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I started by consulting with an old friend, Ken Korman, guitarist of the New Orleans band The O-Pines and a serious aficionado of guitars both expensive and cheap. He gave me some good ideas of what kinds of guitars had hit the market in the last few years and a few models we should consider considering. A walk through January’s National Association of Music Merchants (NAMM) show in Los Angeles gave me further insight.
This fully analog simple plug and play guitar amplifier is enjoyable to play with. It has a switchable clean and dirty channel with separate volume knobs that shares a 3-band EQ treble-mid-bass and gain control to add more grit so players can arrive on a crunch and lead sounds. Other useful attributes on the amp are set of input jacks for a headphone and audio source to play along with a backing track.
Neck Construction – The neck part of the guitar includes the fretboard and headstock. The tuners are mounted on this part of the guitar. The width and profile of the neck affects the playability of the guitar. Most necks are either “C” or “U” shaped. In most cases, the fretboard is made from a thin layer of rosewood or ebony, but some guitars have maple necks. Fretboard have position dots and other inlaid markers that assist the player. There are generally 3 types of necks – bolt on, set neck and neck through.
Squier Affinity Stratocaster has all the same features of the Fender Stratocaster guitar at a highly affordable price. It has a maple neck and an alder body which gives it a snappy Strat tone. It also has three single-coil pickups that can be manipulated by a 5-way switch. A vintage style tremolo system makes it a great choice for those who like that system.
The Telecaster was important in the evolution of country, electric blues, funk, rock and roll, and other forms of popular music. Its solid construction let guitarists play loudly as a lead instrument, with long sustain if desired. It produced less of the uncontrolled, whistling, ‘hard’ feedback (‘microphonic feedback’) that hollowbodied instruments tend to produce at volume (different from the controllable feedback later explored by Pete Townshend and countless other players). Even though the Telecaster is more than half a century old, and more sophisticated designs have appeared since the early 1950s (including Fender’s own Stratocaster), the Telecaster remains in production. There have been numerous variations and modifications, but a model with something close to the original features has always been available.
Plate reverb and spring reverb were the first attempts to simulate reverb in a portable device. The plate and the spring, respectively, are made of metal and attached to a transducer. The signal is fed to the transducer, which causes the plate or spring to vibrate. Reverberations bounce around the plate or spring. A pickup at the other end, converts the spring or plate's vibrations back into an electrical signal.

For many engineers, a simple one-mic technique gives them all the recorded electric guitar sound they need. Dynamic types, such as the ubiquitous Shure SM57, are ideal for capturing loud sounds, as they can handle high SPLs. For a more accurate representation of the amplifier as the human ear hears it in the room, a condenser or ribbon mic can be employed, although care must be taken not to damage the mic with very loud signals. Pointing the mic at the centre of the speaker cone produces the brightest sound, with the sound becoming increasingly warm the further off-centre it’s placed. It’s common to position the mic quite close to the speaker grille, unless a degree of room sound is desired. A good starting point is to place the mic just off-centre, at a distance of between two and six inches.

The Ford Model T was revolutionary. The only horses involved were under the hood, which was a big enough deal at the time, but we now know that the assembly line process behind it would go on to revolutionize the way we manufacture tools, vehicles, and the rest of our modern appurtenances. In all honesty, the Model T had a long way to go. Consider how that horseless carriage would hold up today. When we put nostalgia and historic significance aside, it’s the last car you’d want take a long trip in or depend on for daily commutes. From a modern day performance perspective, the Ford Model T was garbage.

