Solo, lead, and rhythm guitarists everywhere can now access the best selection of instantly downloadable digital sheet music and guitar tab on the internet. Put down the pick for just a moment and put your fingers to work browsing through's vast archives of guitar tabs ready to be enjoyed by musicians of all ages. Our collection features a weekly updated catalogue of some of guitars greatest compilations.
Two new models that would eventually become mainstays joined the Teisco line in ’65. Theye were two double cuts with slightly more flared horns, in a sort of tulip shape. Both had a single, wide, chrome-covered pickup with poles exposed along one edge. This was similar to the old MJ-1 but by ’65 would become the new SM series. Both had bolt-on necks with bound rosewood fretboards and the top-edge rectangular inlays. The E-100 had a bridge/tailpiece assembly, volume and tone on a small pickguard, and one of the elongated Strat-style heads. The ET-100 had a platform vibrato. As a sign of things to come, the Teisco Del Rey ET-100 had a regular Strat-style headstock, the first to appear on Teiscos, as far as I’m aware.
From an appearance perspective, at least, the most important aspect of the guitar is the body’s finish. The finish of most electric guitars is either a nitrocellulose lacquer, a polyester, or a polyurethane. Nitrocellulose, for the unfamiliar, is highly flammable and also known as gun cotton. It is obtained by the nitration of cellulose, an important structural component of plants. In guitar coatings, nitrocellulose is blended with other compounds and organic solvents to create a lacquer. The solvents evaporate as the lacquer dries.
The first National Dobro cast aluminum Hawaiians are probably relatively rare. They were probably only made for about a year, maybe less, from sometime in 1935 until sometime in 1936. By late ’36, the aluminum-bodied Supro laps (and the electric mandolin) had dropped from sight to be replaced by wood-bodied Hawaiians. The reason for discontinuing the aluminum steels appears to be related to the move. The aluminum castings and assembly were done in L.A. By late ’36, National Dobro had substantially relocated to Chicago (though an L.A. office was maintained until mid-’37), and it wasn’t economical to have them shipped all the way to Chicago. It was easier to make wooden bodies in Chicago, so after the move (by late 1936), National Dobro switched to wood-bodied Hawaiians.
Here for you is a beautiful Vintage 1964 Epiphone Frontier FT-110 acoustic guitar. This guitar is 100% original and comes along with it's original hard shell case. The guitar plays and sounds just great. These Epiphone guitars were made with a full 25 1/2" scale. The sound is just outstanding and the playability is fantastic. If you have any questions, feel free to either email us at or call .
The lower strings of a guitar (E, A & D) will often have a nickel winding over their steel core. Nickel also makes an appearance in the frets of most guitars, which are commonly made from nickel-silver. Despite the name, this alloy doesn’t actually contain any silver, but is named for its silver appearance. It’s actually an alloy of copper, nickel, and zinc. These nickel-silver frets aren’t as hard-wearing as steel, so some guitar manufacturers use stainless steel instead to give the frets more longevity.
What about Trey Anatasio? I cannot stand the hippie commune nonsense that follows Phish but that guy is amazing. That man can play anything; literally anything. He has been playing stuff like Peaches En Regalia to perfection live for literally decades. Go out to Grooveshark and find this song and list to it. He is playing sax and xylophone solos to perfection on the guitar. And that is just one example. There are literally hundreds of examples that you can find if you willing to look. Listen to the solo on Chalk Dust Torture off of A Live One. There is no better example of building tension in a solo then that right there.

A functionally solid-body electric guitar was designed and built in 1940 by Les Paul from an Epiphone acoustic archtop. His "log guitar" (so called because it consisted of a simple 4x4 wood post with a neck attached to it and homemade pickups and hardware, with two detachable Epiphone hollow-body halves attached to the sides for appearance only) shares nothing in design or hardware with the solid-body Gibson Les Paul introduced in 1952. However, the feedback associated with hollow-bodied electric guitars was understood long before Paul's "log" was created in 1940; Gage Brewer's Ro-Pat-In of 1932 had a top so heavily reinforced that it essentially functioned as a solid-body instrument.[2] In 1945, Richard D. Bourgerie made an electric guitar pickup and amplifier for professional guitar player George Barnes. Bourgerie worked through World War II at Howard Radio Company, making electronic equipment for the American military. Barnes showed the result to Les Paul, who then arranged for Bourgerie to have one made for him.
Yes, the Les Paul is a signature model for the late, great guitarist Les Paul.  This signature instrument is one of the few models to ever have other famous players have signature versions of their own.  The impact of the Les Paul has made it one of the most recognized instruments on the planet, due to its amazing versatility and high quality of craftsmanship.

