Your guitar is a model H1213 Archtone made in 1963. Harmony did a great job of stamping model numbers and dates of manufacture on their guitars, but they often require some decoding. The F-63-HB is the date code and the two numbers, not surprisingly, indicate 1963. The “F” preceding the year was often thought to be a fall production indicator while the other letter stamp they would use was an “S,” which researchers thought stood for a spring production instrument. However, a former Harmony employee notified a Harmony database website that it is more likely an “F” stands for “first” and “S” stands for “second.” He explained that Harmony would shut the factory down for two weeks in July and that guitars produced before this break were stamped “F,” while guitars produced after were stamped “S.” The H1213 is the model number as indicated in Harmony’s catalogs and literature. The “3714” is the serial number of your guitar, but little information has been uncovered as to what this series of numbers represents. More than likely, it was a consecutive production number of that particular model for either the first or second half of the year.
There have been two documented 1970 Brazilian rosewood D-28's, which are anomalies. The first one was #265783, which was retopped with red spruce in 1993. The second one is serial number 265941. There are several D-35's with mixed woods in the 3-piece back. Like D-35 #258962, which has a Brazilian rosewood center wedge in the back. Note some post-1969 Martins have some Brazilian rosewood, in the bridge, bridgeplate, fingerboard, or peghead veneer.
In 1958, Gibson made a radical design change to their Junior and TV models: with the design change came cosmetic changes to these guitars that would later take on enormous importance. To accommodate player requests for more access to the top frets than the previous designs allowed, Gibson revamped both these electric guitar models with a new double-cutaway body shape. In addition, the Junior’s fresh look was enhanced with a new cherry red finish, while the re-shaped TV adopted a new, rather yellow-tinged finish for its new design.
PRS S2 Vela comes as one of the more extraordinary models in this company’s lineup. This is made apparent by the body shape that stands out from their usual designs. When I had some one-on-one time with this axe, it left a good impression. One thing that really stuck with me was just how light it was. That usually means a thinner tone, but not with this PRS. It plays great, and is pretty smooth.
Taylor does produce a more budget friendly line of instruments with the 200 series, which is ideal for beginners looking to capture their famous sound at a fraction of the price. Taylor also produces small bodied guitars such as the Baby, Big Baby and GS Mini, which rival their full bodied instruments at a lessened price and are perfect for kids and beginners to learn on (6).
Even though recorded sound traces back to late 1877, the widespread access to this technology has only become available some 60 years later. As we go back in time, reaching 1940s, we run into the first ever instance of reverberation being used in music recording. It didn’t really take long for this trend to become popular, spreading throughout the world. However, back then there were no effects pedals or anything similar. Devices we have today were science fiction at best. Old school producers had to resort to various other means to achieve the reverb effect.
Resonator guitars are distinctive for not having a regular sound hole instead they have a large circular perforated cover plate which conceals a resonator cone. The cone is made from spun aluminum and resembles a loudspeaker. The bridge is connected to either the center or edge of the cone by an aluminum spring called the spider. The vibrations from the spider are projected by the cone through the perforated cover plate. The most common resonator guitars have a single cone although the original model patented in 1927 by John Dopyera had three and was called a tricone resophonic guitar. Resonator guitars are loud and bright. They are popular with blues and country guitarists and can be played with a slide or conventionally.
In 2000, for the anniversary of the Squier line of Stratocaster guitars, that year’s model was offered in a limited-edition green finish. The “Crafted in China” Squier Affinity Strats are different from their immediate predecessors; most have plywood bodies, larger headstock shapes, and somewhat inferior small parts. The pick guards generally now have 11 holes and screws, departing from the original ’50s style. Many people attribute the Affinity’s decline in quality to the introduction of the changes in 2000. The next major change for the Affinity line was a reduction in body thickness from 1.75″ to 1.5″, noticeable in size and weight.
Effects are often incorporated into amplifiers and even some types of instruments. Electric guitar amplifiers typically have built-in reverb and distortion, while acoustic guitar and keyboard amplifiers tend to only have built-in reverb. Some acoustic instrument amplifiers have reverb, chorus, compression and equalization (bass and treble) effects. Vintage guitar amps (and their 2010-era reissued models) typically have tremolo and vibrato effects, and sometimes reverb. The Fender Bandmaster Reverb amp, for example, had built-in reverb and vibrato. Built-in effects may offer the user less control than standalone pedals or rackmounted units. For example, on some lower- to mid-priced bass amplifiers, the only control on the audio compression effect is a button or switch to turn it on or off, or a single knob. In contrast, a pedal or rackmounted unit would typically provide ratio, threshold and attack knobs and sometimes "soft knee" or other options to allow the user to control the compression.
