has two channels (poles), each having three lugs. This is like having two SPDT switches in one. It’s the standard configuration for most push/ pull or push/push pots, and you can use it for almost all mods, including the seven-sound mod (if you leave one pole unconnected), coil-splitting a humbucker, out-of-phase mods (by adding some jumper wires from pole 1 to pole 2), a direct-through mod, and countless others. Let’s see what’s going on here.

I’m not a very good guitarist. In fact, some people would probably say I’m really awful. And that’s ok. But I’ve owned guitars. I can play a G chord. I can fumble my way through some 3-chord punk, alternative rock songs and a Beatles tune here and there. At the very least, I know a tiny bit about guitars and things. For example, I wouldn’t confuse a drum kit with a guitar, so score points for me there.
Once you've mastered the intricacies of single-transducer miking, it's fun to start working in stereo. For true stereo recording, you need a matched mic pair as well as a twin-speaker amplifier, preferably one with built-in stereo chorus and vibrato (such as a vintage Magnatone or a Roland Jazz Chorus). Two separate amplifiers fed by the same stereo delay or multi-effects unit will also work.
The key to capturing any kind of ambient tracks is a good reverberant space, although a narrow or dead room can also work, as long as there is sufficient distance between the guitarist and the amp. I usually put the air mic at least ten feet from the amp, positioned off-axis, or in an omnidirectional pattern to pick up as much reflected sound as possible. Placing a baffle between the guitarist and the amp will increase the apparent room size, as will making the amp sound pass through a doorway or turn a corner into another room.

GuitarFX™ guitar software (it's on the market since 1997!) enables you to turn your computer into a guitar effects processor. Simply plug your guitar into the microphone or line input of your sound card, run this software, then press "Start" button. To stop playbacking pre-recorded guitar sounds click once on a picture of a small red lamp placed left to fx-slot with "Playback wav" title. Enjoy real-time crazy distortion smoothed by power filters and shaped by multi-band equalizers! Author of GuitarFX™ offers several presets, including "hard rock", "high gain lead" and "solo" effects. However, you can click through several menus to easily create custom tones. They can be saved as pre-sets for future use. Pre-sets can be assigned to "hot keys" F1..F12. Among the effects, you can apply 4 types of distortion, noise gate, wah-wah, compressor, EQ, flanger, reverb, chorus, delay and a number of other filters and effects. You can save your recordings to your hard drive. GuitarFX has the "software effects chain builder" with 16 fx slots. Clean guitar signals go to the top fx slot, then they are passed through all fx slots from the top to the bottom and go to the sound card output from the bottom fx slot. You can move any fx slot up. To do this place your mouse cursor on the top part of the appropriate "Tune" button and then do right mouse button click. Also you can move any fx slot down. To do this place your mouse cursor on the low part of the appropriate "Tune" button and then do right mouse button click.
Featured specs include a solid sapele back and sides, solid Sitka spruce top, birch laminated (Stratabond) neck, Richlite fingerboard and bridge, white Corian nut and compensated white Tusq saddle. The neck shape is actually the same as that of the hugely popular Performing Artist Series. The neck also features Martin’s High Performance taper that makes it extremely ergonomic.
Recently had an Epiphone acoustic...irritating twangy sound and always falling out of tune. The body of the guitar is so large it's uncomfortable, even holding down the strings felt as though I would be drawing blood any minute. I hated to practice because of the sound & pain, traded it for the warm sound of the fender. Not only am I playing better, but holding down the strings doesn't hurt nearly as much (a little expected) and I can't wait to hear it. Now I understand how the phrase "it's music to my ears" came about. I'm in love with my Fender.
Looper – A time-based effect that records a “phrase” of your playing and loops it back repetitively. These phrases can play sequentially in a song-style format or overdubbed to create dense layers, as used by one-man band style performers, vocalists to beatboxers. Larger loop pedals have more than one pedal for multiple tracks and allow you to add in-built effects to your loops. Remember: If you want to record your chain of effects pedals, make sure your loop pedal is always at the end of effects chain.