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The best electric guitar isn’t one that just sounds good (however you may define good as) — it’s how it feels in your hands. We remember when we could barely start forming memories, going to our dad’s shows and him using his telecaster on stage. He had been playing since he was 5 years old (which we actually used his opinion for in this guide as well) and continues to play today 50 years later. As we grew up and learned guitar ourselves, it was more about what was comfortable and felt as natural as possible. Paired up with the sound and feel, there are a few more factors to take into consideration when you’re looking for the best electric guitar.
Humbuckers use two magnets, one which works as a pickup and one which cancels out 60-cycle hum (hence the name humbucker). These pickups generally have a darker voice and a higher output, which allows them to perform better under high levels of distortion. These pickups also tend to sound better playing jazz, as the genre benefits from the darker voice these pickups provide.
You've Changed.  Yep, you still LOVE your guitar, but man, you are now playing through a sweeet pedal board and amp that has way more gain than you could ever use.  The days of plugging straight into a Twin Reverb and trying to bully her into distortion is (thankfully) long gone.  Plus, you're older and wiser now, you no longer judge a pickup's value simply in it's output level ... you have now acquired a taste for true tone.  You want rich complex harmonics and touch sensitivity.  Face it, those EMG's did what needed to be done in 1991, but it's time to move on! 
Instruments with built-in effects include Hammond organs, electronic organs, electronic pianos and digital synthesizers.[19] Built-in effects for keyboard typically include reverb, chorus and, for Hammond organ, vibrato. Many "clonewheel organs” include an overdrive effect. Occasionally, acoustic-electric and electric guitars will have built-in effects, such as a preamp or equalizer.[20][21]

Technically, distortion is defined as being any change to the original signal other than in level. However, we tend not to think of processes such as EQ and compression as distortion, and the term is more commonly used to describe processes that change the waveform in some radical and often level-dependent way. These include guitar overdrive, fuzz, and simply overdriving analogue circuitry or tape to achieve 'warmth'. In the analogue domain, heavy overdrive distortion is usually created by adding a lot of gain to the signal to provoke deliberate overloading in a specific part of the circuit. Such high levels of gain invariably bring up the level of hum and background noise, so it may be helpful to gate the source. Though overdriving analogue circuitry is the traditional way of creating intentional distortion, we now have many digital simulations, as well as some new and entirely digital sound-mangling algorithms.

Now, if you are an electric player who doesn’t like using any pedals, that’s perfectly fine. Just be honest about the reasons. If you just like the sound of your guitar and your amp, cool. If you just want to keep things simple, I understand. That’s your preference, and it doesn’t make you better in any way than someone else who does. If you’ve been a genuine listener of music, you’ve seen and heard players who’ve blown their audiences away on un-amplified classical guitars, and players who blow us away with lots of pedals on their boards.
Kawais are probably most often mistaken for Teiscos because Kawai bought the Teisco brand name in 1967 and continued to make familiar Teisco guitars, while adding new models every year. Though sometimes sharing some similar looks, Kawai guitars tend to be a bit inferior to original Teisco guitars, especially when it comes to the wiring and pickups.
G&L, owned by Leo Fender, is yet another brand producing quality guitars. (Of course, when it is owned by the same owner as that of Fender, one can expect the extent of quality of these guitars.) Many of the G&L guitars seem to relive the Fender classic designs with some improvisations in style. Thus, this brand can indeed be considered an excellent alternative to Fender. Instead, in many instances, you will find G&L outnumbering Fender.
Buddy Holly turned a generation of future heroes – George Harrison, Eric Clapton, Jeff Beck – onto the guitar, with an elemental style: an antsy mix of country and blues that merged rhythm and lead; check the push-and-tease phrasing on "It's So Easy," which echoes Holly's growl-and-hiccup vocals. Playing his Stratocaster and fronting a double-guitar-bass-and-drum quartet, Holly essentially invented the rock band. "Listen to the songs on the first three Beatles albums," says John Mellencamp. "Take their voices off and it's Buddy Holly."
FINISH DRILLING THE HOLES After you have shaped and carved the body and the neck holes are drilled and the cavities routed out, you can preposition all of you parts and drill the last of the holes. Start with the pickup rings. It is good to assemble them first and then drop them into the cavity so you can line them up and mark where you will need to drill. Make sure they aren't crooked when you line them up. I like to have the neck bolted on so I can line them up with it. I do the same thing with the bridge. Be sure to check that the scale length is correct and that it is lined up with the neck as well. Drill the holes for the mounting screws and then the string through holes. Try to keep the drill as straight as possible when you do this because you will be going all the way through the body and if they aren't straight you will see it on the other side. This is the time that I wish I had a drill press.
ARTIN IS NOT THE BEST ACOUSTIC GUITAR. Any Taylor of the same price range WILL BEAT THE BRAKES OFF A GUITAR IN THAT SAME PRICE RANGE! In fact, most profession guitar players switched from Martin to Taylor for that reason Dave Matthews Clapton jack Johnson BUT MARTIN OR TAYLOR ARE THE LEADERS IN THE ACOUSTIC GUITARS! Epiphone master built is another great choice if you are looking for a great 3-500 price range..the ONLY REASON THEY DONT COMPETE WITH MARTIN IS BC FEW PEOPLE KNOW ABOUT THEM! You can buy a Martin that sounds just same but you'll triple the price! Alvarez yari is another well built wonderful guitar but again &1000-1300 against the epiphone masterbilt. Low price great sound go masterbilt about anything else go Taylor
As a trained engineer I just don’t see how contemporary luthiers would be able to control only these three parameters in combination in order to make up a specific tone. There is simply no connection between these and the sonic impact they have–again, in combination. Did anyone ever change the shape due to the wood he uses? For instance wood would be lighter by 5%, stiffer by 8% (which would be very much, by the way, but it happens all the time even with the same species) so consequentially make the horn less thick by 3% and trim the tail by 5 mm. A rule like that would be plausible in case wood would affect the tone that much. But luthiers never do. Thy do not even take care of weight and stiffness.
For the younger children in the 4-8-year-old range, a scale length of about 22.7 inches is a good fit. Although some electrics come in scale lengths down to 22.2 inches, the extra length will keep your child from outgrowing the guitar too soon. For comparison, adult full-size guitars such as the Fender Stratocaster have a scale length of 25.75 inches while Gibson Guitars are an inch shorter. So if you are confused that what to buy for your new learner or the little one, you can go with the product that fits perfectly in your requirements.