Martin & Co is without a doubt one of the most reputable acoustic guitar makers in the world, so if you or someone you know is planning to spend a lot of dough on an acoustic guitar - it best be a Martin. One of the more recent releases from Martin that deserve special mention here is the 00-42SC John Mayer, a signature guitar inspired by the classic Stage Coach(SC) design, which were prevalent in an era where small bodied parlor guitars were highly favored.
Do these sites harm the artists, or do they spread the understanding of music? Do they generate more sales of music, or reduce it? Do they provide education and stimulate participation by young people in the creation of music? Do they remove the incentive for artists and publishers to faithfully reproduce official versions of TAB, lyrics, or music notation or do they encourage people to seek official versions when they find the unauthorized versions lack the detail or accuracy they demand?
The woods used on the body and neck are worth considering too, although are unlikely to be a defining factor when you consider your purchase. Basswood features heavily as the body wood of many guitars in this price range because it’s affordable and has decent tonal properties. You will also find cheaper to produce woods like poplar and alder, although the traditionally more premium mahogany is also found on affordable guitars these days.
When Rolling Stone founder Jann S. Wenner asked John Lennon how he rated himself as a guitarist, Lennon replied, "I'm not technically good, but I can make it fucking howl and move. I was rhythm guitarist. It's an important job. I can make a band drive." It is, and he did: Lennon was the Beatles' spark plug and bloodletter, often adding rawness to pristine pop songs. Listen to the airborne strums that power "Help!," the circular riffage of "Day Tripper" or the deceptively sloppy "The Ballad of John and Yoko" – where, with George Harrison away on holiday, Lennon turned rudimentary lead and rhythm lines into sharptoothed magic. He was also capable of generating a truly ferocious tone: In the live promo clip for "Revolution," Lennon makes his hollow-body Epiphone Casino screech like a very angry lawn mower. Still, he didn't get his due as a guitarist in the Beatles' heyday. "They call George the invisible singer," Lennon said. "I am the invisible guitar player."
A. If you're a beginner or you're buying for a beginner, you'll probably want to start with a fairly basic guitar, just in case you don't like playing. You can also find sets or starter packs that come complete with a small practice amp, a lead, a strap, and other useful items for new guitarists. These usually work out cheaper than buying the items separately, but not significantly cheaper, so don't worry if you have your heart set on a guitar that doesn't come as a starter pack.
Without going into technical details, the amp's power rating is directly correlated to its loudness. This means that the higher the power rating is, the louder the amp can go. But loud is not always better, especially when considering space and noise level restrictions, this is why even those with big wall of amps have a humble practice amp to play quietly with. Low power amps also let you crank the gain at lower volumes, so you can get to your amp's sweet spot without being a noise nuisance. Thankfully, some big amps now come with built-in power attenuators, which give you the option to lower the power rating when needed. Also note that many tube amps are louder than similarly rated solid-state amplifiers.
Johnny Marr: I'd already played a couple of shows before that with a couple of bands. I'd been in a couple of bands before I met Andy, even though I was fourteen or fifteen at the time. We met in school, Andy and I. I'd been playing in these little kid's kinds of bands at twelve and thirteen. When I got to fourteen and fifteen, I got invited to play in a couple of bands with much older guys.
Standard Series : Brown Sunburst, Black, Arctic White, Lake Placid Blue, Candy Apple Red, Midnight Wine, Copper Metallic SunburstAmerican Standard Series (as of 2012):Black, 3-Color Sunburst, Olympic White, Jade Green Pearl, Charcoal Frost Metallic, Candy Cola, Mystic Red, Mystic Blue (alder), Sienna Sunburst (ash)American Special Series (as of 2010): 3-Color Sunburst, 2-Color Sunburst, Black, Candy Apple Red, Olympic White, Surf Green
This comment is directed towards the video of the gentleman changing guitar strings. I have an LP Junior, so I don't thread my strings through the guitar body. But I'm curious why he is turning the guitar completely over, flipping the guitar towards himself each time when he could in fact just lean the guitar away from himself, leaving the back of the guitar facing him? I know that seems a bit nit picky, but it would be tremendously more efficient just leaving the guitar on its side with less risk of the string damaging the guitar surface. Any thoughts or am I just missing something?
