One of the most important Telecaster players was Clarence White, who, during his short career, contributed more to country electric guitar than almost anyone else, along with being a phenomenal bluegrass flatpicking guitarist and a pioneer of thecountry rock genre. He played with the Byrds, and Nashville West along with the bluegrass bands the Kentucky Colonels andMuleskinner. He enlisted the help of Gene Parsons and invented the StringBender, a device inside the body of the guitar that raises a string’s (either the B- or G-string most of the time) pitch when pressure is applied to the strap. His Telecaster is one of the most recognizable and is now owned by Marty Stuart.
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Interesting idea Mike. I suppose you could run some kind of DC bias through the selector switch together with the pickup signals and you’d have to introduce appropriate DC blocking capacitors to contain the DC bias within the guitar… probably possible but a lot of work to get it right. Alternatively you could just look for one of the “super switch” types with more than 2 poles so you can do the LED control on a completely different circuit but driven by the same switch e.g.
Guitar Center Albuquerque provides comprehensive guitar repair services for the Albuquerque area. Our repair technicians are as passionate about your guitars and basses as you are, and we have the experience needed to keep them performing at their best. Whether you need a quick adjustment to make your guitar easier to play, or a complete guitar rebuild, we have the tools and know-how to take care of your instrument. Guitar Center Albuquerque can also help build a maintenance plan that fits you and your guitar or bass needs, including custom setups, restrings and more. We also take care of fret repairs, hardware and pickup installations, upgrades and customizations, bone and graphite services and more.
Another important factor to consider is speaker size, which impacts overall loudness and tonality. Bigger speakers can push more air and have more low end, while smaller speakers have limited pushing power, while emphasizing the mids. In addition to size, different speaker models and cabinet types also introduce subtle differences to the overall sound.
Having humbucker pickups (sometimes just a neck pickup) and usually strung heavlly, jazzboxes are noted for their warm, rich tone. A variation with single-coil pickups, and sometimes with a Bigsby tremolo, has long been popular in country and rockabilly; it has a distinctly more twangy, biting tone than the classic jazzbox. The term archtop refers to a method of construction subtly different from the typical acoustic (or "folk" or "western" or "steel-string" guitar): the top is formed from a moderately thick (1 inch (2.5 cm)) piece of wood, which is then carved into a thin (0.1 inches (0.25 cm)) domed shape, whereas conventional acoustic guitars have a thin, flat top.
The Hi-Flier guitar, which was possibly built in the Matsumoku factory, underwent multiple phases during the course of its production. Each of the Hi-Flier’s four manufacturing phases came with a variety of feature changes, ranging from simply switching the color of the pickguard to actually fitting the guitar for humbuckers rather than the P90-style pickups it originally came with.
The size of the acoustic guitar body also influences its voice. Larger instruments, with dreadnought or jumbo bodies, generally produce more volume. They also tend to have warmer, rounder tones that accentuate bass notes. Smaller guitars, such as parlor, concert and “000” models, usually have a brighter sound that accentuates their middle and treble ranges.
To ensure 100% customer satisfaction Bajaao offers 10 day return policy and we also pay for the return shipping to help you be free of the online shopping anxiety. Our content rich page is your one stop to get all the required information about the products be it the product description or the user generated hands on reviews. A friendly and knowledgeable staff is there to help you out with your queries should there be anything else you wish to know about the product, process, payment or after sale service. Our dedicated team will help you to select from the best of the products within your range. Call our experts to find out the best product to suit your style and need and buy Electric Guitars at the lowest prices in India.
Softer Delays: I'll usually have at least a couple of delays as auxiliary effects in a rock or pop mix, but I often find that bringing the general level of the delay as high as I want it makes any transients stand out too much. When I'm sending single notes on a clean electric guitar to a delay line, say, I tend to want to hear a wash of sound, not the rhythmic 'CHA-Cha-cha-cha-cha' of a repeated note attack. For this reason, I'll often put a gate or expander before a delay, with an attack time set to 10ms or so. This is enough to 'chop off' any abrupt transients, and makes the delay sound much smoother. Sam Inglis
A continuation of the 7-string, adding another string a perfect fourth lower than the seven strings low B. The eight string guitars additional low F♯ string is just a whole step up from a bass guitars low E string. While luthiers have been building these instruments previously, mass-produced Eight-string electric guitars are a relatively recent innovation. Ibanez was first to offer a production eight-string guitar in March 2007.[46] Many other companies now produce mass-market eight-string models, yet these guitars remain relatively uncommon.
Why We Liked It - As with Gibson’s other premium products, this is not a cheap electric acoustic, but you do get exactly what you pay for. One of the very best and most legendary acoustics with an electric edge. It’s going to be the guitar of choice for real enthusiasts and of course touring professionals who will settle for nothing less than the best. If you are on a budget, try one of these cheaper electric guitars.

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Phasers, also called phase shifters, duplicate the original waveform of a guitar’s output, and shift one wave out of phase with the other. They blend both waves together usually applying an oscillating circuit, resulting in the waves moving in and out of phase with each other creating spacey, “whooshing” effects. “Itchycoo Park” by the Small Faces was an early example of phase shifting in a recording. Eddie Van Halen and Queen’s Brian May often used phase effects in the 1970s and ‘80s.
Made of mahogany, just like the classics, the DT520 Destroyer's iconic body style has attracted many artists. Ibanez's biggest leap forward will continue to be appreciated by today's player: namely the mahogany slim neck grip and set-in neck that offer ultra-smooth playablity. No matter what the setting, the DiMarzio Air Norton pack this axe with a rich tonal palette. Gorgeous old school pearl/abalone block inlays make for a path back to one of rock's most dynamic chapters. The original Ibanez Tight-Tune bridge provides improved transfer of string vibration and better tuning stability.
Pictures, description and soundclips from a 1973 Fender Musicmaster bass. The Musicmaster bass changed very little between it's introduction in 1970, and it's deletion in the early 1980s. Although often regarded as a student bass, the Musicmaster was of high enough quality, both in terms of components and build, to sell to student guitarists and more advanced players looking for an affordable shortscale bass.
You have 16 different modulation effects including chorus and flange, 12 overdrive/distortion effects including high gain monsters and smooth creamy overdrives, 14 mono and stereo delays and reverbs and 22 amp models including tube and solid state amps from Fender, Marshall, Orange, Diezel, and mesa Boogie. It’s safe to say, you’ll find it hard to get bored of this thing!
It’s provided as-is with no support, but it’s still well worth checking out if you’re on a PC. According to the developers, it was born inside an academic research project about the modelling of electric devices, and then applied to the musical instrument field as an evolution of the techniques available in commercial units. Its most important feature is the high precision of the simulation.

The Epiphone Les Paul Special II Vintage Sunburst has a mahogany body and neck which gives the guitar a nice thick sound. The quality of the tuners and pickups are okay, not superb, but good enough for any beginner. If you are into metal, rock or blues the two Epiphone humbuckers do a pretty nice job, they sound really good and give you a nice fat sound. A pretty reliable and solid guitar even for live playing.
The Tone knob is basically a filter to cut highs. And, once again, the pickup will sound best when turning it all the way up. With the ever-growing amount of effects amps have to offer and those available in pedal format, we often forget that this setting even exists. This basic control allows you to, for example, smoothen a jazzy sound or choke a way-too-shrilling fuzz, or anything else in that line that comes to your mind. Only your ears can tell if the sound is convincing or not!
Slow Gear – A dynamic effect created by BOSS that swells in volume as if you were riding the volume knob on your guitar. The effect is similar to the envelope of a violin with its ability to remove the “attack” or initial transient of the signal and produce gradual volume swells. The compact pedal version of this effect is discontinued but it is found in both the ME-80 and GT-100 multi effects pedals.

Beyond specific favoured mics, a number of engineers also mention more general principles when choosing pairs of mics for guitar recording. Jim Scott and Stephen Street both mention using a 'cheap' or 'bad' mic with a good mic (both give the SM57+U87 combination as an example). "Between the two you can find the ideal sound," remarks Jim, "and you can get brightness and fullness."
it's really hard to beat the ric sound. the 335 12's and fender 12's are cool, but really the ric has the sound we're all familiar with. that being said, everyone has different tastes and I encourage you to play as many different ones as possible. Jimmy Page used a Fender 12 on Stairway. I went rick for that early beatles sound. the neck is tiny but it's part of the instrument.
Their selection these days is insane, especially since they target a lot of awesome smaller brands that NOBODY else in the area carries. I'm pretty sure this is the only place in town you can go to play the Reverend line, not to mention damn near every PRS model currently in production. The locally-made boutique stuff they stock is awesome too, and I would have never even known about it had it not been for the shop.
In 1981 Fender-CBS hired William Schultz, John McLaren, and Dan Smith away from the U.S. division of Yamaha. Schultz became the president of Fender-CBS, McLaren the managing director while Smith was appointed the director of marketing for Fender electric guitars. In a drive to rejuvenate the quality control and Fender’s market position, Dan Smith oversaw an upgrading of the basic production model Stratocaster and by late 1981 the new production model was unveiled as the 1982 Stratocaster. It featured a pre-CBS smaller headstock (compared to the 1980 “Strat”), a four bolt neck plate, an overwound X-1 pickup (introduced on the 1980 “Strat” model) in the bridge position and a body end truss-rod adjustment without the Bullet nut. These are known today as “Dan Smith” Stratocasters and prized by collectors for the attempted, albeit brief, return to pre-CBS stylings.

Of music written originally for guitar, the earliest important composers are from the classical period and include Fernando Sor (b. Spain 1778) and Mauro Giuliani (b. Italy 1781), both of whom wrote in a style strongly influenced by Viennese classicism. In the 19th century guitar composers such as Johann Kaspar Mertz (b. Slovakia, Austria 1806) were strongly influenced by the dominance of the piano. Not until the end of the nineteenth century did the guitar begin to establish its own unique identity. Francisco Tárrega (b. Spain 1852) was central to this, sometimes incorporating stylized aspects of flamenco's Moorish influences into his romantic miniatures. This was part of late 19th century mainstream European musical nationalism. Albéniz and Granados were central to this movement; their evocation of the guitar was so successful that their compositions have been absorbed into standard guitar repertoire.
Some of the smaller amplifiers that I like to talk so much about are not really that small. I mean, the Marshall MS4 Mini Micro Full Stack Battery Amplifier is anything but small, in terms of sound at least. It has a powerful volume output that is hard to ignore for anyone, be it in some bar or in the street or at some gig. The tall tower like shape of the guitar is exceptional in design and yes, while the stack is a little on the big side, the affordable price of it and the quality of tone and volume is definitely worth the little bit of a size problem. Definitely worth your consideration!