When guitarists sit around and debate tone, they pontificate on the properties of this instrument or that amp. But frequently there’s a factor in the equation that is forgotten. Our templates of what we consider to be great tone are not simply a formula of instrument + amps + musician. Recording studios also play a vital role in the creation of those sounds.
• Them Changes: Since the strings on acoustic guitars play a much more important role in projecting volume and clarity than strings on an amplified electric guitar, considering changing acoustic guitar strings often to keep an instrument sounding its best. Remember to wipe down the strings after playing and check for string damaging fret wear. Both can prematurely end a guitar string’s life.
Directional mics, such as cardioids and figure-of-eights, exhibit different frequency responses off axis — broadly speaking, off-axis sounds tend to be duller, although it's a complex effect which is different for each model. Professional producers are well aware of this, and employ the effect to refine their sounds. For instance, Chuck Ainlay comments "I'll usually start with a [Shure SM57] on the amp; but not straight on axis with the middle of the speaker; it's usually off-centre, angled towards the middle of the speaker and generally just off the grille." Jay Graydon refers to a fairly similar setup: "I position the mic about one inch left of the edge of the speaker-cone centre, using a 22-degree angle, and about one inch back from the grille cloth." Andy Johns, on the other hand, has said that "the miking technique I used on electric guitars for years was two [Shure SM57s], one straight on, and one at 45 degrees. Put 'em together, and it always works."
Among other things, they’re extremely reliable, sound great and built like tanks, so you can stomp on them for years and they’ll never let you down. However, collecting them all will cost an absolute fortune. Fortunately, the team at Boss have put together a couple of options for those who want a world of Boss effects pedals at their feet. One option is the Boss ME-80 Multi Effects Processor Pedal.

If you really like to cover all options, record using any of the above methods but also take a straight DI feed with no effects and record that onto a separate track so that you can process it later. Some engineers have been known to use a recorded DI guitar track to drive a guitar amplifier, which is then miked up and re-recorded, but you could take the easier route of using a hardware recording preamp or a guitar amp emulator plug-in to process the track.

For the most part, you might want to get a preamp that has at least some type of EQ on it. Tone shaping on an acoustic electric guitar can really give you an edge or at least a semblance of control before the sound guy butchers it during your gig, although you can do this with an effects pedal. Even though this is something that takes the time to learn, it's better to have the option readily available when you decide to step up to that level.
Until the 1950s, the acoustic, nylon-stringed classical guitar was the only type of guitar favored by classical, or art music composers. In the 1950s a few contemporary classical composers began to use the electric guitar in their compositions. Examples of such works include Luciano Berio's Nones (1954) Karlheinz Stockhausen's Gruppen (1955–57); Donald Erb's String Trio (1966), Morton Feldman's The Possibility of a New Work for Electric Guitar (1966); George Crumb's Songs, Drones, and Refrains of Death (1968); Hans Werner Henze's Versuch über Schweine (1968); Francis Thorne's Sonar Plexus (1968) and Liebesrock (1968–69), Michael Tippett's The Knot Garden (1965–70); Leonard Bernstein's MASS (1971) and Slava! (1977); Louis Andriessen's De Staat (1972–76); Helmut Lachenmann's Fassade, für grosses Orchester (1973, rev. 1987), Valery Gavrilin Anyuta (1982), Steve Reich's Electric Counterpoint (1987), Arvo Pärt's Miserere (1989/92), György Kurtág's Grabstein für Stephan (1989), and countless works composed for the quintet of Ástor Piazzolla. Alfred Schnittke also used electric guitar in several works, like the "Requiem", "Concerto Grosso N°2" and "Symphony N°1".
AmpliTube's effects are as noteworthy as its amp modeling capabilities. The current version comes with up to 51 effects - modeled after rare vintage gear like Ibanez Tube Screamer, Arbiter FuzzFace, MXR Phase100, MXR Dynacomp, Electro Harmonix Memory Man and many more. What sets AmpliTube apart from the competition though is its very intuitive interface. No parameter is more than two clicks away, and its realistic looking graphics are extremely easy to operate - even allowing for drag and drop operations. If you want a quick setup software, AmpliTube is your best bet. Price: usually about $200 - Check out for the latest price and reviews
As music professionals, we're all familiar with guitarists and the rows of pedals they set up on stage at every gig. They're definitely on to something when it comes to effects on-the-fly, but when you're setting up a studio or pro audio rig, there's a simpler solution: multi effects processors. These full-sized units bring a ton of versatility to the table (or, more accurately speaking, the rack) and they can play a crucial role in shaping your own signature sound.