Amazing guitar for the price point. It's build is so accurate it requires no setup, just tune and it's ready to go. Great rich sound, very bright, great action up and down the neck. I can't put it down and I'm enjoying it more than my six string acoustics. There's something very forgiving about playing a 12 string vs a 6 string, the neck is slightly wider and there's more room for the fingers, and the pressure points on the fingers are wider too which lends to smoother playing.
Compressors also have the ability to increase the sustain of notes beyond sounds that are normally usable on the instrument; yet another reason the effect is a popular tool in the soloist’s arsenal. The tiniest signal can be normalized to the same amplitude of a fierce pick attack, and a trailing note will resonate at the exact same volume until the string stops inducing a signal on the pickup.
You wouldn’t guess that this is a low-end electric acoustic, even on close inspection, because the build quality is superb. This translates to some great tone. While it might not have quite the same ring and sustain as an expensive model, only real audiophiles are likely to notice. You get a solid spruce top, good quality hardware, and Fishman electronics.
There's no reason not to try an effect if you want to. Sure, some kind of effect might mask some bad habits (reverb and delay might sort off mess your timing), but distortion for example is almost like playing another instrument, and if you're into punk/rock, the sooner you try it the better. You will have to figure out ways to mute the strings and reduce string noises, which is part of the technique.
This Schecter is an entry-level guitar into those kinds of tones that are an alternative to the standard Fender and Gibson sounds. Also, the arch top offers another kind of “feel” for playing that gives you slightly more accessible right-hand technique (it’s subtle, but it’s there), plus the body shape tucks the switches and controls out of the way.
Before doing a setup, I’d recommend you put a new set of strings on the guitar. Specifically put the type of strings on that you intend to use in future, since different gauges (and sometimes brands) can require a slightly different intonation setup. If you don’t know how to restring a guitar, then have a look here: http://diystrat.blogspot.com/2011/08/stringing-guitar.html
Microprocessor technology allows the use of digital onboard effects in guitar amps to create numerous different sounds and tones that simulate the sound of a range of tube amplifiers and different sized speaker cabinets, all using the same amplifier and speaker. These are known as modeling amplifiers, and can be programmed with simulated characteristic tones of different existing amplifier models (and speaker cabinets—even microphone type or placement), or dialed in to the user's taste. Many amps of this type are also programmable by way of USB connection to a home computer or laptop.[15] Line 6 is generally credited with bringing modeling amplification to the market.[18][19] Modeling amplifiers and stompbox pedals, rackmount units, and software that models specific amplifiers, speakers cabinets, and microphones can provide a large number of sounds and tones. Players can get a reasonable facsimile of the sound of tube amplifiers, vintage combo amplifiers, and huge 8x10” speaker stacks without bringing all that heavy equipment to the studio or stage.
Many of the best guitars I saw in my trip to Japan were models made for their own domestic consumption. After World War II, U.S. Armed Forces Radio blanketed Japan with American music. As a direct result, rock and roll, country, bluegrass and American popular music all took strong root in Japan creating a vibrant market for good guitars. Although Japanese players would have preferred to be able to buy genuine American Martins, Fenders and Gibsons, the supply of such instruments in Japan was extremely limited and prices were simply beyond the budget of most of the Japanese population. Japanese manufacturers produced a very wide range of instruments from low-priced student models on up to remarkably sophisticated professional-grade instruments, some of which were better reproductions of vintage American instruments than any of the American manufacturers were doing at the time. These high-end instruments are seldom encountered in the USA because they were priced high enough that wholesalers in the USA did not find them economical to import. Regardless of how good a Japanese guitar of that time might have been, if it cost anywhere near the amount of a new Martin, Fender or Gibson in the USA, there would have been no point in bringing it into this country. For example Tak Inoue, the export director of the Morris Company of Matsumoto, Japan, told me at that time that he had approached Fender to offer them Japanese-made versions of the Telecaster and Stratocaster which he proposed they could import and sell at a lower price that the standard American-made models. He told me that he gave them what he considered to be a very competitive price only to be told that Fender would not be interested since their cost at that time to make a genuine American made Telecaster or Stratocaster in their Fullerton, California, factory was actually lower than the amount quoted by Mr. Inoue. Needless to say, it would appear that CBS, the owner of Fender, had a very good profit margin at the time.
You can reach me by phone all day(8am until 5pm) on Monday through Saturday  If I don't answer I probably have machinery running or have both hands busy but leave a message and I will call you back shortly. During off hours please leave a message and I will call you that evening or the next morning. Feel free to email me with any general questions you may have.
Note that the information presented in this article is for reference purposes only. Antique Electronic Supply makes no claims, promises, or guarantees about the accuracy, completeness, or adequacy of the contents of this article, and expressly disclaims liability for errors or omissions on the part of the author. No warranty of any kind, implied, expressed, or statutory, including but not limited to the warranties of non-infringement of third party rights, title, merchantability, or fitness for a particular purpose, is given with respect to the contents of this article or its links to other resources.
Wonderful and excellent nicely summarize how the market feels about the Washburn WL012SE. Many are impressed by its solid build, while others are into it for the aesthetics. It also gets plenty of love for its build and sound quality. Even experts like Ed Mitchell of Music Radar have mostly good things to say, he concludes his review with this statement: "The WLO12SE is a beautifully realized reminder that you should take the time to narrow your search and find a playing experience and tone that suits your needs perfectly."
There is a beauty to the guitar-cable-amp approach. It doesn’t get any easier, unless you take up playing the flute. And the lack of toys to mess with will certainly make you focus on playing more. By changing your pick attack, vibrato, or the volume and tone controls on your guitar—you’ll rely on your hands instead of stepping on a box to change tones. I believe it’s beneficial for all of us to just plug straight in at least once in awhile and rock out with unadulterated tone.
The Articulations page exposes all of the Shreddage II articulations to the user in a fully-customizable mapping scheme. The user can activate articulations via keyswitches or velocity ranges. The Engine page reveals the back end of Shreddage II for users seeking to tweak Shreddage II into the ultimate performance tool, with controls for velocity response, transposition, pitch bend range, resonance controls, pedal behavior, and control over noises like release and pick.