The output transformer sits between the power valves and the speaker, serving to match impedance. When a transformer's ferromagnetic core becomes electromagnetically saturated a loss of inductance takes place, since the back E.M.F. is reliant on a change in flux in the core. As the core reaches saturation,the flux levels off and cannot increase any further. With no change in flux there is no back E.M.F. and hence no reflected impedance. The transformer and valve combination then generate large 3rd order harmonics. So long as the core does not go into saturation, the valves will clip naturally as they drop the available voltage across them. In single ended systems the output harmonics will be largely even ordered due to the valve's relatively non linear characteristics at large signal swings. This is only true however if the magnetic core does NOT saturate.
Mother-of-pearl rosette inlay. If you’ve had acoustic guitars with mother-of-pearl accents, you’ll appreciate the beauty of the mother-of-pearl inlay around the sound hole. This particular rosette pattern is inspired by the 1920’s Domingo Esteso design, which will be a treat for those who love specific historic details like this. Even if history isn’t your concern, the mother-of-pearl colors enhance the pattern.
The company was within three months of going out of business before it was bought by Henry E. Juszkiewicz, David H. Berryman, and Gary A. Zebrowski in January 1986. Gibson's wholesale shipments in 1993 were an estimated $70 million, up from $50 million in 1992. When Juszkiewicz and Berryman took over in 1986, sales were below $10 million. New production plants were opened in Memphis, Tennessee, as well as Bozeman, Montana. The Memphis facility is used for semi-hollow and custom shop instruments, while the Bozeman facility is dedicated to acoustic instruments.
Their are also guitars made with a "compound radius", which is a little rounder in the lower register, and a little flatter in the higher register. The true best of both worlds. Warmoth makes necks with a 10"-16" compound radius, as do some production guitar companies. I have a custom made guitar with a 16"-24" compound radius, and it's REALLY flat. Takes some time to get used to. It's breeze to rip on, but not nearly as comfortable to play rhythm on as my other guitars.
The Squier Vintage Modified Jaguar Bass has major “cool” factor, and the sound holds out, too. With a P-bass style single in the neck position, and a J-bass style single in the bridge position, you’ll actually get the best of both worlds in terms of tonal options on the pickups. You have a choice between basswood (on the sunburst and crimson models) and agathis (on the black model), so there isn’t anything special about the woods they’re using in these basses. But the slim, fast-action, C contour of the maple neck will give you a nice, smooth J-bass feel that plays well above this guitar’s pay grade.
This is a Japanese Fender Jaguar electric guitar played on the both pick-ups setting and is played through a Fender Bassman '59 Reissue with old valves in. This amp gives a really nice full clean sound. I have recorded it on the edge of break up so the low velocity samples come out clean and the high velocity samples come out with a bit of nataural power valve distortion. You can add more distortion with effects if you need it dirtier. It is hard to get this natural break up sound with effects which is why I have recorded it that way and if you add distortion it still has the natural bite of a valve amp (except with more distortion). This makes it very expressive just by the difference in tones at different played velocities. The lowest velocity is muted samples. Presets include a standard mapped guitar, a fake twelve string (octave harmonies on each key) and split voices of muted fifths at one end and solo guitar at the other end of the keyboard (for quickly creating tunes and ideas). There are other banks of the same presets except with long releases (for sustained notes), chorus and/or reverb added to give the different variations. The amount of reverb can be altered with cc12 and the amount of chorus can be altered with cc13. Reverb and chorus has to be enabled on your soundfont player to use them. The sound is suited to a lot of types of music. These guitars have been used for all sorts of music over the years. It has not much sustain and makes a bright clean sound.
Guitars vary by type. Some are designed for beginners, while others are customized for professional guitar players. Most of the major guitar brands are available in a variety of different styles, each designed to best suit a customers' specific playing needs. Ease and sound are certainly big factors to consider when choosing a new guitar. In general, heavy wood makes the tone rich and full--the weight and quality of the wood makes a big difference when choosing which guitar you should purchase. The type of music that you will be playing will also have an impact. While Fenders may be the best for rock and metal, an Ibanez may be more well suited for blues and jazz.