Description: Body: Basswood (Tilia, Linden, Lime) - Neck Attachment: Bolt - Neck Wood: Maple & Walnut - Neck Construction: 5 Piece - Nut Width: 55mm - Fingerboard: Rosewood - Frets: Jumbo - # of Strings: 8 - Scale Length: 27" (69cm) - Headstock: 4+4 - Bridge: Fixed - Bridge Construction: Rosewood - Cutaway: Double - Hardware: Black, 1x Volume Control, 1x Tone Control, 3-Way Switch - Pickups: IBZ-8 - Pickup Configuration: H-H - String Instrument Finish: Black, White

I have my Dad's '68 Kent guitar and am looking to have it restored..any info on parts would be helpful...I think all it needs is the spring for the vibrato (whammy bar)...everything else is there...the rubber piece on the bridge looks quite worn or perhaps brittle (rightfully so). Does anyone know what this guitar is worth? It's in orange sunburst ...It's a left handed guitar
Guyatone produced electric guitars for major guitar manufacturer Suzuki. The company also produced their house brand Guyatone. Badged guitars produced by Guyatone include Barclay, Broadway, Coronado, Crestwood, Futurama, Howard, Ibanez, Ideal, Imperial, Johnny Guitar, Kent, Kingston, Lafayette, Marco Polo (electrics only), Montclair, Omega, Orpheus, Prestige, Royalist, Saturn, Silhouette, Silvertone, Vernon, Winston and Zenta, an impressive amount of names produced by a single company. Other badges that may have been produced by Guyatone are Beeton (not to be confused by the Beeton Brass Guitar company founded in 1994), Bradford, Canora and Regent.

NEW ARRIVAL SORRY SOLD OUT QUICKLY ...She's super clean Genuine Ibanez Hoshino Factory release this is a cool collector piece of Japanese Law-suit modle guitar history WoW is this well made guitar Beautiful in person just impressive . This vintage J200 is now over 39 years old that plays with ease and has a HUGE SOUND... really sweet beautiful tone that rings out pretty loudly and its playability makes this guitar fun to play and an excellent choice in your next cool Japanese Vintage guitar... she's in better than average cond too well taken care of Adult owned right here in California she's in top form folks. With its Nice medium slim taper flamey maple neck 1-11/16ths at the nut. Classic beautiful original pick guard looks exactly like the old age Gibson, the detailed workmanship fit & finish you will be sure to notice and love. Ready to tour or record tonight! every time you pick it up to play. TO SEE THE PICTURE GALLERY OF THIS GUITAR CUT & PASTE THIS LINK THEN CLICK OR RETURN:
This is Yamaha’s C40II classical guitar, an inexpensive nylon-strung guitar that’s a cut above some of Yamaha’s even cheaper models designed for schools and the like. Many companies offer a line of low-priced, very basic designs tailored for education facilities. Don’t go that far down the price pecking order. The C40II for $140 USD on Amazon is a good compromise. Please do yourself a favor and get the $13.58 two-year protection plan!
As for necks, the majority of guitars will have either a maple or mahogany neck, with a rosewood, maple or ebony fretboard. Again, there’s no right or wrong, and a neck wood is never going to sway your decision. But you should choose something that feels smooth and comfortable to play. There are a variety of shapes and profiles, and what you go for will depend on personal preference and playing style. For example, a modern C-shaped neck is always a safe choice as the majority of guitarists will feel comfortable using it, while a thin U-shape is great for faster players (think punk rock and metal).
The world of audio effects is one that can be confusing even for experienced engineers. Especially in modern computer-based recording systems, there's a bewildering array of options, and to add to the confusion, some effects are widely referred to by more than one name. In this article, I'll take you through the most common effects, explaining how they work and where you might want to use them in your music. Meanwhile, SOS 's team of writers has contributed a wealth of expert tips and tricks, which you can find in the boxes scattered through this article.
Paul Reed Smith is a relative newcomer having been born just 2 years after the Stratocaster was created, and founding PRS Guitars in 1985, but in that relatively short period of time PRS have made a huge impact on the guitar world, have been used by the likes of Carlos Santana, Ted Nugent, Dave Navarro. and Mark Tremonti, are now the 3rd biggest electric guitar manufacturer in the USA, and have earned their place among the best electric guitar brands.
Now we’ve got the basics down, let’s have a look at some simple modifiers to the circuit. This article first shows you how to add a “killswitch” to the guitar, then uses the lessons learned from that process to change that killswitch to a volume control instead. Finally, we’ll find out how capacitors are used in guitar circuits and install our first tone control.