Finding a good pickup for an acoustic guitar is a real personal choice that will depend on your budget, style, aspirations, and the actual guitar you own – that’s why we’ve written a focused article on the best acoustic pickups. Among the myriad of acoustic pickups on offer, you’ll find the quickest to install are transducer pickups, which attach to the face of your guitar – an affordable solution, although the sound quality isn’t as advanced as others. A step up is both undersaddle and soundhole pickups, which have their own pros and cons, while – at the higher-end – you’ll find internal microphones and hybrid mic/pickup systems, which offer a beautifully rich, natural tone. A great example of one of these hybrid systems is the LR Baggs Anthem Tru-Mic.
Large-diaphragm models are popular, with Neumann mics particularly favoured. The famous U87 studio workhorse is probably the most commonly mentioned, but it's by no means the only contender. Eddie Kramer, Steve Albini and John Leckie single out its predecessor, the U67, for example, while both of the earlier U47 models (valve and FET) receive name checks from people such as Steven Street, Glenn Kolotkin, Butch Vig and Bruce Botnick (note that U47s were marketed under both Neumann and Telefunken brand-names, but they're essentially the same mics). Neumann aren't the only game in town, though: AKG's C414B-ULS is probably joint most popular large-diaphragm model alongside the U87.
The idea behind a piezoelectric pickup is more or less the same as with any regular electric guitar pickup. Guitars which utilize this system have a piezoelectric pickup located under the bridge. Once you pick a string, the sound vibration from the string is then interpreted by the pickup, generates an electrical signal, and is then fed into the preamplifier to be boosted to line-level.  You can think of it like a microphone's diaphragm.
The prime advantage of Epiphone is that you get a guitar built to the same specs as the Gibson Les Paul, at a greatly discounted price. With that being said, an Epiphone is not equal to a Gibson simply because it shares the same design. The craftsmanship is where the two brands differ the most, as USA made Gibson’s utilize higher quality materials than the Epiphone line. Epiphone uses a cheaper mahogany in the construction of its guitars, while the electronic components are lower quality as well.
One day I want to own a Martin IN ADDITION to my Gibson.. but having tried both a lot.. the D-18, the D-28... I went with the J-45. The J-45 is special in that it has slim shoulders - you won't get an enormous boom out of it when un-amplified. But the sustain is super fine, and as accompaniment to the singer and as a tool for the songwriter, it is rock solid and it gives, gives, gives, then gives some more. Plus, it's sexy as hell - every boy might think he longs for a Martin, but every girl goes home with the guy with the Gibson.

When two sine waves with frequencies A and B are ring-modulated, the output will also contain the frequencies A+B and B-A. If frequency B is not a multiple of A, these additional frequencies are inharmonic; e.g. ring-modulating sine waves at 1000Hz and 1250Hz will add the frequency 2250Hz, which is neither a multiple of 1000Hz, nor of 1250Hz. When more complex sounds are ring-modulated, sums and differences of all the harmonic frequencies are added.
Roger Fritz is a professional luthier who makes guitars and basses for musicians like George Harrison and Randy Jackson. Roger is also a bass player who fell in love with the old Kay 1950's bass after having a friend recommend he play one. Roger, who had worked for Gibson in Nashville on their Bluegrass instruments, created his own company, Fritz Brothers Guitars in Alabama is making custom hand-made instruments for professional players worldwide. Roger was so enamored with the sound of the Kay (K162V) Pro Bass that he developed a clone and made them available for sale under the Fritz name. Roger Fritz was the missing link that was needed to make the project a reality: a Luthier that had a love for the instruments to be produced. Roger joined our team in early 2007 to help create and develop all the parts and features that made the Kay products different from all the rest. Most of the parts and molds were no longer available so everything had to be created from scratch. The pickguards, the knobs, the hand wound pickups, the tailpiece, and even the baseball bat style toggle switch cover all had to be manufactured using original parts as templates for the new reissued versions. Finding the parts was difficult and surprisingly expensive since we needed to search stores, eBay and contact collectors to find perfect originals to reproduce. The going price for a good vintage Jazz Special Bass today is $7,000. But after finding the parts and vintage instruments from avid collectors like Gary Walko, Vintage Kay historians like Michael Wright and Jay Scott, and dozens of avid fans, the project was able to take form.