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Not only is Mick funny, but the book is extremely useful for learning theory, efficiency, technique, playing over chords and more. Similar to Creative Guitar (recommended below), Mick is all about having you put in the work to learn what he's laying out. While you'll spend more time learning this way, it'll pay off and at the same time, teach you a great way of learning.
The display borrows a lot of its design cues from Guitar Hero—which is probably a good thing, since so many players are already familiar with that system. Like GH, Rocksmith has vertical columns to show you which frets to hold, and the notes move toward you until they reach a line that represents the moment you're supposed to play them. However, GH's display didn't need to move since there were only five buttons. Because it has to span the entirety of an actual guitar neck, Rocksmith's display floats up and down. If you're playing primarily notes between the fourth and seventh frets, for example, it will show you just those frets on the screen, then slide up to the 10th or 11th when it's time for you to play those.
Some of the most impressive pieces of equipment come in small packages and in the shape of an item you would not expect to be as good as it is. The proof of this is the deceptively simple looking Mugig Portable Amplifier for Electric guitar, with 10W of power. This piece of equipment is on the big side of small, but is perfect in every single aspect of it, other than the size. The design is simple and understanded, the ease of transport is guaranteed, while the sound takes over the mind and heart of the musician and the crowd instantly. It is possibly the best electric guitar amp that I have gotten to mention on this list.

Before it gets shipped to you, each Monoprice guitar undergoes a setup, tuning, and inspection process by Master Luthier Roger Gresco here in Southern California. The setup ensures that the neck is straight, the action is right, and that it will stay in tune. Additionally, it comes with everything you need to get started, including strings (installed), a heavy-duty zippered black gig bag with shoulder strap, and a truss-rod wrench.

If you’ve ever stepped foot into a music store, you’ve seen a Hal Leonard book. They’re iconic in the annals of guitar-learning lore. They’re not the hippest or the most accessible, but they nevertheless remain key fixtures. This compendium combines the three books of the method into one. Just about everything you need to know is in here somewhere, though it’s commonly said that an instructor is needed to parse the flow of information. Still, it’s a great reference and if it makes sense to you out of the gate, there’s the potential to learn a lot from this classic tome.
The BOSS ME-80 gives you all of the effects needed to create that elusive signature tone. The multi-effects unit is a great way to learn how different effects interact with each other to provide you with crystal-clear tones to fuzzy, thick walls-of-noise. If you have an ME-80, download BOSS Tone Studio for an easy way to experiment and learn these effects, have fun and use your ears to build your best guitar sound.

The Ibanez RG series is basically synonymous with shreddable metal music. Inspired by the classic JEM series of the glammy 80s rock years, this GRGR120EX guitar is perfect for the guitar player who aspires to be a real metalhead. The body is made of solid alder and it comes with a slick black binding. There are two super-high-output, extra-snarly Infinity R pickups that will respond well to overdrive and distortion pedals. Moreover, a rosewood fingerboard with classic Ibanez sharktooth inlays and sharp black hardware make this guitar look like the real deal.