Blend potentiometers (essentially two potentiometers ganged on the same shaft) allow blending together two pickups in varying degrees. The operation is the same as in a balance control found in stereo equipment – in the middle position (often marked with a detent) both pickups supply their full output, and turning the pot in either direction gradually attenuates one of the pickups while leaving the other at full output.[13][29]
Arch top body 16" wide across the top, carved spruce top, back not carved by arched by braces, rosewood back and sides, f-holes, style 45 backstripe, bound ebony fingerboard, 2 white lines inlaid down length of fingerboard at the edges, hexagonal fingerboard inlays on 6 frets (sometimes pearl, sometimes ivoroid), vertical "Martin" pearl peghead logo, nickel plated parts, sunburst top finish.
"The development of the modern tuning can be traced in stages. One of the tunings from the 16th century is C-F-A-D. This is equivalent to the top four strings of the modern guitar tuned a tone lower. However, the absolute pitch for these notes is not equivalent to modern "concert pitch". The tuning of the four-course guitar was moved up by a tone and toward the end of the 16th century, five-course instruments were in use with an added lower string tuned to A. This produced A-D-G-B-E, one of a wide number of variant tunings of the period. The low E string was added during the 18th century."[48]
The vast majority of bass amps in the 2010s can be powered solely by AC mains power, obtained by plugging the amp into a wall socket. Inexpensive practice amps may have the AC mains plug hardwired into the unit. Middle-priced to high-priced amplifiers typically have a removable cable and plug, as used with PC computer towers. The benefits of having a removable cable and plug is that if the cable becomes worn or damaged, a new cable can easily be replaced by a layperson. If a hardwired AC mains cable and plug becomes worn or damaged, a qualified technician or electrician will typically be required to replace the cable and plug. Most amps are designed to work for a single voltage. A small number of expensive bass amps designed for touring professionals have user-selectable voltage, which enables a bassist to play with same amp in North America and Europe. A small number of small combo amps can run on both AC mains power and battery power. This enables bassists to play outside where there is no access to power (e.g., for busking on the street). Amps that are battery powered may have a 12 volt input, enabling the unit to be connected to a car battery with alligator clips.
Either way, the results in the Descent Reverb are nothing short of phenomenal.  If you watch the demo video below, you'll hear some of the most unique sounds capable of being produced by a guitar pedal. Pigtronix did something similar with delay and pitch shifting in the Echolution 2 Ultra Pro, but we think the combination is even better in the Descent.
Every ZZ Top tour is a treat for guitar geeks, as Gibbons uses the occasions to unveil a six-string surprise. (Last year it was an elusive Gibson Moderne.) But what really makes Gibbons cool is a certain undefinable quality called “vibe.” Anyone who has ever met Billy and gotten to know him—however briefly—has an outrageous story to tell about the encounter.
In 1980, however, Martin had hired another guitarmaker, one John Marshall. Marshall had studied lutherie with Eric Schulte whose base of operation was in the far western Main Line suburbs of Philadelphia around Frazer, PA. Schulte himself had worked with the legendary Sam Koontz, who was responsible for Harptone and some Standel guitars, as well as his own. After learning the tricks of the trade from Schulte, Marshall became involved in the ill-fated Renaissance guitar company of Malvern, PA, just up the road from Frazer. Renaissance, you’ll recall, made those exotic plexiglass guitars and basses in around 1979 (plus a later series in 1980 designed by John Dragonetti). These were designed by John Marshall. Marshall left Renaissance to join Martin, where he was hired to work on the electric guitars which would become Martin’s 28 Series.
The Ibanez RG series is basically synonymous with shreddable metal music. Inspired by the classic JEM series of the glammy 80s rock years, this GRGR120EX guitar is perfect for the guitar player who aspires to be a real metalhead. The body is made of solid alder and it comes with a slick black binding. There are two super-high-output, extra-snarly Infinity R pickups that will respond well to overdrive and distortion pedals. Moreover, a rosewood fingerboard with classic Ibanez sharktooth inlays and sharp black hardware make this guitar look like the real deal.
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This is our new cross-reference between classic pedals (e.g. a Fuzz Face) and who makes kits or boards to build it yourself. In some cases the kit or board is for an exact clone. In others, it is for a circuit based on the original but with improvements or combinations with other pedal designs. Read the description specifics by clicking the link and visiting the maker’s site.
A more advanced technique with the volume knob is called swelling. Play a chord or note with the volume knob off and gently roll it back (many players use their pinky on the side of the knob) to let the sound pass through again. Experiment rolling up the knob fast or slow and see what happens. This takes practice but can produce awesome sounds when used while playing.
Most users are happy with what they got for the money, from its wood quality, to the included hardware and electronics. As expected, many of its buyers are fans of the Les Paul Jr who want to try their hand at customizing their own straightforward rock machine. Surprisingly, there are some who are happy with its default configuration, including the feel of the neck, the sound of the P-90 pickup and the quality of the tuners.
While Dave Matthews Band has no more confirmed dates on their schedule, Matthews and guitarist Tim Reynolds have a number of duo performances on the docket, including a slot at Farm Aid 2018 in Hartford, CT on September 22nd alongside Willie Nelson, Neil Young, John Mellencamp, Chris Stapleton, Sturgill Simpson, Kacey Musgraves, Margo Price, Nathaniel Rateliff & The Night Sweats, Lukas Nelson & Promise of the Real, and Particle Kid. Dave and Tim also just announced their return to Mexico for a concert destination event set to take place February 15th–17th, 2019.
Subsequent years brought new company ownership to the Gibson Guitar Company. During the “Norlin Era“, Gibson Les Paul body designs were greatly altered, most notably, the change to the neck volute. Because the Les Paul had the reputation of having an easily broken neck joint, the volute strengthened the neck where it joined the headstock to avert breakage. To further increase the strength, the neck woods were changed from mahogany to a three-piece maple design. The LP body was changed from a one-piece mahogany with a maple top into multiple slabs of mahogany with multiple pieced maple tops. This is referred to as “multipiece” construction, and sometimes incorrectly referred to as a “pancake” body. The expression “pancake body” actually refers to a body made of a thin layer of maple sandwiched between two slabs of mahogany, with a maple cap. The grain of the maple was placed at 90 degrees to that of the mahogany. The “pancake”-like layers are clearly visible when looking at the edge of the guitar. This process is also known as “crossbanding”, and was done for strength and resistance to cupping/warping. Crossbanding was phased out by 1977.
Here we have a well preserved vintage Hohner HW600n HW for Hohner Western Acoustic Dreadnought Martin D35 Style acoustic guitar. with a gorgeously grained THREE Piece Mahogany back and sides WoW its really a beauty. Workmanship Fit and finish quality is excellent this guitar is stunning, previously set up and is Great sounding in near mint like condition its from the late 80’s early 90’s D35 Look alike, Spruce top with Mahogany Neck and some of the absolutely highest grade Mahogany your going to see its flamed and figured and has fire and looks as if it could be Koa but listed as Mahogany at any rate this is one of the nicest models Hohner in this era truly a stunner,,, its in top structural shape as well its neck angle is excellent at 1-11/16ths at the nut its medium profile neck is very easily played and is a convertible c shape… We were impressed with her sound to with nice volume and a mature sounding tone. We think you’ll like this beautiful Vintage Hohner as well we believe this to be late 1980’s to early 90’s made in Korea and would fool any made in Japan fan for its fit and finish workmanship this is a good vintage guitar in its own right… no cracks no repairs no issues no excuses someone is going to have a smile on their face. any questions or to buy this guitar contact Joe at: .
Large-diaphragm condenser microphones set to cardioid or omni mode work better for ambient purposes at distances of 2-3' or farther, introducing more room sound and coloration. Ribbon microphones, which are also (usually) dynamic, have become a popular alternative for guitar-cabinet recording in either close or distant miking situations. They combine good, detailed sonic reproduction with the capacity to withstand intense levels of sound pressure (a characteristic of their dynamic brethren, as well).
Their are also guitars made with a "compound radius", which is a little rounder in the lower register, and a little flatter in the higher register. The true best of both worlds. Warmoth makes necks with a 10"-16" compound radius, as do some production guitar companies. I have a custom made guitar with a 16"-24" compound radius, and it's REALLY flat. Takes some time to get used to. It's breeze to rip on, but not nearly as comfortable to play rhythm on as my other guitars.
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Many pedalboards on the market are powered. They feed DC power directly from the board to your pedals, eliminating the need for battery changes or external power adapters. This simplifies your setup and minimizes your need for power outlets. Some pedalboards even have a small built-in combo amplifier, making them a great practice and jamming solution.
Rock ’n’ roll is an industry that’s continually pushing musical, social, and cultural boundaries, and the electric guitar is its iconic instrument. The acoustic version has been around since at least the 16th century. So when I first started working with co-curator Gary Sturm on an exhibition about the invention of the electric guitar at the Smithsonian’s National Museum of American History, our driving question was: Why electrify this centuries-old instrument? The simplest answer: Guitarists wanted more volume.
Guitar signals cutting out is a very common symptom of a simply wiring problem. Usually when your guitar cuts out, it means that you have a loose solder somewhere. Your guitar will sound fine when the solder connection is joined, but your guitar will cut out when the loose wire disconnects for the lug. Broken solder joints are common on electric guitars especially when your output jack becomes loose and rotates in the pocket. That is why it is extremely important to keep your output jack tight and secure at all times. If your output jack is loose and rotates, it will probably break the wiring connections inside the guitar. Luckly, loose connections are easy to fix. The only problem is trying to find them.
"Rocksmith 2014" is geared toward beginners and starts with the basics, like getting your guitar in tune. Then it'll pick a song based on your skill level. The earlier version's "journey" mode has been replaced by a "mission" mode (it is a video game, after all) with tasks like playing a song that "Rocksmith" recommends or hitting 75 percent accuracy. You get feedback after each run through a song, and you have tasks to check off as you play, like hitting five notes in a row. As you succeed, the game throws more tasks and notes at you, adjusting the difficulty as you go.

Besides insulting Taylor Swift in a way even Katy Perry would bristle at (“Nobody would confuse the pop star’s chops with Bonnie Raitt’s. But she does play a guitar.”), Edgers manages to make it through an entire history of the electric-guitar industry as it stands without quoting more than one female guitar player — the Runaways’s guitarist Lita Ford. Any person who has actually interrogated the music landscape deeper than, say, an Eric Clapton record would recognize that the electric guitar isn’t dying. The throngs of women who play electric guitar just don’t get exalted or celebrated in the same way as aging men. But there are legions of women playing guitar — maybe Edgers just hasn’t been paying attention.
I myself own an Ashton and I think that they are overall really great guitars. I own an Ashton SL29CEQLTSB Acoustic Electric and it is simply amazing. It comes with a built in tuner and the strings last for quite a very long time. I have owned a couple guitars in my time and I am happy to say that the sound is impressing. So all of the other people who put down this guitar either know nothing about guitars, are super spoiled and want the best of the best, or just had bad luck with them.
I’m not a very good guitarist. In fact, some people would probably say I’m really awful. And that’s ok. But I’ve owned guitars. I can play a G chord. I can fumble my way through some 3-chord punk, alternative rock songs and a Beatles tune here and there. At the very least, I know a tiny bit about guitars and things. For example, I wouldn’t confuse a drum kit with a guitar, so score points for me there.
In the early 1960s the Brothers Grim became the first American group use Vox Amplifiers. Joe Benaron, CEO of Warwick Electronics Inc. / Thomas Organ Company, the United States distributor of Vox, along with Bernard Stockly (London), importer of Challenge pianos to the United States, arranged for the boys to have full use of the tall Super AC 100 Vox amps (4×12" speakers). The solid-state version of this amp (known in the USA as the "Super Beatle") was produced to cash in on the Beatles-Vox affiliation, but was not nearly as successful as the valve AC30 and AC15 models.
The first part of this book shows why Guthrie is such a great player, and dives into his mindset when it comes to teaching and playing. I really believe you should go buy this book, so I don't want to give too much away, but he covers great topics like how to avoid guitar injuries, setting goals for yourself, thoughts on technique, tone and gear, and general tips on how to practice.
“The bottom line is you get a better dynamic response from the coil. Most people who play a hand-wound pickup say it sounds more ‘open’. It’s easy to make a pickup sound brighter but to have a truly open voice it’s got to be dynamically responsive – and that’s what scatter-winding [intentionally irregular hand-winding of a pickup coil] does. Also, compared to a machine-wound coil, the frequency response is slightly extended. So the sound is bigger and you hear more not just in the high frequencies but also in the depths of the frequency response.”
In the 1960s Japanese guitar makers started to mainly copy American guitar designs and Ibanez branded copies of Gibson, Fender and Rickenbacker models started to appear. This resulted in the so called Ibanez lawsuit period. After the lawsuit period Hoshino Gakki introduced Ibanez models that were not copies of the Gibson or Fender designs such as the Iceman and Roadster. The company has produced its own guitar designs ever since. The late 1980s and early 1990s were an important period for the Ibanez brand. Hoshino Gakki's relationship with Frank Zappa's former guitarist Steve Vai resulted in the introduction of the Ibanez JEM and the Ibanez Universe models and after the earlier successes of the Roadster and Iceman models in the late 1970s/early 1980s, Hoshino Gakki entered the superstrat market with the RG series which were a lower priced version of the Ibanez JEM model.
Your guitar is a model H1213 Archtone made in 1963. Harmony did a great job of stamping model numbers and dates of manufacture on their guitars, but they often require some decoding. The F-63-HB is the date code and the two numbers, not surprisingly, indicate 1963. The “F” preceding the year was often thought to be a fall production indicator while the other letter stamp they would use was an “S,” which researchers thought stood for a spring production instrument. However, a former Harmony employee notified a Harmony database website that it is more likely an “F” stands for “first” and “S” stands for “second.” He explained that Harmony would shut the factory down for two weeks in July and that guitars produced before this break were stamped “F,” while guitars produced after were stamped “S.” The H1213 is the model number as indicated in Harmony’s catalogs and literature. The “3714” is the serial number of your guitar, but little information has been uncovered as to what this series of numbers represents. More than likely, it was a consecutive production number of that particular model for either the first or second half of the year.