As mentioned earlier, technically, magnetic pickups are small magnets with fine wire coils. These small magnets produce a magnetic field around them. When the metal strings of the guitar are strung by the user, a vibrating motion is generated inside this magnetic field which changes the magnetic flux of the field. According to the law of electromagnetism, this change in the magnetic flux produces an electric charge in the wire coil around the magnet.

A hard-tail guitar bridge anchors the strings at or directly behind the bridge and is fastened securely to the top of the instrument.[20] These are common on carved-top guitars, such as the Gibson Les Paul and the Paul Reed Smith models, and on slab-body guitars, such as the Music Man Albert Lee and Fender guitars that are not equipped with a vibrato arm.
For the guitarist who's frequently on the road or often plays out, the pedalboard is an indispensable aid. Many pedalboards include custom-fitted travel cases or gig bags. With your effects already mounted on the pedalboard, performance setups are fast: just unpack the already-configured board, plug in your guitar and amplifier, and you're ready to play.
Jimmie Vaughan: based on Jimmie’s own ’57 Stratocaster, the Jimmie Vaughan Tex-Mex Strat reflects his deep roots, traditional style, and preferred Strat features. Noteable for it’s alder body, 3 Fender Tex-Mex single-coil pickups, an extra-hot bridge pickup, a special tinted maple 1957-type V-shaped neck with maple fretboard and medium-jumbo frets, vintage machine heads, original Fender synchronized tremolo, and custom tone control wiring. Tone, tone and more tone.
The great Mark Knopfler has arguably the cleanest, smoothest electric guitar tone of all-time. Playing without a pick, his fingers blaze from note to note without any hint of misplacement. Even when he’s playing with blatant distortion, his notes ring out smooth and completely decipherable. While he has quite a few great guitar songs, a great sample of his playing can be found in the Dire Straits song, “Sultans of Swing.”
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As far as reliability goes, a guitar is actually quite simple to make reliable. Build, sound quality and playability are much more important than reliability per se, simply because if the guitar is at least half-decently made it usually turns out to be quite dependable. The biggest reliability issue would be a guitar that cannot stay in tune very long. This is something that often happens in regards to the build and material quality of acoustic guitars, but with electrics it’s something that can usually be corrected by swapping out the tuning machines to locking ones, or at least better-performing ones as well as setting the intonation and neck relief correctly.
There are nine types of guitar here: four folk, two classical, one flamenco, one jumbo and one gypsy, as well as a choice of nylon or steel strings. It works like Kontakt in that you have MIDI keys for playing notes and then control keys for the playing articulations, such as legato, palm mute, harmonics, sustain or chord detection. There are different chord types and a strumming engine to recreate the action of playing.
Back in the good ol’ days, guitarists had to crank their amplifiers to eleven in order to obtain a nice and creamy distortion. Today, this is no longer the case. Thanks to overdrive pedals, you can basically drive every clean amp into overdrive – at any volume – and choose the amount of gain and shape the tone precisely as desired. The overdriven or crunch sounds are commonly used for rock, to slightly get that “breakup” clean tone or to play blues licks and solos. During the last two decades, guitarists found out that overdrive pedals are also perfect for boosting the crunch channel of their amps into total distortion – a technique often used during guitar solos, to give the sound that extra weight and girth – or, as with the famous Tubescreamer, to tighten up the bass response of the amplifier gain channel. The Boss SD-1 is a very popular choice for overdrive pedals, capable of great sounds. The legendary TS9 by Ibanez is also worth a mention – even considering that it’s available in Mini and Deluxe formats. And while we’re at it, why not give the Harley Benton Ultimate Drive a try? This little screamer can boost your amp into full overdrive at a very competitive price.
Second in your chain are usually wah or EQ pedals. These tend to do well when directly affecting a distorted signal, and without much else in the mix. If you plan on using a compressor you have a choice: for a more natural rock tone, the compressor works best right after the distortion or wah/EQ effects. If you’re going for that thick classic country sound however, try putting your compressor right at the end of the chain so that it squashes everything.