For those students who want a simple path to good sound and don’t want to confront a wide range of tone and effects options, we recommend the Orange Crush 12. It’s a fairly traditional amp with controls for Bass, Midrange, Treble, Volume, Gain, and Overdrive (distortion). There’s nothing on the Crush 12 that can’t be sorted out with a few twists of a knob and strums of the strings.
Part of their Espana series, the Cordoba 45MR is handsome, handmade in Spain, and brings all the character of Spanish guitar music to the player, starting with the idea of using the guitars of the 1880s and 1890s as a model for the appearance and sound. Nylon-string guitars themselves came from Spain, so this is perfect for the player who wants as much connection to tradition and authenticity as possible.
In 1941, CMI became the national distributor for National Dobro products. In ’42, Victor Smith, Al Frost and Louis Dopyera purchased controlling interest in the company. By this time, however, the world was at war and almost all instrument manufacturing ground to a halt as all segments of industry converted to production of materials to support the war effort. In October of 1943, with builders in wartime hiatus, the new owners changed the company name to Valco Manufacturing, incorporating the first initial of each partner’s given name (V-A-L-Co).
Vintage styling, high quality speakers and that classic Fender cabinet warmth - there's a lot to love about the Fender Bassbreaker 212 Guitar Cab. Perfectly matched with the Fender Bassbreaker 15 & Fender Bassbreaker 45 guitar amp heads. There's 2 x 12 inch, 8 Ohm Celestion V-Type speakers inside and the semi-closed back ensure those rich, low end frequencies are captured. A great addition that can act as an extension cabinet to the Fender Bassbreaker 45 combo/head and the Bassbreaker 18/30 combo. if you want to add that signature fender warmth to your sound, this head is a perfect match to your own amplifier head with a total impedance of 16 Ohms.
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Like the Les Paul, the SG guitar models has an iconic status and it is another guitar coming from Gibson that has been passed-on to Epiphone to cater a wider audience because it carries a much friendlier price. This SG Special has the famous devilish cutaway body made from mahogany and has a bolt-on okoume neck with a comfortable to play slim tapered D-profile having 22 frets.

One half step down from Drop D. Utilized by bands like Dir En Grey, Our Lady Peace, Your Demise, Oceana, Alter Bridge, Alice in Chains on some songs (like "Them Bones" or "We Die Young"), A Day to Remember (on the song "It's Complicated"), Chevelle (on Sci-Fi Crimes), Of Mice & Men, Deftones (on their Around the Fur album), Evanescence, Paramore, Disturbed, Theory of a Deadman, Puddle of Mudd, Linkin Park, Sevendust, Skillet, Black Veil Brides, Steel Panther (on songs like "17 Girls in a Row" or "Gloryhole"), 10 Years, Black Stone Cherry, Truckfighters, Fireball Ministry, RED on End of Silence, Nirvana on In Utero, "Blew" live performances, "Been a Son", the Nevermind album and also by System of a Down. Also used by Lamb of God somewhat on their albums Wrath and VII: Sturm und Drang, and almost exclusively on their album Resolution. Avenged Sevenfold used this tuning on songs "Scream", "Almost Easy", "Hail to the King", "Requiem" and "Coming Home". Guns N' Roses used this tuning on "Shackler's Revenge" from Chinese Democracy. Metallica use this tuning on their song "Minus Human" off S&M, on Dirty Window from their album St. Anger and live performances of songs recorded in Drop D, Asking Alexandria on their first album (Stand Up And Scream), As I Lay Dying have used this tuning on a few songs. Trivium used this tuning on their albums In Waves and Vengeance Falls. Van Halen on their 1981 song "Unchained". The Presidents of the United States of America use guitars tuned to this tuning with the top three strings removed, although on Freaked Out and Small, regularly strung guitars were used. Tyler Bryant & the Shakedown use this tuning on some songs (like "Heartland" and "Aftershock")