Ibanez is a Japanese music instruments manufacturer that has produced some of the most iconic guitars of the 20th century. Established in 1908, the company started to design the first guitars in 1957. Ibanez was one of the first companies to gain popularity in the US and Europe markets. It also was the first to mass-produce 7- and 8-string guitars.
Fuzz was originally intended to recreate the classic 1960's tone of an overdriven tube amp combined with torn speaker cones. Oldschool guitar players (like Link Wray) (citation needed) would use a screwdriver to poke several holes through the paperboard part of the guitar amp speaker to achieve a similar sound. Since the original designs, more extreme fuzz pedals have been designed and produced, incorporating octave-up effects, oscillation, gating, and greater amounts of distortion.
I skimmed ahead and quickly realized that, at last, someone has written THAT GUITAR BOOK that we are all looking for when we start out but that no one seems to have written yet but that you hope to write someday when you finally figure out what you are doing so that you can help others and prevent them from wasting so much time and money and hopes....(takes a breath)
When Electric Mud was released, it was a huge success, selling 150,000 in the first six weeks. It was also the best selling Muddy Waters record at Chess ever, entering Billboard's Top 200 Chart. It was a triumph of a record that updated his sound and put him elbow to elbow with the bands that had influenced him. The record broke down restrictions of genres with its inventiveness and ability to re-arrange songs and have them come out as something radically different. Unfortunately, narrow-minded blues purists across the board denounced it as atrocious, offensive and a big "sell out." There's a direct similarity between this and what happened to Bob Dylan a few years earlier when he decided to go electric, making his folk-purist fans angry that he was "selling out" to rock and roll. Since Muddy is primarily a blues artist, overviews of his career would be written by a number of blues historians who would automatically dismiss this record for years to come.

Yes, he wears a KFC bucket on his head and a Michael Myers mask on his face, but he's a genius. Buckethead (real name Brian Carroll) plays every style, from country to death metal. Albums like 'Monsters and Robots' and 'Population Override' are must-haves for any aspiring guitarists, and instrumentals like 'Nottingham Lace' and 'Too Many Humans' take some beating. - Floods

What if you don’t have a music shop nearby and need to order a guitar online? Our recommendation is that when you have read through our list of the best guitars, select a few that you’re interested in, and look them up on YouTube. There you can watch (and listen to!) great reviews where you can hear the guitar be played and get someone else’s opinion on it. Try listening to the different guitars directly after each other so you can determine which one sounds the best.
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If you do want to use single pedals then BOSS compact pedals come with a buffer circuit that converts your high impedance input into a low impedance output. For a more detailed discussion on the topic of single pedal buffers check out Steve Henderson’s excellent article here: https://www.rolandcorp.com.au/blog/buffered-effects-true-bypass-and-boss-pedals-by-steve-henderson
The Kay Gold Line professional series became synonymous with that rich gutsy Blues/Jazz sound that eventually became rock. This unique blues sound was not available from any other guitar of that time. For the past decade vintage Kay instruments have been fetching high prices and have had increasing interest from collectors and players because of the cool, campy look and that unique Blues/Jazz sound.
This thing has taken quite a rap from what I've seen. People griping about it not being as good as the previous model. I don't know much about the other model, I didn't have one. So, I'm unbiased. I've had tons of peddles, singles and multi fx. I absolutely love this! I've been playing for over 20 years on stage. I'm a worship leader at a big Church. This is great for replacing my single peddles. I thought it was very comparable in sound. I use it through an American Peavey classic 30 with an English Celestian speaker. It rocks, period. I think the sound quality is great. I don't need tons of options. I hate too many. I like have the excellent fewer options. They are great! I love how easy it is, I had it figured out right away. I've used both. On stage and studio. This is ... full review
You can get an entirely new perspective of the fretboard by starting from the C-A-G-E and D chords. This book can help create a roadmap for the guitar, where you'll be able to know each fret's note name - one of the most important things to learn when playing. If you're unsure about learning this system, do a search for the CAGED system on YouTube and see if it's something you'd be interested in.
Description: Body: Mahogany - Body Construction: Solid - Neck Attachment: Set - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Inlay: Custom - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tremolo - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black - Pickups: Ibanez - String Instrument Finish: Satin Oil, Transparent Black Sunburst

The guitar output jack typically provides a monaural signal. Many guitars with active electronics use a jack with an extra contact normally used for stereo. These guitars use the extra contact to break the ground connection to the on-board battery to preserve battery life when the guitar is unplugged. These guitars require a mono plug to close the internal switch and connect the battery to ground. Standard guitar cables use a high-impedance 1⁄4 inch (6.35 mm) mono plug. These have a tip and sleeve configuration referred to as a TS phone connector. The voltage is usually around 1 to 9 millivolts.