I have 8 guitars and 5 Gretsches and I'm currently playing this one the most. It's very bright, which if you play a Martin you might not like. Like super duper bright. No really, brighter than that. But I like it. Unplugged it's good but not very loud, so it's a nice practice guitar, but you're going to want to plug in at the coffee shop or larger.
When playing the electric guitar, you’ll have to simultaneously use both hands. One hand will be responsible for fretting and the other hand will be responsible for strumming or plucking. Depending on which is your more comfortable side and whether the electric guitar is designed more for one side than the other, it will impact your play style and music quality.
Orville Gibson founded the company in Michigan and stayed a family business until the early 50's. Ted Mcarty ran the company from 1951 or so, and is the "father" of most successful Gibson electric guitars, the Les Paul, the SG, Explorer, Flying V, ES-335 and so on.. In the late 60's Gibson was bought by the Norlin Corp, who mainly were known for making refrigerators. Most feel Gibson adopted a quanity over quality approach to guitar making during this period and 1970's to 1980's Gibson electrics are considered less desireable by most guitar collectors, and considered outright junk by many others.. Cosmetic changes to Gibson models during that period apparently reflect the poor taste of the buying public during that era... and while a 1974 Gibson SG may look ugly compared to the classic 1961 or 1968 models, please remember this was the era of ployester liesure suits and Chrysler Cordobas.. In 1986 Gibson was bought by a group who understood guitar making, and is a privately held company to this day. Gibson quality has appeared to improve steadily from 1987 to present day, but it seems to be unanimous that todays models do not approach the craftsmanship of the late 1950's when Gibson apparently peaked.
The best features of the guitar, are the lovely inlaid pearl blocks on the fretboard, and the colour, a kind of fisheye sunburst, which I had never seen on a guitar before I bought it, and after searching for ages I have still never seen on another guitar. I have had it for a while but is my baby, and there is not so much as a scratch or scuff on it, it's pristene.
If you’ve ever stepped foot into a music store, you’ve seen a Hal Leonard book. They’re iconic in the annals of guitar-learning lore. They’re not the hippest or the most accessible, but they nevertheless remain key fixtures. This compendium combines the three books of the method into one. Just about everything you need to know is in here somewhere, though it’s commonly said that an instructor is needed to parse the flow of information. Still, it’s a great reference and if it makes sense to you out of the gate, there’s the potential to learn a lot from this classic tome.
The SG Special by Epiphone is our hands down top pick. As you'll know by know, Epiphone is one of the best guitar manufactures in the business – so the quality of this guitar is absolutely amazing. Its epic red devilish double-cutaway design gives easy access to all 22 frets. It has a hard maple neck and a slim taper D-profile which ensures durability and rigidity. The fretboard is made of rosewood which makes it easy to learn to play. This guitar is all about that rock sound - it's equipped with two open-coil and noise-free humbucker pickups. The hardware is carved from nickel and is available in two dazzling finishes, cherry, and ebony.
I don’t think beginners should spend a ton of money on their very first electric guitar. However, around the $300 mark you have a lot of options for really great entry level electrics. So, if you’re a beginner with a little more cash available, I say skip the “starter packs” and buy some good, solid gear to begin your journey. Choose from this list and you won’t need to upgrade for many years.
As the crowds at Beatles shows got louder, they needed louder amps. Jennings provided Lennon and Harrison with the first AC50 piggyback units, and McCartney's AC30/T60 rig was replaced with an AC100 head and an AC100 2×15" cabinet. Lennon and Harrison eventually got their own AC100 rigs, with 4×12"/2-horn configurations. In 1966 and 1967, The Beatles had several prototype or specially-built Vox amplifiers, including hybrid tube/solid-state units from the short-lived 4- and 7-series. Harrison in particular became fond of the 730 amp and 2×12 cabinet, using them to create many the guitar sounds found on Revolver and Sgt. Pepper's Lonely Hearts Club Band. Lennon favoured the larger 7120 amplifier, while Harrison preferred the 730 and McCartney had its sister 430 bass amplifier.