Ten is not enough. If you are not here for the first time and you already checked our article on the top acoustic guitars and the recommended electric guitars you know how we roll.And if we are going to review a lot more than just 10, why not split them into proper categories that will help you choose what is working best for you. As it will take a lot of time to write all these for you, please be easy on us. For the people that do not want to waste that much time thought and just want a quick list with some great effects we prepared the comparison charted listed below:

"This axe is no slave to the past, however, starting with Leo’s PTB™ (Passive Treble and Bass) system which functions on all three pickups for dramatically more variety than the vintage setup. What’s more, the Legacy features a Leo Fender-designed Dual-Fulcrum vibrato, a work of engineering art which allows bending up or down with unsurpassed stability, while offering a silky feel through its beefy aluminum vibrato arm. The Legacy’s hard-rock maple neck features an easy-playing satin finish, comfortable 9 1/2″ radius and Jescar 57110 medium-jumbo nickel-silver frets for silky playability. The moment you open the luxurious hardshell case, you’ll be greeted with a stunning instrument and delicious aroma that’ll have your pulse racing."

ATTACHING AND DRILLING THE NECK For this you will want to use a clamp to hold the neck firmly in place while you dril the holes. Attach the neck to the body and clamp it lightly so you can set it in the right possition before drilling. Make sure you have some protection between the clamp and the body so you don't leave any indentions in the wood. A soft piece of plastic or a soft rag will work nicely. Use a long ruler to allign the neck to the position of the bridge. Do this on both sides of the neck to see that you get it centered. Tighten down the clamp a bit more until the neck doesn't move. Drill the holes as straight as possible with a smaller bit that you used on the body. If you can't reach all of the spots that you need to drill at because the clamp is in the way, take a couple of the furreles and neck screws and screw them into the neck. Once you have done this you can finish drilling the other holes with out the clamp.
Here we have a great D-28 clone from the finest Matsumoto Japanese guitar factory with a lot of history of making premium guitars Aria this is a AD-35 model these high quality D-28 copy’s were made in Japan for a short time frame of about a decade or so I believe discontinued in early to mid 1990’s for the Japanese domestic market not seen in the US until recently. Aria Dreadnought / Aria Auditorium SERIES The pursuit of perfection - This was Aria’s theme pursuing continuously ever since they started to manufacture guitars in 1956. This Aria Dreadnought / Aria Auditorium series lent brilliance to the early and middle days in the history of Aria acoustic guitar they know how to make great guitars this is model is no exception. The high standard for workmanship and materials are simply second to none. This instrument produces a Rich sound and offers the intermediate - pro grade playability from the determined beginner to the accomplished player. With its premium Solid Sitka Spruce top, will increase the volume and dynamic complexity of sound as you play it more and more. Noted Japan’s advanced finishing skills learned over decades this gloss vintage thin poly finish allows tone to jump of its sound box. AD-35 features Solid sitka spruce top and beautiful rosewood back and sides -bridge and fingerboard, the body binding, the center line of the body back and so on. I believe the original brochures specs were all solid woods on this run from Aria I look and can not tell you be the judge for yourself. This is recommendable model to guitar players who want to own a high end Martin D-28 but on a realistic budget you wouldn’t compromise much here surprisingly. This example has been upgrades here at JVGuitars with a Martin bone nut and compensated saddle - solid ebony decorotive with Abalone detail bridge pins and new set of Martin Marquis strings .... she has been fully cleaned and polished from headstock to bridge pin and natural rosewood re-hydrated with lemon oil We also leveled -dressed -recrowned-polished refined frets .... she plays and sound like a MUCH more expensive guitar now... sure to please for decades to come She’s a beauty and easily in 8.7/10 condition with a few insignificant blemish nicks - scratched we have addressed by lacquer tip color matched touch up and repolished Specifications: Top : Solid Sitka Spruce Back & Sides : Rosewood ... said to possibly be solid woods ... little is difinitivly known of this series just looking it looks to be solid you judge for yourself Neck : Mahogany Fingerboard : Rosewood Bridge : Rosewood Hardware : Chrome Finish : vintage gloss Hand crafted in Japan Vintage very good used condition Sound is really good!!! Contact Joe to buy it at .

For years, Seymour Duncan has provided guitarists with first-rate, handmade pickups and parts that are anything but stock. All of our products are designed and customized to suit the needs of specific musical styles and the musicians thereof. If you’ve got a guitar that doesn’t have a good-quality set of pickups and seems to lack that “extra something” in the tone department, investing in a set of pickups is your first stop.
SOLD OUT! Takamine EF406 RARE Here we have a RARE and GORGEOUS 1999 limited Edition Takamine acoustic-electric guitar, model EF-406. This instrument is a PREMIUM example of a New York or also called a Parlor guitar and is a Hand Crafted in Japan model an amazing example of Japans high Quality workmanship & fit & finish and is truly just as good as it gets. As you can see from the pictures, it is simply gorgeous to look at. It has a classic slotted headstock with Top Quality gold open gears and gold tuners with Pearl buttons. The Top- Back & sides are all a High grade choice AAAA FLAMED KOA with natural Koa color (there is no stain)and none was needed to bring out the AWESOME grain patterns of this Rare Native Hawaiian Wood. The top sound hole apears to be bound or painted and inside looks same as out /all Takamine internet information leeds to say the tops on this model is solid however we can not guarantee this as fact. The electronics are a GRAPH-EX pre-amp system: peizo transducer, with "exciter," volume, bass, treble, and mid controls. It comes with a deluxe, plush hardh shell case, note: In he picture close up of the ack of the headstock you may notice a dull spot running threw the center over the made in Japan tag area this is just a spot of waxed area that was inadvertently missed and not rubbed out... it is fine this guitar is in Excellent used condition. .
This set has all three of the best pianos available in a size that can be handled by most modern devices devices (PCs or recommend iPhone 8/iPad Pro). Needlessly long samples have been shortened but looping only happens at almost inaudible trailing ends of samples (many after 20s).  If you are looking for a quality set with different piano types to choose from then this is the one. This set is already included in the Nice-Keys-CompletePlus and Nice-Keys-Extreme.
Teisco produced guitars that were sold in the U.S. as Teisco del Rey as well as Silvertone, Beltone, Duke, Decca, Heit Deluxe, Jedson, Kimberly, Kingston, Lyle, Norma, Tulio and World Teisco, as well as some of the early Kents. At various times Teisco guitars were made for and sold under the now well-known Ibanez name. They have developed somewhat of a cult following in the U.S. which has resulted in some unrealistic prices for some models.

Kaman began producing guitars in 1966, and Charles went on the road to promote his new creation. His first stop was a visit to his old stomping grounds, Washington, D.C., where he showed his guitar to jazz guitar great Charlie Byrd. Byrd was impressed and felt the guitar – which was quite loud – had considerable potential. He later remarked that the guitar “deserved an ovation,” thus providing the guitars with a name.
It's amazing how this relatively new company, which officially started in 2007, is now playing with the big boys. Blackstar has a pretty straightforward claim to fame, and that is to provide premium quality high-gain tone in the price ranges that they enter into. And judging from the very positive response of rockers and metal heads, they are doing their job really well. As usual, artist endorsements play a big role, and Blackstar has big name backers like Neal Schon from Journey, Richie Sambora, Ted Nugent and Sammy Hagar to name a few, along with a long list of up and coming guitarists from rock and metal bands. While they still excel in providing high-gain tones, Blackstar amps also offer versatile overdrive and distortion flavors, thanks to the company's innovative ISF (Infinite Shape Feature) technology, which lets you change the tone of your amp from American to UK flavors with just one knob.
I always recommend the Cordoba C5 for beginners who are looking for their first classical or nylon string guitar. It’s comes at a very wallet-friendly price, but it sounds and plays exceptionally well for a guitar in its price range. More experienced players can look to other C-Series Cordoba guitars like the C12, which is built for advanced guitarists.

The Kaman Corporation soon diversified, branching off into nuclear weapons testing, commercial helicopter flight, the development and testing of chemicals, and helicopter bearings production. But in the early 1960s, financial problems due to the failure of their commercial flight division forced them to consider expanding into new markets, such as entertainment and leisure. Charles Kaman, still an avid guitar player, became interested in the making of guitars.[2][6]
Which brings us to this 1985 DT-250. While it sports the tail notch, the shape is a little more sleek and diminutive than the comparable Dean ML. The lower front bout is extended to be almost symmetrical with the diagonally opposite bass wing. The treble-side lower bout is shortened, giving the whole guitar a tasteful offset-X shape… X Series. To add dimension to the shape, Fuji Gen Gakki added “crystal cuts” to the edges, basically code for angled bevels.
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Epiphone features all-metal rock solid hardware on all of its instruments. The Les Paul Special VE comes standard with the legendary Locktone Tune-o-matic bridge and Stopbar tailpiece for easy set up. Tuning is fast and reliable with Epiphone Premium Covered tuners with a 14:1 ratio.The higher the ratio, the more accurate your tuning. The tuners are mounted on an Epiphone Clipped Ear headstock with Les Paul Model in gold and the Epiphone log in silver. In addition, a "2016" Edition logo is on the back of the headstock. 

what about Ernest Isley – he is easily in the top 3 of all times – no one can match this guy's riffs in songs like summer breese – who';s that lady – who loves better – hope you feel better – voyage to atlantis, and liquid love just to name a few of many powerful guitar riffs – y99u guys are missing a treat is you haven't heard Erney Isley get down
Players discovered that, if you put the switch in the right position, you could get the neck-and-middle and bridge-and-middle sounds. Jimi Hendrix is a popularizer of this technique, and it became popular enough that the Strat got wired stock with five-position switches. Eventually the middle pickup was made reverse wound and reversed polarity, so that neck-middle and bridge middle would effectively be noiseless, humbucking positions.
The 75 Watt Fender Rumble 75 Bass Combo Amp and its 150 Watt and 300 Watt counterparts can produce an overdrive effect by using the gain and blend controls, giving overdrive sounds ranging from "mellow warmth [to] heavy distorted tones".[27] The Fender SuperBassman is a 300-watt tube head which has a built-in overdrive channel. The Fender Bronco 40 includes a range of effects including modern bass overdrive, vintage overdrive and fuzz.
ARTIN IS NOT THE BEST ACOUSTIC GUITAR. Any Taylor of the same price range WILL BEAT THE BRAKES OFF A GUITAR IN THAT SAME PRICE RANGE! In fact, most profession guitar players switched from Martin to Taylor for that reason Dave Matthews Clapton jack Johnson BUT MARTIN OR TAYLOR ARE THE LEADERS IN THE ACOUSTIC GUITARS! Epiphone master built is another great choice if you are looking for a great 3-500 price range..the ONLY REASON THEY DONT COMPETE WITH MARTIN IS BC FEW PEOPLE KNOW ABOUT THEM! You can buy a Martin that sounds just same but you'll triple the price! Alvarez yari is another well built wonderful guitar but again &1000-1300 against the epiphone masterbilt. Low price great sound go masterbilt about anything else go Taylor
The Squier Affinity series is a great beginner instrument. All of the bodies & necks have been CNC manufactured, so they are consistent and solidly built. In recent years, Fender has completely re-hauled the Squier series of instruments to make them decent introductory level instruments, at a great introductory cost to the beginner player. You can choose from Strats, Teles and even Jazzmaster style guitars!
If you wanted to quantify what is meant by "best," which you really should, then we actually would need to consider the specifications of guitars in the given price range. Although there may be differences of personal preference when it comes to areas such as individual tone woods used, fretboard scale, and nut width, we could still make very good general assumptions about whether laminates are better than a solid wood model, whether synthetic fretboard material was favorable to natural wood, whether one pickup is better than two, and/or whether including a built-in tuner is preferable. In other words, Forget about the names of the manufacturers and do a real comparison of specifications of guitars in the given price range.