By the late 1950s, the Les Paul was considered “staid and old-fashioned” as well as too heavy and expensive, no longer competitive with the Stratocaster, and by 1961 Gibson stopped producing the traditional Les Paul in favor of a lighter redesign called the SG. The mid-1960s, however, brought a resurgence of interest in the Les Paul, a development credited to one man and one album: Eric Clapton, using a Les Paul plugged into a Marshall Bluesbreaker amplifier as recorded on Blues Breakers with Eric Clapton (the “Beano” album, 1966),[13] set the standard for tone for a new generation of guitar players in blues and rock and roll (see Keith Richards’ contribution to the Les Paul legend below in the section ‘Renewed interest in the Les Paul models’ below). [14][15] Clapton was initially followed by American guitarist Michael Bloomfield and British guitarist Peter Green, and the subsequent rise in the instrument’s popularity was such that by the late 1960s Gibson reintroduced an updated Les Paul and a variety of other instruments “in its mold”, including a bass guitar.

If you do find yourself at a concert and there’s not a Fender onstage, there’s an exponential chance that there will be a Gibson – if not both. Getting their start as a small mandolin manufacturer in Kalamazoo, Michigan in 1902, the brand eventually went on to start building guitars, inventing the archtop style of guitar by using the same building techniques as violin manufacturers. In the 1930s, Gibson had made their first electric guitar, but it wouldn’t be until 1952 that the brand would unveil what is still their most popular and iconic guitar ever built: the Les Paul. Now based out of Nashville, Tennessee, Gibson’s storied history is littered with the presence of some of the greatest guitarists of all time, including B.B. King, Chuck Berry, Slash, Jimmy Page, Pete Townshend of the Who, and Angus Young of AC/DC.
  Technology is not based on good materials and dexterity alone. It's how you finish your work that counts. It's the little details that you labour over until it's just right. It's an arduous process of creating and destroying and rebuilding until its perfect; until there's nothing left to add, and nothing left to take away. Then it's ready. Swing is well known for its attention to detail in our incredible Custom Shop models, but what you may not know, is that we make no distinction between them and our retail guitars. They all receive the same exacting standard we demand of any product that carries the name "Swing". Our attention to quality and detail costs us more than what other manufacturers consider as an adequate alternative. We do not take shortcuts with every detail because we have found that the careful, educated player can hear those shortcuts. Again, it shouldn't come as surprise though, it's really the only explanation why after only 2 years in business we rose to become #1, and have stayed there for three years and counting.
The best way of working out which contact is which is to use a multimeter and see for yourself which contacts are connected to each other in the 5 switch positions. On the Fender-type and some import-type switches you’re given a good clue because you can actually see the mechanism or see through the switch casing. Watch this as you move the switch through the 5 positions – you can see which contact is always in circuit (the wiper) and which ones are in circuit in each position (1, 2, 3, 4 and 5). This method of visualising the switch also helps when it comes to fitting the switch to your pickguard and getting it the right way around! Now, where does the wire from the bridge pickup go again…
Now that you know a little bit of history behind the electric guitar, let’s dive into some of the different types of electric guitars that you can find at Sam Ash. You may be thinking to yourself, “Why are there so many different types of electric guitars?” The reason is this: each and every type of electric guitar serves a unique purpose and will cater to various types of playing styles and musical genres.
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