I've used 3 effects applications till now: Amplitube podfarm and guitar rig 5. The best software I found so far is guitar rig the sound it gives is amazing it has some pretty good presets and it has an intuitive interface I recommend trying out demos of every software to see which better suits you. I recommend guitar rig. I would suggest using a PC instead of a laptop because they're processor intensive. Anything that's part of the is series is great (i3 i5 i7). Good luck and remember to get asio4all drivers google it and get the newest drivers

Wes Borland (b. 1975) guitarist for Limp Bizkit has owned many Ibanez guitars, including a custom 4-string baritone guitar, although he no longer endorses them. He was mainly noted for playing an Ibanez RG7 CST which had selectable piezo and magnetic pickups, only 18 of these were made in 1999. Borland has a signature Yamaha guitar, but has been seen playing a Jackson with the reformed Limp Bizkit.
SOLD OUT ! We are VERY pleased to present a very special example Alvarez Yairi Classical guitar . The condition of this high end instrument is excellent plus and this guitar is simply wonderful. This is hand built example by The Kazou Yairi himself, Japanese Master Luthier. For those of you not familiar with the Premier Japanese Master Luthier Kazou Yairi and his masterfuly built instruments you may enjoy this vidio introduction to YAIRI GUITARS The model is CY116 and is a very high-end professional guitar and is in excellent Plus condition. Only the highest grade woods used as you can see ...choice AAA Flamed-Quilted and is 3-dimensional depth is a work of art as you can see by the pictures. This guitar plays and sound AMAZING and is truly inspirational. This guitar shows very little fret wear. There are just a few minor nicks or scratches which is normal wear for a guitar of this vintage that has been lovingly played. This one is a one owner adult owned guitar and comes with its high quality custom hard shell case too. General Specs: Alvarez Yairi CY116 Classical Acoustic Guitar The CY116's Solid Cedar Top is adorned by an elaborate wooden mosaic rosette. Burled Maple Back/Sides give this classical amazing clarity and warmth like the fiery Andalusian plains that inspired the music that this guitar was born to perform. With room-filling projection, the CY116 is a guaranteed conversation starter. You hear it in the elegant pacing of a classical air. You see it in the vivid charm of a folk dance. Specs: Burled Mahogany Back/Sides Solid Cedar Top Mahogany Neck Ebony Fingerboard Scale: 25 1/2" (650mm) Width at Nut: 2" (51mm) Rosewood Bridge Ivory Body Binding Wooden Mosaic Rosette Gold Vintage Open-Style Tuning Machines .
Bass guitars (like guitars) in many ways are like cars. Their appearance is a major factor in your buying decision. But also like cars, especially for the first-time buyer, there are far more important factors to know about in order to ensure you buy a bass guitar that is both properly playable and that stays in tune, enabling you to make progress with it. 
I have a Dover, it was my great uncle’s guitar. It has seen better days but considering its age its in pretty good shape. Some one did some custom wiring inside so I had to replace the pots. One of the pickups was glued back together but it wasn’t done properly so now it doesn’t quite sit right. The plastic cracked at most of the corners where the screws hold the pick ups down.
These multi-effects pedals are exactly what the name suggests: all-in-one models that pack multiple effects into a single box. There are a few benefits to this, one of which is value, since getting more than one effect at once gives you great bang for your buck. They also tend to come with presets that give you customized mixes of their various effects, which can do a lot to teach you how different effects interact and how to mix and match them yourself.
Artwork: George Beauchamp's original "frying-pan" electric guitar design from 1934. On the right, you can see a top view of the guitar with the pickup unit shown in dark blue and the pickup coil (green) sitting underneath the six strings (shown in orange). On the left, there's an end-on, cross-section of the pickup unit (looking down from the head of the guitar toward the bridge). You can see that Beauchamp has used a pair of horseshoe magnets, with their north poles (red) and south poles (blue) aligned and the strings threading between them. The pickup sits between the magnets under the strings. From US Patent 2,089,171: Electrical Stringed Musical Instrument by George Beauchamp (filed June 2, 1934, issued August 10, 1937). Artwork courtesy of US Patent and Trademark Office.

Kay/Valco went out of business soon afterwards, and in 1969 its assets were auctioned off. Syl Weindling and Barry Hornstein of W.M.I. (the main importer of Teisco Del Rey products) purchased the Kay brand name during this time. As a result of this, the names "Teisco" and "Kay" were used on Teisco Del Rey guitars for a while in the early 70's. In 1980 the Kay Guitar Company was purchased by Tony Blair and is currently active selling Kay brand and Santa Rosa brand guitars, Chicago Blues harmonicas and accessories and of course the Kay Vintage Reissue line of professional guitars and basses.
A multi-effects device (also called a "multi-FX" device) is a single electronics effects pedal or rack-mount device that contains many electronic effects. In the late 1990s and throughout the 2000s, multi-FX manufacturers such as Zoom and Korg produced devices that were increasingly feature-laden. Multi-FX devices combine several effects together, and most devices allow users to use preset combinations of effects, including distortion, chorus, reverb, compression, and so on. This allows musicians to have quick on-stage access to different effects combinations. Some multi-FX pedals contain modelled versions of well-known effects pedals or amplifiers.
Fender’s legendary tone is enough to win just about anyone over, and they cater to a wide range of customers by offering the more cost friendly Squier series. While their classic electric guitars are favored by plenty of players, their acoustic selection and Jazzmaster offerings have their fair share of supporters as well. No matter what you’re looking for in a guitar or what price range you’re shopping in, you’re likely to find a good fit with Fender.
Ovation Instruments is a Division of Kaman Corporation, a major supplier to the United States government of military helicopters, rescue equipment, electronic components and other aerospace products. There are eight divisions of Kaman, participating in such diverse industries as commercial transportation, nuclear sciences, space medicine, education and social sciences, oceanography and, most recently, recreation.
This is an American Fender Telecaster electric guitar played on the both pick-ups setting and is played through a Fender Bassman '59 Reissue with old valves in. This soundfont has the same presets as the Fender Jaguar above and is also recorded with the volume on the edge of break up on the amp (read the Fender Jaguar above for description of amplifier setting). This guitar is suited to jangly indie sounds or clean country sounds but can be very rocky with more distortion added. This guitar is also a classic that has been used in alot of types of music.