Two new 325s were created for Lennon and were shipped to him while The Beatles were in Miami Beach, Florida, on the same 1964 visit to the US: a one-off custom 12-string 325 model and an updated six-string model with modified electronics and vibrato. He used this newer 6-string model on The Beatles’ sequentially “second” appearance on The Ed Sullivan Show.[7]
This cutoff is based on the average used price on Reverb over the past year, and while the $1000 cutoff is relatively arbitrary, it is as good a point as any to divide between entry-level gear and more heavy artillery. Here again, we are not combining wattage and cabinet size variations on the same models, which inherently decreases the ranking of any amp series with a multitude of different configurations.
There is some debate about who actually designed the solid-body, arch-topped Gibson Les Paul, which was introduced with a trapeze tailpiece as a Goldtop in 1952. To hear the guitarist Les Paul tell it, he was the man responsible for his namesake, pushing his prototype on Gibson executives as early as 1940. But guitar author and collector George Gruhn believes the great musician may have had little do to with the electric guitar's final...Continue Reading
Regarding the PDF download, I have not done so yet, but all of this info is available on the web, in color, ad nauseum. I bought the book to have at my bench so I could refer to it while wiring guitars. I do not have a color printer. I find the thought that, in order to experience what the book OUGHT to look like, you have to download a file, presumptuous, at best. Annoying, at the least.

Ibanez RG20061, also known as the RGT220A CAH, is an RG series Prestige limited edition guitar model specially created for the 2006 Winter NAMM Show. It based on the RGT220A, but stained brown, although claimed to be barbecued to a chocolaty brown color. Features include a neck through body construction, ash body wings, Dimarzio IBZ pickups and the Edge Pro tremolo. Only 153 Made 8/10 Condition
Further down the Seagull line, looking at models outside of the Artist Series, the components and woods aren’t the same but we still see an impressive attention to detail. The Seagull S6 Original is a bare-bones acoustic, perfect for beginners and intermediate players. This is a guitar worth checking out if you need a solid acoustic and don’t want to break the bank.
Electric Guitars- Vintage, new & used / Second-hand electric guitars by Kay, Teisco Del Rey Ray ET J-1, Univox & Silvertone. Cheesy Japanese, Surf Guitars. Also guitars by Ibanez, Gibson, Fender, Peavey, Martin, Zon, Gretsch, Rickenbacker, Diasonic & More. Les Pauls recording, lap steels / slide guitars, Barney Kessel style, Fender Stratocasters, Telecasters, Squire Bullet series, Peavey Falcon neck Martin Acoustics, bass guitars, Zon Legacy Elite 5 string Bass, Diasonic double single cutaway, Rickenbacker, archtop, Gretsch TW-100T Traveling Wliburys guitar, Hamer Mirage 1, Yamaha sg-2000, Fender Jag-Stang, Gibson Howard Roberts, Ibanez Artist AR-100 to name a few.
I have 12 years whit my SL3 Jackson and 12 years whit my RG7420, so far I have replaced both POTs on the jackson, the frets are really worn out and FR chrome is peeling.. great guitar crappy components. oh, I havent had to replace anything on the Ibanez yet other than the stock pickups for something better. both are made in Japan =). So dont tell people that Ibanez sucks before actually owning one...

One app I can recommend for playing these SoundFonts on smartphones or tablets is bs-16i from bismark.  Large SoundFount files like Nice-Keys-* listed at the top of this page have been tested and run perfectly on newer iPads with 3gb of Ram or more. For iPads with 2gb (Air2) it is best to limit the SoundFont size to around 600mb. For older devices try SoundFonts around 300mb.

“Hi folks here’s a classic beauty 1974 ALVAREZ 5024 DOVE Japanese crafted Dreadnought acoustic guitar mid 1970’s which is prime time lawsuit era when Japan was out and out copying the great classic AMERICAN DESIGN GUITARS the classics if you will they sought out to make an affordable alternative to the more expensive American built guitars in this case they obviously copied Gibson right down to the details...Like the open book headstock, the overall size -shape- the bridge detail on this is just like one My friend had as a kid it was his dads but we played it too was a wonderful 1964 Gibson Dove it was 1968 we admired it greatly to say the least but with our pocket books at the time forget about it one of my band mates brought one to practice an Alvarez like this one and it to had the tunimatic bridge installed on it, it made the difference to get your acoustic set up to intonate not new or ding and doink free but vintage beautiful JVG rated 8+/10It shines up quite nicely too. Ok here is the story of this guitar just one elderly owner of this California guitar. I have collected no less than 12 of these classics and have had some put away in our warehouse for about 15 years it’s been out of circulation all these years strings loosened inside a caddalic old Gibson case which is not included with this purchase. kept out of circulation over 15 years and not played that much by its original owner she is in better than average for one of these it’s neck is 1-11/16ths width at nut - medium profile- very good frets and rosewood fingerboard and classic inlays and the dove motif pickguard. I noticed it looks as if the treble side tuners were replaced and he chose to use the opposite side simply reversed... they look fine work the same good so I’ll leave that to you to decide , we can do a Grover tuner upgrade for you installed for $125 additional if requested. Other than ,that the bridge has upgraded to high end fossil pins that resonate tone far superior to the original plastic ones. No cracks in the wood or even finish checking none seen... neck joint also is excellent as is neck angle - set for proper relief it’s Mahogany neck is nice and strateght . It’s beautifully grained Sitka Spruce Top is nice - pretty flat not buldging no such issues it’s bridge is also original and is nice and tight to its top.its body is all mahogany and is beautiful as well have a good look, the back of headstock has what Gibson use to call a black stinger painted on... Gibson did that so did Alvarez... I like this one’ds white Alvarez trussrod cover as well .. truss rod is working as it should... The open book headstock mirrors that of the Gibson with the old style script Alvarez logo looking quite cool in deed... love this era.. ok it’s hard to find these that are not rode hard and put away wet... not this baby She’s a one owner sweetie pie... NO CRACKS - NO NECK ISSUES PLAYING REAL NICE contact Joe to buy it: Thanks for looking folks!.

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Cap paralleled with a resistor. DiMarzio and Seymour Duncan recommend this configuration. Typical values are 560pF and 300K. It’s supposed to provide more consistent treble bleed but having a resistor paralleled with the pot will mess up pot taper. When rolling the pot down it is actually getting closer to a ~190K pot because 500K || 300K gives around 190K.

Now we switch gears to a company called Unicord, which was owned by Sid Hack. At some point in the early ’60s (probably in around ’64), Unicord purchased the Amplifier Corporation of America (ACA) which was located in Westbury, New York, a northern suburb of New York City. ACA made Haynes guitar amplifiers and an early distortion device powered by batteries.
Even cooler was the ’66 Vibra Twin (Teisco Del Rey EP-12T), a twelve-string version of the Vegas. This had a slothead variation of the check mark head, with tuners facing alternatively out or back. The trapeze tail picked up the same angular design of the Vegas vibrato. Despite the Del Rey number, the EP-12T did not have a vibrato. The Teisco Del Rey in the ’66 catalog differs from the Vibra Twin shown in ’60s Bizarre Guitars in that it adds a third rotary select for solo/rhythm/bass sound tones, whereas the Teisco omitted this feature. Figure on finding either.
To tell you the truth, in the first few years i started playing, after i learned the use of the switch, I was approach by a man that also a guitarist and asked, "YOur guitar sounds good, I believe it so expensive". Well, I bought the guitar only for $150 dollars, But, I toggled the switch to the right pickup on the right time, makes my guitar sounds like an expensive guitar.
Our fretwork is one of the things we are most proud of. We go to the extreme to make sure that your guitar is going to play the best it can. The fingerboard is planed under tension. The fretting process is done with epoxy fretting. We use a special blend of epoxy that makes re-fretting very easy without messing up your fingerboard. This process is used for multiple reasons. One of the advantages to this type of fretting is that you lose the hollow gaps under the fret that you find with the traditional way of fretting. In traditional fretting, with each fret you put on, it is like driving a wedge into the fingerboard, which causes back tension on the neck. With epoxy fretting, all of these issues are eliminated. The epoxy under the frets helps to transfer string vibration throughout the neck to the body, and relieves all stress and tension on the neck that occurs with traditional fretting. This results in a stress-free neck, which allows the truss rod to work properly and to adjust the neck accurately.

Maton JB6 is a 1970s guitar manufactured by Maton. It features a thin solid body, short scale 24 fret design, two humbucking pickups, two tone controls, one volume, in/out phase toggle for bridge pickup and standard three way pickup selector toggle switch. The body has double cutaways, set neck and heavy metal base plate supporting a stop piece and bridge for increased sustain.

Martin is a famous America-based company known for is a variety of impressive electric and acoustic guitars. Their guitars are predominantly manufactured in Pennsylvania and Nazareth. The history of Martin guitars dates back to 1833. From then on, Martin has managed to maintain classiness and quality in their guitars to satiate the thirst of pro players in America.
Now, there are some basic terms in the electric guitar lingo that you need to be aware of. Below are some of the terms that you need to know before you go out and research about different electric guitars. But if you are musically inept, there are some ways you can compete with the guitar guy. If you learn some points about the electric guitar, such as terms and mechanics of the instrument, you can impress your friends and possibly even will be the guy holding the guitar at your next dinner party.
If you are a beginner then you probably don't know what a ‘floating tremolo' is. Have a look at Floyd Rose, who made the first models. If you are looking at a guitar that has little tuners on the bridge, then it's probably a floating tremolo. For a beginner, they are a total pain in the butt. They are very hard to tune and a real pain to change strings. The cheaper ones go out of tune a lot too. If you know why you want one, then fine, but locking tremolos on budget instruments are usually rubbish, so stay clear of those for now!
The culture of staying up late and having some drinks any and every night of the week was what I grew up around. But it was also twinned with a kind of mountain vibe because they were young and happy to have gotten away from the farmlands. So they were really into pop music. So the two things kind of came together, this assumption that you played or sang.
Cool guitar! And you’re right— most Harmony guitars aren’t worth much, or in other words, they aren’t very collectible. That said, I wonder how many guitarists reading this column started out learning to play on a Harmony. There are hundreds of thousands of Harmony guitars out there, and though these are mostly entry-level instruments, they’re very much a part of guitar history.