Fuzz gained much glory from the sixties and seventies when popularized by musicians such as Jimi Hendrix. Today, fuzz pedals have evolved into a staple for some bands and is capable of producing everything from a singing, warm sustain to a scratchy, velcro sound. The mainstay of a fuzz pedal's sound is produced by an electrical component called a transistor. Fuzz pedals today can be created from silicon transistors, or germanium transistors. Silicon is known to produce a slightly harsh or bright sound (some consider it sterile) while germanium typically accentuates the low end and produces a warmer sound. Just as extreme settings on a silicon fuzz pedal can easily produce a harsh, glass-like sound, extreme settings on a germanium transistor based fuzz can produce an overly warm, and muted tone.
Also worth an honourable mention is the iconic Gibson Hummingbird, a square-shoulder dreadnought named after the bird which Gibson best felt described its unique qualities. The Hummingbird is one of those unique things in that it’s an acoustic guitar which eschewed the industry-standard natural wood finish of around 98% of its peers in favour of a cheery sunburst finish more commonly seen on Gibson’s now famous electric guitars like the Les Paul and ES-335.
It is a German company that manufactures bass guitars. Making a really good bass guitar is a difficult task. However, Warwick bass guitars have really mastered this daunting task. The growl of the bass, and its hollow and beautiful resonating tone is a striking feature of the bass. The company employs stringent quality control methods in wood seasoning, cutting, and resonance engineering. It is highly regarded among bassists and has attracted many notable artists like Robert Trujillo (Metallica) and Adam Clayton (U2). One of the greatest things about Warwick is that they manufacture guitars for everyone, from amateur hobbyists to professional players. If you are new into electric bass guitars, then Rockbass Corvette Basic and Streamer Standard Electric Bass guitars are great options for a rocking start.
Maintaining these items does help though, perhaps every year or so remove the cover plate or pickguard and clean out any dust building up on the switch and contacts, it'll make them last for years to come so it's worth the minimal effort. You'd perhaps clean the fretboard and frets, so it's worth thinking about the other, hidden, functional parts too.
What makes the THR100HD special is its clever digital power amp, which faithfully mimics the operation of real valves. Then there's the fact that you get two of everything: two preamps, both with a built-in booster function that behaves as a stompbox; two effects loops; two power amps; two XLR line outs. What you see is very much what you get, with a five-position amp voice selector, which packs three overdrives - crunch, lead and modern - and two cleans: solid, and er, clean. There's also a channel volume control, because the master volume control works inside Yamaha's Virtual Circuit Modelling environment, adding more drive to the THR's digital power amp simulation, which in turn has five different valve choices, as well as Class A or Class A/B operation. Lurking on the rear panel are two speaker-simulated balanced XLR line-outs, with a ground lift switch that uses the latest Impulse Response cabinet simulation. There are superb Fender-influenced cleans, bluesy touch-sensitive crunches and a choice of classic or modern lead tones, all footswitchable for your convenience. The tones are so convincing it's really hard to believe there are no valves. The interaction of the clever digital power stage with the loudspeaker is just like that of a good valve amp, and the virtual valve choices are uncannily authentic.
Bridges and Tailpieces – These two parts of the electric guitar work in unison to control the tone and playability of the guitar. The bridge is mounted on the lower portion of the guitar. The strings are routed over the bridge before ending in the tailpiece. Bridges help to tune the strings of varying length, thickness and metals and they allow easy adjustment of the string length.
You're close, but not quite where you want to be with your tone. You are officially a serious tone chaser; you've already swapped the stock burstbuckers in your awesome R9 Les Paul for something better ... but you are still only at 95-percent of the TONE you want, need, and hear in your head. Keep seeking grasshopper, and you will find. For only those who persist will drink from the holy grail.
When it comes to its dimensions, all interested buyers should know that it is quite sizeable on the exterior (the unit has the following external measurements 40″ length x 12″ (upper bout)/ 15″ (lower bout) width x 3″ height). Likewise, the bag is quite spacious on the inside (39.5″ length x 12″ (upper bout)/ 14.5″ (lower bout) width and 2.5″ in height).
Fishing some thin wires through the jack holes from outside can work. I use stranded wire and strip the insulation from the end. I’ll divide the strands and wrap them around the pot shaft. It’s a delicate balance — you want enough ‘wrapping’ to grip the pot for pulling, but not enough to get in the way of getting the pot shaft through the mounting hole.
Once again we traverse the extremities of guitar body sizes; from the sleek parlour shapes to the rather obviously named jumbo sized acoustics. If dreadnoughts are the poster-boys, and parlours the waif-like supermodels, then jumbo acoustics are the plus-size, brash, loud ones who just want to have fun. You’ll probably have seen jumbo-sized acoustics in the hands of Noel Gallagher or Bob Dylan, and the benefits here are measured in sheer volume. With all that extra wood, there’s more room for the sound to reverberate around the body, resulting in a big, bold sound which simply can’t be recreated from a smaller bodied guitar.