One other effect that depends on EQ modulation is the wah pedal. As you rock forward on the pedal, the sound becomes more trebly. As you rock back, the treble range is muted. In the middle positions, a wah produces a nasal, midrange-heavy tone that is interesting and useful in its own right. Since you can change the wah's tone constantly while you're playing, it's a very dynamic and expressive effect that can become an integral part of your playing. Jimi Hendrix was one of the first guitarists to exploit the wah’s capabilities.
The EB-18 was not all that popular among bass players, and total production has been estimated at 874. The more expensive follow-up model, the EB-28, was even less popular with a total production of 217 units.[16] See also: E-18 series guitars[17] Martin did not resume building basses until 1989 (during the MTV Unplugged era), in which their approach was more consistent with company history:

The two piggyback guitar amps included the 1010 Guitar Amplification System ($605), which offered 10 tubes, 105 watts, two channels, four inputs, volume, bass, middle and treble controls for each channel, presence, reverb, tremolo, variable impedance, and a cabinet with eight 10″ Univox Special Design speakers with 10-ounce ceramic magnets and epoxy voice coils. The cabinet grille had eight round cutouts. The 1225 Guitar Amplifier System ($435) had eight tubes, 60 watts, two channels with the same controls as the 1010, and a cab with two 12″ Univox speakers with 20-ounce ALNICO magnets and 2″ voice coil. The grille had two large round cutouts with two small round cutouts on the sides. The amps had handles on the top, the cabs handles on the sides, to make life easier for your roadies.
Like his conversational singing, Willie Nelson's guitar playing is deceptively laidback, playfully offbeat and instantly recognizable. Amazingly, Nelson has been playing the same Martin M-20 classical guitar, nicknamed Trigger, since 1969; it has defined his sound, a nylon-stabbing mix of country, blues and Django Reinhardt's gypsy jazz. Though the guitar now has a large gaping hole, Nelson still plays it nightly. "I have come to believe we were fated for each other," he said. "The two of us even look alike. We are both pretty battered and bruised."