I Shopped for a long time looking for a suitable nylon for both around the house and live performing. I ordered this Yamaha sight unseen and couldn't be happier with it. Fit and Finish is top notch. Price for value is incredible. playability is remarkably nice. Sound is great. I love the 14th fret to the body configuration vs my other nylons. The dual volume controls on the preamp give me a chance to glisten the high end in a band situation when my lines call for it. Honestly, i am a big fan of the Fishman electronics in my other acoustics, but this yamaha system leaves little to be desired. I did call yamaha support tto order a fitted soundhole cover and it took them a couple of days to get to me, but eventually called me until i

Here, the brighter/lower-value cap is engaged when the pot’s all the way up. As you roll it back, the larger cap is introduced, producing greater capacitance and a deeper treble cut. When you arrange caps in parallel, their total capacitance is the sum of their values. For example, I tried a .0047µF cap and a .047µF, so the minimum value is .0047µF (a very modest cut) and the maximum is approximately .052µF (a very dark tone).
This book teaches you how to visualize the notes, which will lead quickly to remembering them. Once you know where the notes are, forming chords becomes easier, which leads to fluid playing in any position. At the very least, if you can identify your root notes, you can bail yourself out of trouble at any time. That skill for resolution serves you in improvisation and the random jams that will provide much of your growth.
Well... I'm researching this to since I have a Norma Accoustic. From what I have found they were only made between 1965-1970something. Most were made in japan including mine although some were made in Italy. They were made in the same factory as the Sear silvertone's. Most are considered vintage guitars especially the electrics from the 60's. From what I have seen electrics in good condition are worth a good bit of money. I'm still trying to find more info on mine though. Like what woods is it made of. and what was the exact year of manufacture. It says FG-10 on it. It plays great. Has great sound and plays prety easily except mine doesn't seem to like you using the first fret. lol... just trying to add some info here
Across the United States, there are increasing concerns from businesses about the supply of science, technology, engineering, and mathematics trained workers. Although science and math test scores in the US are among the lowest around the world, the US educational system is in the process of revitalizing the “hands on” learning techniques as a way to enhance the participation and success of students. Our project meets the needs of applied learning with the flexibility of being modular in the classroom.
With such a vast array of effects available, it can be hard to know where to start. One good way is to find out which effects your favorite players use. Artist interviews can be a great source of such information. Additionally, most players are happy to discuss their gear with fellow musicians. Talk to other guitar players you know, or chat up the guitarists or bassists at the local club before or after their sets.

As you can see, this is simply a case where the Les Paul Custom is a feature-rich product, with more qualities that Epiphone can highlight as buying incentive. All the same contextual advice applies, as the LP Custom is every bit as versatile as the Standard (if not more) and can hang in just about any musical style. When deciding between them it's more a matter of price and aesthetics than any kind of style or playing scenario.

Two full steps down from Drop D. Utilized by bands such as A Day to Remember (on Mr Highway's Thinking About The End, Welcome To The Family, Violence (Enough is Enough), Life Lessons Learned the Hard Way and Sticks and Bricks), In Flames, Hostility, Issues, Static-X, Bring Me the Horizon (since Suicide Season), Hellyeah, Amaranthe, Breaking Benjamin (since Phobia), Parkway Drive, Otep, Spineshank, RED, Bury Your Dead, Eye Empire, Dirge Within, Remembering Never, and occasionally Chevelle, Darkest Hour, Evanescence, 9oz. of Nothing, and For the Fallen Dreams.

I have owned Fender amps and Line 6 amps and while they have been "ok" amps, none of them come close to my newly acquired Mesa Mark V 90watt and 4� - 12 rectifier cab. Amp is super versitile and the time is out of this world. I knew I'd hit the jackpot the first time I plugged up to one. Mark V pairs nicely with my variety of guitars including PRS Holcomb sig, Fender Tele and Strat, Schecter Hellraiser, and Epiphone Les Paul. There's a tone in there for everyone, every guitar and every style of music... you just have to be willing to sit down and get to know the amp. Mesa Boogie is definitely the brand for me so I cast my vote in with them. Great company with quality amps and super friendly/helpful custom service.
There are many options in this price range that will suit the beginning player. Musician’s Friend offers an extensive selection of Electric Guitar Value Packages that include an electric guitar, amplifier, and many of the accessories mentioned above. The components in these packages have been carefully chosen to work well together and can eliminate guesswork when choosing the right gear. Many also include instructional books, DVDs, and online beginner’s lessons, plus other resources to keep the new player motivated to keep learning.
Pedaldoc – is a company specialized in the production of kits to convert standard guitar effect pedals into boutique sounding pedal stomp boxes. They carry “do it yourself” kits to modify many topselling Boss pedals, Electro harmonix stompboxes, Vox 847´s wah pedals and more. The only thing needed to perform one of their mods in is about an hour of your time and a soldering iron. Their kits are designed for guitar and bass players who may not have any knowledge of electronics and all the components that need to be substituted are clearly market on a picture of the pcb board of the pedal.
Consider so-called “vintage” or “’50s-style” wiring, in which the tone pot and cap are connected to the middle lug of the volume pot rather than the usual third lug. Given the sheer number of posts the topic has amassed on guitar-geek sites, you’d think it was an earth-shaking option. Yeah, it’s a cool mod that I happen to dig, but really, the sonic benefit is modest: just a bit less loss of brightness when you dial down the volume.

It has a 32bit float point DSP for better sound and True Simulation of Analog Circuits (TSAC) technology to give great modeling with your choice of 60 amplifier models. It has built in looping (up to a massive 60 seconds) , a sample-based drum machine and MP3/WAV player, sophisticated user interface and big colorful LCD display. MG20 is the pro solution for guitarist who wants great tone and function.
I have a hunch its a cheapo guitar and probably not worth a neck reset. Can't tell if it has a bolt on neck. my other guitars all have more warped soundboards though. The saddle is sort of cradled in wood by the bridge, the angle could be better, but I'm surprised there is any angle considering the saddle only pops out like a millimeter. The bridge curves down towards the pins to provide the angle. It probably has been set up in the past by someone who wanted an acoustic guitar to play like an electric, then it got reversed it later by way of the truss rod.
In 1954, Fender introduced the Fender Stratocaster, or "Strat". It was positioned as a deluxe model and offered various product improvements and innovations over the Telecaster. These innovations included an ash or alder double-cutaway body design for badge assembly with an integrated vibrato mechanism (called a synchronized tremolo by Fender, thus beginning a confusion of the terms that still continues), three single-coil pickups, and body comfort contours. Leo Fender is also credited with developing the first commercially successful electric bass called the Fender Precision Bass, introduced in 1951.
DRILLING THE NECK HOLES ON THE BODY Before you do this you can carve down the back of the neck area if that is something you were going to do. If you are just going to leave it flat then that's ok too. The first step if you are using furreles is to map out where you want to place them and then mark the center of the hole where the screw will go. Then take your forstner bit drill enough to fit the furrele inside. Usually you can tell how deep to go if you drill a little at a time, and place the furrele in it to see if it is just low enough in the hole not to see the top of it if you look at the body horizontally or it is flush with the wood. After doing this you can drill the holes for the screws. Use a bit that has the same circumference as the screw including the threading so when you put the scre into the hole it just passes through with out you having to screw it in. Drill in the indention that was left by the tip of the Forstner bit, keeping the drill as straight as possible.
Several years later, Gibson issued its third Jimmy Page Signature guitar, this one based closely on Jimmy Page’s #2. Issued in a production run of 325 guitars, the guitar more accurately reproduced Page’s heavily modified No. 2 than the original Signature model of the 1990s, and featured the 4 push-pull pots, the two mini-switches under the pick guard, accurate tuners and sound-accurate pickups (the same pickups that were used in the 2005 Jimmy Page No. 1 Signature), as well as an accurate neck profile. As in the original Signature model of the 1990s, pulling up the neck or bridge volume pots switched the respective pickups’ coils from series to parallel, and pulling up the tone pots switched the respective pickups from humbucking to single coil. The two push-button DPDT switches mounted beneath the pickguard provide universal switching functions, regardless of the positions of the push-pull pots. With the switch mounted toward the bridge-end of the pickguard in the out position, the bridge pickup’s phase is reversed. With the switch mounted toward the neck-end of the pickguard in the out position, both pickups are wired in series and out of phase. With both switches out, both pickups are in series and in phase. The Jimmy Page “Number Two” Les Paul is finished with a sunburst finish to replicate the appearance of the original guitar. 325 of these guitars were made, with the initial 25 being autographed by Jimmy Page and priced at US$25,000 when new.
Also in 1952, Kay introduced the matching K-162 "Electronic" Bass, which was the first commercially available thinline-hollowbody electric bass guitar, and the second production electric bass guitar after the Fender Precision Bass debuted in 1951. Due to the use of K-162 by a bassist of Howlin' Wolf, Andrew "Blueblood" McMahon, it is commonly known as the "Howlin Wolf" bass. These instruments[clarification needed] are believed to be the first semi-hollow electrics[citation needed] (i.e., thinline-hollowbody electric with solid center-block), predating the Gibson ES-335 by six years. Their unique design[clarification needed] featured a flat top with no f-holes, a free-floating arched back, and two braces running along the top. The result was a semi-acoustic instrument that was feedback-resistant while retaining natural acoustic resonances. In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog,[citation needed] "tuned like the first four guitar strings but one octave lower." Structurally this bass was basically same as K-162 bass, except for the higher pitched tuning and the addition of a white pickguard.
@Carl – Sorry to hear that you are having trouble. I am not clear on why this would be happening from the info you have provided. Can you please shoot us an email with details on the input and output connections and how each pedal is being powered when you experience this problem? Also, please also include a video that clearly shows this behavior, your connections, and how each pedal is being powered so that we have a better understanding of what you are experiencing.
I have had some truly “nightmare” scenarios with repair people in my time, and you must beware of these folks who love to take your money, but who can totally botch a repair job on a nice guitar! It’s happened often enough to me to make me be very careful whenever I am “trying out” a new repair shop for guitar-related problems. Due to this, I often like to start with bringing them some relatively un-complicated guitar repair problems such as fret jobs and wiring problems, but even these have sometimes turned into nightmares. Today for example, I brought of all things, 3 Lap Steels and one semi-hollow guitar for repairs, but unfortunately the store’s repair guy was not there. We had a good communication though, and they made sure I wrote down the repairs I felt were needed, with a separate sheet for each instrument, and said that he’d be calling me with any questions regarding the guitars and their repairs before tearing into them!
If you feel that you must attempt a setup on your own, and you have a suitably worthless guitar to work with, then there are a few pieces of advice that you should know. When adjusting the truss rod on any guitar (this changes the bend or warp in the guitar neck) you want to move in small, one quarter or less turns. Over-tightening the truss rod will lead to a back-bend which can permanently destroy your guitar’s neck. Loosen the rod to bring it from this kind of a bend to flat. From there, you will want a slight amount of sag in the guitar neck to allow the strings room to vibrate. Intonation on an electric guitar is achieved by making sure that the pitch of the note when a string is struck open matches the pitch of the note as struck at the twelfth fret of that string (one octave higher). If the note at the twelfth fret is higher, the string should be slightly loosened at the bridge (achieved by moving the saddle towards the neck). The opposite is true for flat sounding notes at the twelfth fret. It is best to use a high quality tuner when intonating an electric guitar.
The primary difference in tone between the solid body and hollow body guitar is the high end bite one associates with the solid body guitar. From the biting rhythm of guitarist Nile Rodgers to the supersonic leads of Eric Clapton and David Gilmour, Stratocasters have found favor with so many guitarists because of their versatility and their timeless tone.

When I first hooked it up, I was annoyed. It took maybe two days to get used to the colors flying at me and what color is what string. I also found it odd that there was no timing indication with the notes (is it a quarter note, or a half note?, gradually, I've learned to tell by the spacing), which is especially akward in the beginning when you only play occasional notes in the song. I 've also found (as have most people I've played it with), that for whatever reason, we tend to miss seeing the blue notes (4th string) a lot (tends to blend into the background) and to a lesser extent the orange notes (3rd string).