Their innovation continued by developing a bowl shape guitar body - the result, at least to my ears and that of many other guitarists, is that the resulting tone of their acoustic-electric guitars is similar to those using traditional tonewoods in their construction. Unlike more radical brands like RainSong, they still use traditional woods for the tops of their guitars.
Of all the positions GC interviews for, tech has the highest standards and is arguably more demanding in terms of hours worked and product knowledge required than store manager. The tech for the store I worked at frequently worked 60+ hours a week to keep turn-around time to a week or less and his set-ups were so good and in such high demand that the store got an exception to the chain-wide $35 set-up price to charge $50 in hopes of lightening his load/keeping his overtime down, but he still got just as much work as he did before. If you're unsure about the reputation of your local GC's tech, don't be afraid to call the other stores and ask them who the best tech in their district is, because they'll usually be pretty straight forward with you. Most GC sales people have had their instruments set up by their in-store tech at least once and if their tech isn't very good, they'll tell you who you should go to if you want good work done because it's an absolute pain in the ass dealing with a customer whose instrument wasn't set up right when the tech is gone for the day and having to deal with the tech's fuck-up.
This guitar is one of the most popular choices for those looking for a quality acoustic guitar under $500. It comes in a dreadnought size or concert (smaller body) size. It also comes in a variety of colors (10 at time of writing). Some of the features of this acoustic are: Spruce top, rosewood back and sides, new scalloped bracing. Owners describe the sound of this guitar as full, bright, and balanced. It will surely bring a smile to your face as you strum chords for hours while learning new songs. See all the available color choices for this guitar here.
Meanwhile, the Gibson Vari-Tone circuit uses a rotary switch rather than a pot, and a set of capacitors of ascending size. The small caps have a brighter tone, and the large ones sound darker. But once a cap is engaged, it’s engaged all the way. In other words, the cutoff frequency varies as you move the switch, but not the percentage of affected signal—it’s always 100%. (The Stellartone ToneStyler employs the same concept, with as many as 16 caps arranged around a rotary switch.)
For 2017, they introduced (or re-introduced?) the Firebird Studio. The Studio has regular tuners with protruding keys, and it has regular humbuckers instead of minis. It is not a Firebird, it is a Les Paul with the body of a ‘bird. This lie of a guitar sells for a whopping $1300, and the real version of the guitar - which is identical in every last detail to the cheaper 2016 model I own - now retails for $1500!
We supply different variants of Electric Bass Guitar, which is just an extension of the Electric Guitar. The only difference between the two is that the former comes with a longer neck and scale length. It also comes with an option of 4, 5 and 6 strings. The four string bass guitar is tuned in a way similar to tuning a double bass guitar. It is capable of
Over a decade after putting down the guitar I was inspired to take it up again. I got this bundle since it includes all the essentials. HOLY COW!!! WHAT A GREAT DEAL THIS BUNDLE IS!!! First, the guitar itself is a beautiful, quality instrument. It's a solid top guitar with good sound, and a comfortable action and neck. It was easy to tune and is a tremedous value for an "entry level" guitar. Second, the case. There are better cases available but there are certainly alot of worse cases out there. Bottom line on the case, it's a $90 case by itself and you get it for less than $40 here. A great value if you ask me. Third, the tuner. It works, it's easy to use, that's all you really need right? Everything else is good.
*We build all of our Custom Shop and Semi-Custom instruments from scratch and on demand - therefore, Custom Shop and Semi-Custom orders are fulfilled in the order in which they were received. These times can vary due to demand and the custom options you choose. Our production/assemble time frame: 20 - 25 working days since our professional Control Team and Supervisor Engineer will ensure that your ordered guitar is top notch considering the fact that this guitar is intricate to assemble and they check very carefully every detail such as the finish, fret work, pickups, strings. And also, they will test the sound quality. We do not rush up the process of manufacturing your guitar since we would like to deliver to you best quality performance.
With this in mind, rather than taking the category chronologically, let’s accept our good fortune in today having all of history’s distortion sounds at our fingertips—so next time out, we’ll look first at those which transform the guitar and amp’s natural tone least, working toward those which balls it up most. In other words, from the least synthetic to the most synthetic-sounding of the genre.