These chords will form the foundation of your guitar playing and are, thankfully, rather easy to learn. With a little practice and patience you will find them coming together quickly. The beginner guitar songs use the chords below and introduce them gently. These songs are a great way to build up your guitar foundations to a level of solid competency. By playing through them in order and being patient with each one you will quickly develop your skills.
For his work on Supernatural, Glenn Kolotkin turned to elaborate multi-miking as a way of managing Carlos Santana's complicated setup. "I used multiple microphones on Carlos' guitars: Electrovoice RE20s close, Neumann U47s further away, an SM56, U87s. He was playing through an assortment of amplifiers at the same time, and by using multiple microphones I was able to get just the right blend."
I know a lot of you out there fancy yourself as “tinkerers”, and many of you may actually be quite good at handling repair work to your own instruments, but I’ve always been more of the kind who loves to find a good repair person. Number one, if the repairer doesn’t do the right job, or there are problems with the work they did, they have to own up to it, and make sure it’s done right until you are fully satisfied. Then of course, if they are actually a selected and accredited repair person for a given guitar company, it’s even better to bring them the guitar, rather than trying to take matters into your own hands.
WOW! This thing is incredible. One of the nicest instruments we have ever played and we've had, played and sold a few hundred over the past 20 years! Can't say enough about this bass. It's a pre-owned Zon Legacy Elite series 5-string model featuring a beautiful book-matched solid Bubinga wood top over a solid Mahogany wood body. A solid graphite neck / fingerboard utilizing a sculpted body neck joint finishes off the basic construction of the instrument. Huge tone is delivered via 2 active Bartolini pickups that feature controls for volume, bass, midrange, treble and balance. This bass has had the electronics modified by Zon to move the midrange control from the access hole in the back cover to a matching pot located in the control section on the front of the bass. While at Zon to get the custom electronics installed,  the original owner had new frets and a new finish coat added. Figured as long as it was there "what the heck". Tuning is accomplished via the 5 German made Schaller tuning machines in the same gold plate finish as the solid cast bridge. The solid graphite neck features a full 2 octave neck with 24 frets and a 34" long scale. This bass is a dream to play! Just about as good as it gets. There's not a mark on it anywhere. It looks brand new! Rock solid and stays in tune. Set up perfectly! Includes original Zon Soft exterior hard shell case on black Cordura.
Taylor, Martin, Gibson all great production brands... Which is better comes done to what you like sonically, visually and of course the feel in your hands. It is also difficult to compare one brand versus another unless you are comparing similar designs using the same tone woods and in the same price range. Anyone espousing one is better than the other without doing this is not being honest with themselves. I own a Martin and two Taylors, all are great and have different voices and feels... Even the 2 Taylors are very different in sound and looks. In the end I vote for Taylor because I like the neck carve and feel that the looks and build quality are a bit better in the $3K - $4 price range. If your looking for something in a lower $500 - $1, 000range you probably should be considering Yamaha or Takamine. Though in the end you get what you pay for.
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Famous for having created reference electric guitars like the Telecaster and the Stratocaster in the 1950's, the US-based manufacturer has also been offering amps since 1948 to complement its guitar range. The first series was called "tweed" because of the typical cabinet covering. Among Fender's most well-known amps, we have the famous Bassman (1952), which was originally conceived for bass guitar, as its name implies, but turned out to be readily adopted by guitar players. The Twin (1952) and its different variations (especially the Twin Reverb) also influenced rock history with The Beatles, Jimi Hendrix and Eric Clapton. Fender's amplifier range is quite comprehensive (see the Hot Rod, Champ, Princeton, and Bandmaster series) and its common denominator is a clean sound that is still a reference in its category.
Reverb: Reverb units simulate the spacious sounds produced naturally in a huge stone cathedral (or other acoustic space such as a hall or room). This is done by creating a large number of echoes that gradually fade away in volume or "decay". One early technique for creating a reverb effect was to send an amplified signal of the music via a speaker to another room with reflective surfaces, such as a tile bathroom, and then record the natural reverberations that were produced. A plate reverb system uses an electromechanical transducer to create vibrations in a plate of metal. Spring reverb systems, which are often used in guitar amplifiers, use a transducer to create vibrations in a spring. Digital reverb effects use various signal processing algorithms to create the reverb effect, often by using multiple feedback delay circuits. Rockabilly and surf guitar are two genres that make heavy use of reverb.[89]
The guitar output jack typically provides a monaural signal. Many guitars with active electronics use a jack with an extra contact normally used for stereo. These guitars use the extra contact to break the ground connection to the on-board battery to preserve battery life when the guitar is unplugged. These guitars require a mono plug to close the internal switch and connect the battery to ground. Standard guitar cables use a high-impedance 1⁄4 inch (6.35 mm) mono plug. These have a tip and sleeve configuration referred to as a TS phone connector. The voltage is usually around 1 to 9 millivolts.
If you want to combine the dynamics of a well-recorded drum kit with the pumping excitement you get from heavy compression, send either the overheads only or the entire kit to a buss and insert a nice-sounding compressor there. Set the compressor to a high ratio and low threshold and mix in some of this with the song. You may need to adjust the attack and release controls to get the effect you're after, but you don't need to blend in much of the compressed sound to really add punch and weight to a drum track. Nicholas Rowland
GuitarFella reviewed the Bullet Strat, and despite a few minor complaints concluded, “It was supposed to be the ultimate beginner guitar. Seeing what kind of impact it has now, it’s fair to say that Squier succeeded.” AudioRumble said it “pretty much sets the standard for all other budget guitars.” The last time we checked, its Amazon average rating was only 4.0 out of 5 stars in 14 reviews, but the only specific complaints were about apparent damage in shipping.
The vast majority of bass amps in the 2010s can be powered solely by AC mains power, obtained by plugging the amp into a wall socket. Inexpensive practice amps may have the AC mains plug hardwired into the unit. Middle-priced to high-priced amplifiers typically have a removable cable and plug, as used with PC computer towers. The benefits of having a removable cable and plug is that if the cable becomes worn or damaged, a new cable can easily be replaced by a layperson. If a hardwired AC mains cable and plug becomes worn or damaged, a qualified technician or electrician will typically be required to replace the cable and plug. Most amps are designed to work for a single voltage. A small number of expensive bass amps designed for touring professionals have user-selectable voltage, which enables a bassist to play with same amp in North America and Europe. A small number of small combo amps can run on both AC mains power and battery power. This enables bassists to play outside where there is no access to power (e.g., for busking on the street). Amps that are battery powered may have a 12 volt input, enabling the unit to be connected to a car battery with alligator clips.
Eddie's Guitars specializes in the finest electric guitars available today. We have spent many years seeking out the best builders, brands and models available from yesterday and today. From classics like Fender Custom Shop and Gibson Custom Shop to boutique builders like Collings, PRS, Tom Anderson, Grosh and John Suhr we have every avenue of the sonic world of guitar covered.
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