Perhaps not as famous as its brother, the EMG 81, this awesome EMG 85 still rocks and makes a worthy appearance in our chart. Perfect for the neck position (although equally solid in the bridge), the EMG 85 features Alnico V magnet-loaded close aperture coils to deliver a natural tone with a huge output, with no loss of clarity as the volume is pushed to its highest.
The effect of amplifier coloration can be emulated using a parametric EQ, where you'll probably find you need to add some upper mid-range boost to get the same brightness as from an amp. Note that, if you're using a software amp modelling plug-in, you'll still get the best results if you feed your guitar via a high-impedance DI box — plugging it straight into a soundcard's line input is likely to result in a drop in level and may even affect the sustain and high end of the guitar sound due to the pickups being loaded by the impedance of the input circuitry. This does not apply to active pickup systems which, in effect, function as a combination of pickup and DI box.
When you think about playing lead guitar, you think a lot about learning scales, learning guitar techniques like bending, sliding, vibrato, double stops, and other playing techniques that help give your guitar solos personality. One thing a lot of guitar players overlook, particularly in the beginning, is tone. A guitarist’s tone can be everything. Tone can act as a signature for guitar players. In this really neat Guitar Control video lesson, Robert shows you three electric guitar tone tips that can bring your guitar sound to life and make it instantly recognizable.
Phasers like the popular DOD-Phasor 201 are a perfect example of what a solid phaser pedal should sound like. Modern designs allow you to control many aspects of this effect, which makes them pretty versatile and suitable for most genres of music. Guitar players like Van Halen heavily rely on phasers to build their foundation, while some have even become famous due to their use of phasers. Phase shifters are generally very flexible and are among the most utilized modulation effects today.
The SS-4L was almost identical in electronics and other appointments to the SD, with the main differences being in body shape, vibrato and pickups. The body was more like a Strat, except the entire lower horn was lopped off and slanted toward the lower bout. Very, very… well, this is one of those ideas that’s so ugly it becomes beautiful! This had a new, very nifty vibrato system, one of the coolest the Japanese ever produced. This consisted of a plate or platform resting on springs, sitting above the top of the guitar. This then had a metal block with several holes along the treble side, into which the arm was inserted and secured with a thumbwheel screw. The SS-4L had two-tone metal-covered pickups with six poles along the rear edge, two half-slots exposing a gold insert in the center and six holes showing the insert along the front edge. These “two-tones” would become a mainstay of many early ’60s Teiscos.
First of all, the pickup configuration is getting into the heavy metal side of things and, like the two previous recommendations, it offers a great introduction into changing your sounds on the fly. You know that expert players are constantly stomping on effects pedals to change the tone of the guitar, but they’re also tweaking the pickup positions, tones and volumes to create unique sounds, too.
The amp has the usual basic controls: Volume, Bass, and Treble, plus a Gain knob that adjusts the amount of distortion. Once you start turning some of the Champion 20’s other knobs, all sorts of additional tonal possibilities arise. The Voice knob accesses simulations of different amps: Tweed (1950s-era Fender amps heard on early R&B records such as “Sittin’ on the Dock of the Bay” and “In the Midnight Hour”), Blackface (mid-1960s Fenders, often used by Eric Clapton and Stevie Ray Vaughan), British (reminiscent of the classic Vox amps used by the Beatles, the Rolling Stones, and U2), and Metal (somewhat like the sound of the Marshall amplifiers favored by rock and metal players from Jimi Hendrix to Slash). Each of these four simulations has three different variations that alter the tone a bit.
There are so many great things about the small guitar amps that we miss out on. While it is no shame to admit that some issues persist in the sound and ability of smaller amps, it is also worth saying that they have a whole lot of benefits that might be the reason some people decide to pick them up. I have had many amps over the years and my small amp is possibly my favorite piece of equipment (other than all the guitars on their own). I have taken it on many a trip when I had to stay somewhere that was not my home, and it has helped me keep my workout hours up to the standard that I had gotten used to. One of the very first amps I ever had was actually a small amp, nestled in my tiny little room in between my bed and my wardrobe inside which my guitar stood. My point is, whether you are just starting out or you have been playing for a while, you will find a use for your small guitar amp, especially if it is one of the best available on the market.
On guitars with bound fingerboards, shrinking of the binding can produce a gap large enough to catch the treble E string when pulling it over the edge. If only a few our present I will fill the gap to eliminate the problem. If the binding shrinkage has introduced gaps at every fret, the board should be re-radiused to eliminate all gaps and re-fretted.
A difficult effect to explain, the compressor’s value is in it subtle and careful use. A compressor acts like bumpers on your signal's amplitude, preventing the volume from spiking too loud while also preventing the volume from decaying too quickly. Because of this, it increases sustain - which is great for solos - while evening out playing dynamics. Country and funk players use compression heavily to achieve spanky and crisp punctuation within their playing. Compressors will add noise to the signal, so many higher end boxes will have a noise gate feature. Other than making cleans sparkle, you can also front-load your distortion or overdrive to get great clear sustain.

Of all the positions GC interviews for, tech has the highest standards and is arguably more demanding in terms of hours worked and product knowledge required than store manager. The tech for the store I worked at frequently worked 60+ hours a week to keep turn-around time to a week or less and his set-ups were so good and in such high demand that the store got an exception to the chain-wide $35 set-up price to charge $50 in hopes of lightening his load/keeping his overtime down, but he still got just as much work as he did before. If you're unsure about the reputation of your local GC's tech, don't be afraid to call the other stores and ask them who the best tech in their district is, because they'll usually be pretty straight forward with you. Most GC sales people have had their instruments set up by their in-store tech at least once and if their tech isn't very good, they'll tell you who you should go to if you want good work done because it's an absolute pain in the ass dealing with a customer whose instrument wasn't set up right when the tech is gone for the day and having to deal with the tech's fuck-up.
Description: Body: Basswood (Tilia, Linden, Lime) - Body Construction: Solid - Neck Attachment: Bolt - Neck Wood: Maple - Fingerboard: Rosewood - Frets: 24, Jumbo - Inlay: Dot - # of Strings: 7 - Scale Length: 25.5" (65cm) - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Chrome, 1x Volume Control, 1x Tone Control, 3-Way Switch, Grover Tuners - Pickups: Dean - Pickup Configuration: H-H - String Instrument Finish: Metallic Cherry, Metallic Black, Transparent Red
One of the most important Telecaster players was Clarence White, who, during his short career, contributed more to country electric guitar than almost anyone else, along with being a phenomenal bluegrass flatpicking guitarist and a pioneer of thecountry rock genre. He played with the Byrds, and Nashville West along with the bluegrass bands the Kentucky Colonels andMuleskinner. He enlisted the help of Gene Parsons and invented the StringBender, a device inside the body of the guitar that raises a string’s (either the B- or G-string most of the time) pitch when pressure is applied to the strap. His Telecaster is one of the most recognizable and is now owned by Marty Stuart.
Acoustically I own a Martin for the living room. Best sound but I won't let it leave the house. (Taylor people are so defensive, but lets face it Martin owners never have to say "Oh it sounds just like/as good as a Taylor") I own an Ovation, the thing is bullet proof, a little thin on sound but can take it anywhere. If I plug it in, it has amazing electronics and sounds 10X better. I own an Ibenez exotic wood, pretty but a stiff box that just does not resonate, hate it.
Selling my guitar rig i used here in RSA Not splitting up 1 x tech 21 sansamp psa1.1 preamp,studio standard 1 x crate Powerblock 150w mono or 2x 75w stereo amp 1 x 4x12 quad box,custom built with plywood not cheap chipboard, loaded with celestion G12s All as good as new Too heavy to ship overseas Can swop for something lighter i can carry on a plane

Advanced multi-effects processors can involve significant learning curves. Their hundreds of sounds and functions may entail diving deep into multi-layered menus to get at what you want. The best units offer intuitive and ergonomic user interfaces that keep the most common functions easily accessible via dedicated knobs and switches. Reading user and pro reviews can help you identify which models offer the greatest ease of use.

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Playing the guitar is no joke. To be honest, not all who bought a guitar end up playing. Maybe it’s just hype from friends and family or along the way found something else more interested on. You have to remember that you will spend countless hours practicing and the time you spent to it is impossible for you to get it back. This is not meant to discourage but to challenge you to succeed.
I'd never heard of this brand but was recently in a store in North Carolina looking for a nylon string guitar. The salesman asked me if I was "open minded" and if I'd be receptive to trying a brand that I probably had never heard of. He handed me a really pretty instrument with a very different looking headstock. I immediately figured he was showing me a very expensive instrument. I asked how much it cost, but he didn't answer. He simply replied "Try it, then let me know what you think." I had no idea how much this guitar would cost, and honestly I hate guessing games, but the guitar was really beautiful. I played several classical guitars there that day. A Yamaha, a Cordoba and an Alvarez, but the Merida was unquestionably the best sounding (and looking).
Effects can be connected via insert points, or the effect send and return loop that is included in most consoles and DAWs (Digital Audio Workstations). When effects are used in the send/return loop, their Mix control should be set to 100 percent wet, so you add back only effected sound to the dry sound, which comes directly through the mixer channel.
Launch price: $2,799 / £2,399 | Body: Laminated maple | Neck: Maple | Scale: 24.6" | Fingerboard: Ebony | Frets: 22 | Pickups: 2x Full'Tron humbuckers | Controls: Bridge volume, neck volume, master volume, tone, 3-way selector switch | Hardware: Anchored Adjusto-Matic bridge, Gotoh locking tuners, Graph Tech TUSQ XL nut | Left-handed: | Finish: Cadillac Green
Well, that’s not exactly what he said. Although, it would seem that way, if you take time to browse the company's Facebook photos. Every guitar the company makes is truly enticing and a work of art. Moreover, the quality of each instrument is astoundingly good. Take the Xuul Katan VI. While the guitar is certainly unique, it also boasts a strong specs list:
Package arrived in a timely manner and in good shape. Guitar is alright, built to look like a high-end model but closer inspection proves otherwise. I was fine with that but then had to remove the rear cover of the amp to reconnect a power wire that had become disconnected during shipping just to get power to the amp. After that I still had no sound through the amplifier. I checked the amp and cable with another guitar and all worked fine. That lead me to replace the guitar battery that came with the unit with a brand new one and the problem still persisted. After destringing the instrument and checking the interior connections I am convinced that the issue is in the pickup under the bridge or in the onboard electronics. Hopefully the replacement will work better but buyers should be cautious when ordering this product. The guitar really is beautiful for the price but certain quality control issues leave me wondering, especially once the Amazon product support expires on it.
Some areas of the top’s lacquer finish have been peeled away from the long-ago removal of a few stickers and black electrical tape (the previous owner admitted to decorating the guitar with the black stripes in a tiger-theme). The guitar plays well, with a good neck angle and decent original frets. The guitar was just set up this past month by the pros at the renowned Guitar Factory in Orlando( It now plays great and needs nothing – they do great work! Pickups read 4.12 (neck) and 4.20 (bridge), and pots and switches work well. And, very important to note on vintage Gretsch guitars, there is NO binding rot. Also includes the Original Hard Shell Case.
It doesn't even seem to matter which kind of Guitar amp you have or when plugged into any PA system. This guitar is a keeper. it comes with Godin Nickel Strings which is why unplugged it may sound too tinny to some ears, but after changing to Elixer Acoustic Strings, it sounds much better unplugged and really shows off plugged in. It now can give my Acoustic six strings a real run for my attention. At gigs and open mics, people come up and ask,,,what the Heck is this Bruce? Looks and sounds amazing. My only wish is that it had the same Pick-up system as on my A6 Ultra, two separate Pick Ups and Controls and two 1/4 in outputs.
1976 Fender Stratocaster, Some changed parts to include,pickguard, tuners,possibly knobs. Original factory natural finish, fret wear, plays but will need a refret at some point,Comes with a non original black tolex hard shell case. No backplate or tremolo arm. Overseas clients PM me for accurate shipping quotes as free shipping is only to a lower 48 US address. Trades may be considered.      SEE MORE HERE .
But the guitar store? They always remember me and treat me like a guest even if I'm not there to buy shit. Everyone there is a genuinely good dude. They're all honest too, which can be hard to find in this industry. I took my guitar in for a check up and they told me doing anything to it would be unnecessary. They could have easily charged me $80 for a set up and taken my guitar.

Some amps have a bright cap on the volume pot. The purpose of this cap is to allow your amp to provide a bright, clear tone at lower settings on the volume pot. The more the pot is increased, the less effect the cap has. When the pot is turned all the way up, it should be completely out of the circuit. Like they do with a bright switch, drive pedals can interact with a bright cap and result in less-than-pleasant drive tones. If your amp has a bright cap and you don’t like the way it responds to some pedals, or you find it excessively edgy at low volumes, consider having a competent amp tech change the bright-cap value or remove it altogether. This can be a worthwhile and easily reversible mod.

If it helps, Schaller have very accurate drawings of all their hardware on their website. You can also get very good drawings of all Gotoh parts as well, but theirs are harder to find (hidden in the parent company's site and I can't recall the full details). It is worth having a look at those, and pay attention to the way the tuning posts are shaped. That radiused section turned into the post is important , it really helps lock the strings firmly.

A phaser pedal is similar to a chorus as it thickens up your sound but also adds a sweeping effect – almost as if the speaker within the amplifier is spinning around or moving up and down. If you pretend the speaker is moving away from you and moving closer and back again – you’ll get an idea as to how it sounds. You can change the length of the effect and how quickly the movements are via the pedal.
Kansas guitars has been around since 1927. They made some very nice guitars. Some expensive and some inexpensive. But the real question is whom makes the guitar for Kansas? And that is non other then Cort. Yes Cort makes guitars for just about everybody and you dont even know. the big secret is cort guitars themselves are very well made but cheaper then most brands, but same or better quality then highline guitars. Cort bailed out fender and also built Fenders for many years. So in short Kansas is a well made guitar and there set neck models are awesome and run about $400 to $600. You cant get a set neck today for under $800. And if you want to see how many guitar brands have cort making there guitars do some research on Cort and you will be surprized. They have been around for ever and are the elite company in the business.

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Air Norton
The Air Norton started out simply to be the Airbucker version of the Norton. DiMarzio thought it would make a distinctive-sounding bridge pickup with high-gain amps, but they soon discovered that it's a radically neat neck pickup, too. The tone is deep and warm, but not muddy. It's hot, but not distorted. It's even got cool harmonics, which are really unusual for a neck humbucker. The patented Air Norton magnetic structure reduces string-pull, so sustain is improved; and pick attack and dynamics are tremendously controllable and expressive. Combine the Air Norton with The Tone Zone in the bridge position for a perfect blend of power and tone.

The Tone Zone
Have you ever heard a bridge pickup that made a guitar sound like a giant mosquito attack? If you've run into this problem, The Tone Zone is the solution. The Tone Zone is hot enough to qualify as a high-output pickup, but it has a wider dynamic range - hard picking will produce a lot of power, and softer picking will be much cleaner and quieter. It's got tremendous bass and low-mid response to reinforce the bottom end and make the overall sound bigger. The highest single notes have depth, and chords sound huge. Patented dual-resonance coils reproduce more overtones than you'd expect from such a fat-sounding pickup. It makes a great match with an Air Norton.

Case sold separately.
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On stages and in recording studios all over the globe, the Epiphone name can easily be found thanks to the incredible amount of work that's put into every instrument they design. So with that in mind, which is the right guitar value package for you? You certainly have plenty of choices, but starting with the top-rated items is a great way to speed up the decision-making process. For example, check out the Les Paul electric guitar player pack. Featuring an Electar-10 amp with overdrive, gig bag, pinch-on tuner, strap cables, picks and of course the classic Les Paul Special II in ebony, this package has it all. Plus, it also includes free online eMedia guitar lessons, so you'll be impressing family and friends with face-melting riffs in no time.

Ear Wring is a ring modulator controlled by three phase distortion oscillators and one LFO. Depending on the pitch, this can go from a gently oscillating tremelos to fuzzy, synth-like freak-outs. An optional harsh fuzz can be added to the signal before modulation. Mixed with the dry input signal and fed into an amp simulator, Ear Wring can add some meat to your guitar tone.

Compared to other plastic exterior multi-effects, the RP360 XP feels solid and durable. And this is reflected in many reviews, which mention the pedal's reliability as one of its good traits. Versatility and value for money also came up a number of times, both from pedalboard owners that have downsized, and beginners who are just trying out multi-effects.
Power chords are one of the staples of rock music and one of the most important guitar chord types you need to have in your toolbox. They are important to learn for a few reasons: They’re easy to play They’re used a TON in many popular songs and are very versatile. They’ll help broaden your repertoire of guitar sounds / styles. This post will walk you through step-by-step what a power chord is, how to play them and what songs you can learn to start practicing them. What are Power Chords? Whether you play an acoustic or electric guitar, you are going
While a little on the pricey side, their products are seen as particularly powerful and reliable overall. The H&K Trilogy is well appreciated for its versatility, allowed by the high level of German technology and engineering involved in its construction.  It has easy MIDI control and three channels, a clean, crutch, and lead, all with boost options that give a lot of freedom to musicians who are into experimenting.
here is an example of why an acoustic reigns supreme for practical reasons. Last week, I had to get new tires on the truck. Knew I had a couple hours to kill while there. the Discount Tire was on the way to my guitar teacher… in a big way (an hour drive up to Denver for guitar lessons, the Discount was half way there). So, I brought my acoustic in to Discount and played for a couple hours in the waiting room. People loved it, and were shouting out requests and stuff.
After we decided on our parameters, I selected the models by scanning Amazon and the websites of music stores such as Guitar Center and Sam Ash. We didn’t test battery-powered models because they tend to put out less volume and usually deliver lower sound quality. (Plus, most beginners probably won’t be busking on the streets.) We also didn’t test some of the super-cheap, no-name amps available on Amazon, figuring that these were unlikely to produce a really good sound that would keep a beginning guitarist interested in playing. I found 24 models that fit our criteria. I then rejected any amp that had a lot of quality-control complaints in user reviews, that wasn’t available through at least a couple of online or brick-and-mortar outlets, or that the manufacturers were unable or unwilling to provide.
Description: Guitar Type: Bass - Body: Maple & Mahogany - Figured - Body Construction: Solid - Top Wood: Cocobolo (Nicaraguan Rosewood) - Neck Wood: Maple - Neck Construction: 3 Piece - Fingerboard: Ebony - Frets: 24 - Inlay: White Dot - # of Strings: 4 - Headstock: 2+2 - Bridge: Adjustable - Bridge Construction: Carbon Fiber (Graphite) - Cutaway: Single - Hardware: Gold, 1x Volume Control - Pickup Configuration: Dual - String Instrument Finish: Oil
The 1964 TRG-1 was a slightly more asymmetrical variant of the WG body style, with offset double cutaways and offset waists. It had the squared-off Bizarro Strat head introduced in ’63 and rectangular-edge fingerboard inlays. The tail was a primitive top-mounted trapeze. Most of the face of the guitar was covered with a large metal pickguard, which had one two-tone neck pickup. The volume and tone knobs were above the strings, as was a small sliding on/off switch for the amp. In the off position, the guitar played out as a normal electric guitar. Horizontal grill slots were cut into the pickguard, behind which sat a 3-inch speaker. The amp operated on two 9-volt batteries installed in back. The TRG-1 shown in the subsequent ’64-65 catalog had a new, hooked headstock, but all the examples I’ve seen have the squared-off Bizarro Strat head. Also, the model I have has a TRE100 designation on the back sticker, so at least some were called this.

The Epiphone Broadway is a hollow body archtop guitar that has been in the Epiphone guitar lineup since 1931. The Broadway was initially an acoustic archtop, but after Gibson took over Epiphone in 1957 the “Broadway” designation was given to a new electric archtop. The electric model was reissued in 1997 and continues to be in production, and we’ve selected it for this list of best electric guitars.
Guitar scales free movie. Guitar Scales This lesson covers the basic ways to play chromatic scales on the guitar. Guitar scale reference - Here is a listing of some basic fingerings for many games. GUITAR SCALES guitar chords guitar scales chord progressions Search our collection of guitar scales, with charts and music playback jam contacts chord name reverse scales metronome forums tuner. Guitar Scales: Lookup guitar scales on

Hum in pedalboards is usually “ground loop hum.” You have two paths to ground, your audio ground and your power supply ground. You could use an expensive power supply with isolated grounds. But all you have to do is break one of the ground connections. You could disconnect the audio ground at one end of each of your patch cords. Or better, if you use one power supply, connect the hot and ground to only one of your pedals. Clip the ground wire on all the other pedal connections in your daisy chain. The power connections will then get their grounds through the audio grounds. No more hum

Having perfected the modelling amp concept, Line 6 have become experts at delivering a huge variety of great sounds in a convenient, affordable package. Experiment with 12 different amp models, from classic 1960s Fender tone to the “Insane Red”, inspired by the mental Mesa/Boogie Dual Rectifier, and sculpt your tone further with the seven built-in effects.
I was buying my first acoustic guitar ever in my life, and I'm happy to say I picked this store. When you walk in you pretty much feel that you're in another world filled with music and color in contrast with the cloudy days of Seattle. I researched a little on their website before coming in to see what guitars were within my price range, what type of finish and strings. I said to the guy who greeted me at the door: "I'm looking to my buy very first acoustic guitar." And felt a little nervous not knowing anything about playing. Handed him my note card of guitars and he led me into a practice room where he brought the guitars I was interested in and played them for me (since I had zerrrrrooo experience) so I could hear the tone of the guitars. He was very professional, and also took his time making sure that I picked a guitar that I liked. Even gave me a little history about where they are made and how the company sources their wood, etc. Very nice! I forgot his name, but he had curly blonde hair. (If you read this, Hi! And thank you). In addition, an instructor, Ted, who works there also offered me a free first lesson and have been taking lessons since then. The people there are all welcoming and have a real passion for what they do. It's always fun going by their store. Check it out! Please respect their bag policy if you are asked to leave it with them while you are in the store... if you don't feel comfortable, then leave your guitar at home. Easy.
Description: Body: Mahogany - Body Construction: Solid - Top Wood: Maple - Quilted - Neck Attachment: Neck-through - Neck Wood: Maple - Neck Construction: 5 Piece - Fingerboard: Rosewood - Frets: 24 - Inlay: Dot - # of Strings: 6 - Scale Length: 25.5" (65cm) - Headstock: 6 In-Line - Bridge: Tune-O-Matic - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black, Diecast, Nickel, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: Humbucker - Pickup Configuration: H-H - String Instrument Finish: Black, Blue
Being a sub-brand of Gibson, it is Epiphone's task to get the Les Paul design out to as many hands as possible, and they did just that with many various iterations of the classic single cutaway design. For this list, we chose Epiphone's tribute to Les Paul, who incidentally also worked with the company in the late 30's, which is a bit in the mid-tier price, but worth every penny.
If you're in a small, unsigned band, it's very important to choose an amp that's loud enough - as not every venue will mic your amp. Ironically, bigger artists don't need to worry about this, since they are safe in the knowledge they'll always have a good sound and their amps will always be mic'ed. That's why Seasick Steve plays a small Roland Cube amp, but it's not necessarily a great choice if you're in a band who plays live.
My Carvin SH575 is a semi-hollow body electric. The size is similar to the Gibson 336, but sounds totally different. When you play this guitar you can't put it down, Carvins are made with computer aid wood carving CNC machines the proto-type of the guitar is measured with lasers and programed into the computer so every guitar they make is to the 1000th to the original. The finish and the detail is awesome. It also is wired with hum bucking pick-ups, piezo acoustic pick-up and Roland GK synth guitar. You can get some beautiful hybrid tones from this thing and I never can stop finding new ones. Try one of these out if you ever go to California I think there is like 5 stores around the L. A. / San Diego area, you will see what I mean.
4.  Cracked end block because customer used a drill bit meant for steel to enlarge hole for the jack used on an acoustic.  Fix:  This can be tricky.  First you have to assess the damage and that can be challenging.  Some of these miniature cameras work great.  I’ve had success using a point and shoot on a timer to take a snap.  If the crack is small you might be able to use cyano to repair it.  If the end block is cracked all the way through, the back may need to come off and the block replaced… Again, not something you’re going to do on a cheap guitar.   The proper way is to use a step reamer to get the correct sized hole.
Dimebag Darrell first discovered this guitar master while he was working in a club in Colleen, Texas. King was 17 and Darrell was 15. "They played and blew me away," King says. So he asked if the aspiring guitar legend needed help breaking down his guitar. It was the beginning of a working friendship that lasted until Dime's untimely death in 2004. Learning from another guitar master, Walt Treichler of Rotting Corpse, is what put this guy at the top of the extended family's list for repair answers. He also studied with Floyd Rose at a guitar show, learning everything there is to know about the Floyd Rose tremolo. "There's nothing better than the original thing Floyd came up with," he says. King is the kind of guitar doctor who makes house calls; but he's not accepting any new clients unless you're part of his extended family of musicians. "If I know 'em, and they need work on their guitar, I'll help 'em out."

The design goal of these hybrid micro heads was to provide usable power from a compact digital power amp section combined with a real analogue preamplifier in a very small and light metal chassis. The amps each weigh about 1.1 lbs, and fit in one hand (Dimensions (W x D x H): 135mm x 100mm x 75mm/5.31” x 3.94” x 2.95”). These amps are advertised as 50 watt heads, so the power section is a special Class D design as might be expected. What is unexpected is the preamp design that includes a new type of vacuum tube (valve) called the Nutube 6P1, which is the result of Korg working with Japanese vacuum fluorescent display (VFD) company Noritake Itron Corp.(Ise Electronics Corp). As such, the Nutube is a dual-triode vacuum tube packaged similarly to a VFD "chip" which makes it mountable on a circuit board using holes and pads not unlike a DIP. The miniaturised flat package topography, low power consumption, and low heat, long life attributes of the Nutube are key contributors to deploying an analogue tube preamp in such a small, lightweight footprint. Power consumption is only 3.43 Amps which is provided by a DC19VAC adapter, but Vox rates the MV50 power output at 50 Watts. However, note the 50W rating is for a 4Ω load; power output specs are as follows: Max 50W RMS at 4 Ohms, 25W RMS at 8 Ohms, 12.5W RMS at 16 Ohms.
The steel-string and electric guitars characteristic to the rise of rock and roll in the post-WWII era became more widely played in North America and the English speaking world. Barrios composed many works and brought into the mainstream the characteristics of Latin American music, as did the Brazilian composer Heitor Villa-Lobos. Andrés Segovia commissioned works from Spanish composers such as Federico Moreno Torroba and Joaquín Rodrigo, Italians such as Mario Castelnuovo-Tedesco and Latin American composers such as Manuel Ponce of Mexico. Other prominent Latin American composers are Leo Brouwer of Cuba, Antonio Lauro of Venezuela and Enrique Solares of Guatemala. Julian Bream of Britain managed to get nearly every British composer from William Walton to Benjamin Britten to Peter Maxwell Davies to write significant works for guitar. Bream's collaborations with tenor Peter Pears also resulted in song cycles by Britten, Lennox Berkeley and others. There are significant works by composers such as Hans Werner Henze of Germany, Gilbert Biberian of England and Roland Chadwick of Australia.
WARTUNG Herzlichen Glückwunsch und vielen Dank dafür, dass Sie sich für ein Produkt von Ibanez entschieden haben. Ibanez legt bei seinen Produkten die höchsten Standards an. Alle Ibanez- Instrumente werden vor der Auslieferung unserer strengen Qualitätskontrolle unterzogen. In dieser Anleitung wollen wir beschreiben, wie Sie das Äußere Ihres Instruments pflegen und Ihre Gitarre in dem Zustand halten, wie sie bei Auslieferung ab Werk war.
The Yamaha APXT2 is a 3/4 size version of the world's best-selling acoustic-electric guitar, the APX500III. This well-constructed, compact guitar makes a great companion when you're on the road. The APXT2 features an ART-based pickup system and Yamaha's proprietary tuner, offering great sensitivity and accuracy for quick tuning. The APX T2 also includes a gig bag.

Finally, their taper. Taper refers to the gradual increase or decrease of the pots ohm as you adjust it. There are two types of pot taper, Logarithmic (Audio) and Linear (Lin). The human ear hears in a logarithmic manner, so in a gradual increase or decrease, whereas linear, to our ear sounds almost more like an on/off. Which you use is completely up to you, many players prefer a linear volume pot for example, but I find that a quality logarithmic pot in both volume and tone positions offers more scope for adjustment, if using a quality pot that is! Low quality audio taper pots, in my experience, offer unreliable tapers, often not providing a even, gradual adjustment as you roll off or on. A guitar's volume and tone pot can bring out so many great sounds from your rig, it offers versatility to your sound, and I love pushing an amp hard and finding those sweet spots on the guitar's controls to really capture a great tone. So I feel that's why a quality logarithmic pot with a perfectly gradual taper is an incredibly important component in the electric guitar. 
All of the hardware is gold on this model, and while it’s stock Epiphone stuff rather than licensed equipment, it’s of good quality, and we don’t expect it to be difficult to keep in tune. The eSonic preamp and NanoFlex pickup system are both excellent and really help the guitar to come alive. In terms of looks, there are no particularly notable features, but the combo of gold hardware and florentine cutaway make for an attractive design.
DISCLAIMER: Hoshino owns the copyright to all of the catalogs scanned in here. This website has NO RELATIONSHIP with the Hoshino Gakki Group and makes no claims to ownership of the linked scans. These catalog scans are provided solely for personal academic/research purposes, so that collectors and others who own one or more of these fantastic guitars can properly identify the model and year of manufacture.
Alvarez has always been an under-rated brand. Beautiful workmanship, great sound- an excellent value for the money. I have one of the old six string "dove" guitars and a Yairi 12 string: both are close to forty years old and both still sound and look great and have never needed any repairs. I also have an old Martin six string. I have done the "blindfold" test with friends to choose the best sound between the alvarez and the martin - alvarez wins every time.
Dissatisfaction with vintage units of this type usually centers around their limited gain, and their inability to sound truly fierce with Drive cranked up to full. The more exemplary users of this type of pedal, however—such as Stevie Ray Vaughan or Eric Johnson, who were both masters of early Tube Screamers—usually kept the Drive control in the lower part of its range, where the sound remains more natural and, yet again, serves as an excellent pre-boost to drive a good tube amp into distortion when the Level control is set high enough. Some players also find older pedals built to this design to have a distinct midrange hump, a slightly wooly tonality, and/or a lack of low end (as ever, depending upon the ears of the player you talk to). Consequently, a lot of newer makers have accounted for these in their redesigns. Visual Sound’s Route 66 pedal has a Bass Boost switch, Ibanez’s own recent-era TS9DX Turbo Tube Screamer has a Mode control that takes you from classic sounds to settings with more distortion and more low end, and plenty of other makers address both in their variations on the circuit.
I do all my recording through my Axe FX, though there are many ways to USB record to computer. That being said, I plan to play live using my Ax and my other FRFR gear. I’m using a Matrix 1600-watt amp and a Matrix 2×12 (FRFR) cab and will run direct-out to PA when the time comes. I see no reason to lug around a half-stack or stack let alone the consistency and versatility of this setup. This is my first time using FRFR, and was tempted to go with a hi-end head and cabinet combo, but the up front investment will be worth it. I won’t ever have to buy effects pedals or change heads when I want a different sound. I did add a Mission SP-2 expression/volume pedal and also use my old Pod X3 Live for a midi controller. As for volume, I’m confident that my setup will hold its own vs. most other half-stack setups. I may add an Atomic CLR or another Matrix 2×12 (like the one I have) for a monitor later on. Another important factor is my band does cover songs and the Axe setup allows me to tailor my tone to match the bands we cover at the click of a switch. As a guitarist and computer tech/nerd, it doesn’t get any better than this for me. The configuration possibilities are endless.
The Ibanez Tube Screamer is the industry standard for overdrive pedals. Kicked into legendary status by the late great Stevie Ray Vaughan. The Tube Screamer TS808 was first released in the late 70’s and now catches a small fortune on the vintage market but fortunately there are reissues and many boutique clones out there. The Tube Screamer is not the only overdrive circuit of course, there are many excellent options, it is just clearly the most famous. What makes the TS so cool is the way it interacts with an already overdriven amplifier. It can add a nice amount of gain, sustain, and tonal shaping options. They do provide a bit of a boost in the mid frequencies that many people love as it helps to cut through a band. The list of TS users is extensive but Stevie Ray is the most notable.
One of the newer brands on this list, Jackson Guitars was established in Glendora, California in 1980. However they’ve made a huge impact to the world of metal, and their guitars are used by some of the biggest names – Randy Rhoads, Adrian Smith, and David Ellefson to name a few. Some of their most famous models include the Soloist, and the Rhoads.
No, you’re right. The more I think about it, the more I see the attraction. Plus, I was wrong in my previous comment when I said the sides would sound the same up to the limit of the smaller cap. Because I think they’re be audible resonance differences between the two values. It’s the same reason why the scheme I’m discussing differs from a standard tone control. And I sound vague, it’s ’cause I am! One reason I’m eager to explore this …
Every time I guitar shop I come back to Gibson. Pricey, but the look, feel and tone are to my tastes. A lot of classic songs have been recorded over the years on these guitars. Are they superior to Martins or Taylors? It's a matter of preference. I own a hummingbird custom and the aesthetics, tone and feel are unsurpassed, but it doesn't "cut" like a Martin. For chording though, it's a better balance. I also own a J-45 which is the ultimate acoustic blues guitar.
Ibanez is a Japanese guitar company that started out making outstanding copies of classic guitars, and has gone on to be one of the most revered guitar builders in the world. This is one of the top brands of heavy rock, and Ibanez instruments are known for the thin, fast necks and outstanding build quality. They’ve also led the way when it comes to 7-string guitars.
 You will not grow here or learn anything that will be useful in any other company unless they employ 1950's management techniques. Maybe a screenwriter for "Madmen" would find some material here but as someone trying to grow their career you won't learn anything useful. The pay will be no better than your last job minus your previous bonus and 401k match which to my knowledge they do not contribute. So next question, your not making any more money and probably less, not learning anything useful and will need to explain why you left after 6 months, how are you going to position this to beat the competition going after your next job?
Does anyone know for sure where these originated. I have been told Vox (the England years) made this flat bodied plank guitar in the skiffle days of early 60's/late 50's. Mine is painted white(by hand) with a large black pick guard that curves to envelope the two chrome "toaster" pickups ,bottom of neck, and three control knobs.The strings have a moveable maple bridge(not secured) and a small chrome hardtail heel.The neck has a zero fret at top and 19 more playing frets.There are dot inlays at the 3rd,5th,seventh,ninth,12th,and 17th frets.The headstock is of natural finish light maple with a top edge cut at a sloping angle like Hofner.It has brass tuning pegs,gears and gear plates and the keys are white plastic.The beautiful short neck is true ,natural maple.Along one of the tuning gear plates is the numbers: 35515 which are etched into the wood. Four bolts without any plate hold the neck base to the plain body and a green decal above the pegs at top face of headstock reads: Shadow. The fret board is rosewoodand is laid on neck without bindings.It has six strings and sounds like a short scale Baritone guitar. It also only has one strap peg at bottom since they used to put the other end of strap on a tuning key. No other holes are seen for any former peg at other end of body(where normally found). Please send any info on this small,early,simple but awesome sounding electric skiffle guitar from England(Vox?).Thanks!!!!!
Paint chips and cracked binding: Common on older instruments. Over time these openings will collect sweat, polish, and dirt, causing discoloration, lifting of the edges, and further deterioration. It is best to clean these spots w/ naptha (lighter fluid)or alchohol, remove any loose edges around the chips before cleaning (they will be holding polish and grime preventing the glue from working), then seal the chips and cracks with thin superglue. Super glue can be heated in the microwave for a few seconds (plastic bottles) to make it flow better. Drop Filling is a technique for filling chips with paint. This is covered at the ReRanch site.
Add a maple top to the mahogany body, as do a great many Les Paul models, and a blend of characteristics comes forward. The mahogany’s depth and richness remain, but the maple provides added snap, clarity, and definition. It also tightens up the lows and adds more cut to the highs. For many players this sonic evolution is highly desirable, whereas others might prefer the smoothness of the pure-mahogany design.
Choose from electric guitars with hardwood, polyester, or leather bodies, and carbon, maple, or rosewood fretboards. We offer right-handed and left-handed configurations, along with electric guitars that feature options like Tune-O-Matic, tremolo, and adjustable bridges. If you're brand-new to playing, you can even find a student kit including lesson books and helpful accessories to keep you on beat and in tune as you teach yourself to strum.