Really loving this bit of kit. The thing that surprised me most wasn't the fourth position (which is great!) but the overall sound improvement I get from quality hardware. I have 2017 American Professional Tele and I'm amazed at the clarity that this upgrade has given me. TBH - I don't understand why Fender don't fit quality parts like this straight from the factory. Thanks guys!" - Max

However, 50 x does not mean that the two pickups wired in parallel are only half as loud as a single pickup, nor does 200 x mean that the two pickups wired in series are twice as loud as one pickup. Our human hearing does not work this way. Why that’s the case is beyond the scope of this column, but for our guitar-wiring purposes, it’s enough to know that the human ear doesn’t operate in a linear way.
To make a long story short, I ordered from Amazon two Epiphone EJ-200SCE guitars, Color: one Natural, one Black and the Hummingbird Ephiphone. My wife liked the black one. I liked the natural one. We decided to compare the two side by side, and sent for both of them. Later, my wife changed her mind and liked the way the natural looked and sounded. I had just listened to the Andertons review "What ones are the best, the ten times more expensive J 200 Gibson or the ten times more expensive Hummingbird Gibson comparing to the similar Epiphone EJ-200SCE and the Hummingbird Epiphone.
The very first thing to remember about pickups is that the active option is not necessarily better than the passive choice, and vice versa. Each type brings its own set of drawbacks and benefits. Passive pickups might be limited in terms of signal strength and tone shaping, but they are much more expressive in comparison to the active pickups in terms of picking and strumming intensities.

The SG started out as a lighter alternative to the Les Paul - which Les didn't like and eventually opted out of. But what seemed like a failure turned out into a success story because many rock and metal guitar players loved the SG's sharp look, faster neck and comfortable upper fret reach. These days, the SG continues to dominate in the realm of rock and metal with modern production models like the Epiphone SG Special, which is meant to be as affordable as possible for future rock stars to learn on.

It's a basic rule of physics (called Faraday's law) that a changing magnetic field produces electricity. So a guitar string will produce electricity only for as long as the magnetic field is changing—in other words, for only as long as the metal string is moving. Once the string stops vibrating, the sound stops. In that respect, an electric guitar is just like an acoustic one.
Ibanez Artcore AF75 Electric Guitar Another hollow body guitar to whet your appetite! The Ibanez Artcore AF75 isn’t as “old” as the other models here but it has earned a huge following because of its affordability, quality workmanship and versatile sound. Suitable for a variety of music styles, the Ibanez AF75 Artcore is also perfect for beginners eager to get started on a moderate budget.
I’d like to think that I am a little more forgiving of slight finish errors than most, so most of the horror stories surrounding Gibson QC do not bother me too much. After all, one area of the body where the sunburst color doesn't fade at EXACTLY the same point all the way around? That sounds more like middle aged guys trying to save face around their buddies after their wives saw the credit card bill the next month and made them take it back.
Ibanez is a Japanese guitar manufacturer which was founded in the year 1957. Ibanez was the first Japanese company to gain a foothold in exporting guitars to United States and Europe. They were the pioneer to produce the seven- strings guitars. Ibanez has produced several guitar models including the Electric Guitar Models, the Signature Models, Bass Guitar Models, and Acoustic Guitar Models etc. The Ibanez guitars are one of the best in the world.
Delay/echo: Delay/echo units produce an echo effect by adding a duplicate instrument-to-amplifier electrical signal to the original signal at a slight time-delay. The effect can either be a single echo called a "slap" or "slapback," or multiple echos. A well-known use of delay is the lead guitar in the U2 song "Where the Streets Have No Name", and also the opening riff of "Welcome To The Jungle" by Guns N'Roses.[86]
My epi is very nice (Almost like a gibson for 1/3 of a gibson price) and obviously, my Jackson is far superior than my other guitars. But I'm just have mid end ibanez guitars and they are very good guitars. The high end ibanez are awesome and worth less than high ends of other brands in most cases having with the same quality (or superior in very cases).
In this example I used the "Sub Engineer Bass" patch included in the Kontakt 5 bass collection. But there are no rules in this regard: a simple sine oscillator can do the trick just fine. Back in the '60s and '70s it was not unusual to use a Rhodes to achieve the same effect, and Roland's famous JUNO-106 was also used on countless occasions with the same goal in the '80s. Just give it a go with whatever you have at hand!

Once you’ve gotten past the touch-or input level–intensive effects, your next primary goal is to refine your tone while at the same time minimizing noise. If you use a compressor, its ideal location is directly after the pitch shifter/harmonizer, envelope follower/auto wah and wah pedals. Because a compressor compresses the entire signal, it’s not recommended to place one after a boost, overdrive or distortion/fuzz pedal as those pedals often generate noise that will be boosted by a compressor along with the guitar’s signal.
Wiring the phase switch is fairly simple. Solder 2 wires in the criss-cross manner shown in the diagram. In the guitar cavity, unsolder the 2 bridge pickup leads; solder the phase switch "Out" leads to the exact same spot where the pickup leads were; solder the bridge pickup leads to the "From Pickup" terminals on the phase switch. Mount the switch, close up the guitar and start enjoying the new sound you just created!
He was barely known for decades after his 1938 death. But the 29 songs Robert Johnson recorded in 1936 and 1937 became holy writ to rock guitarists from Clapton to Dylan. They were dazzled by the way he made a guitar sound like an ensemble – slide and rhythm parts yelping in dialogue, riffs emerging from the mist. Dylan remembered playing King of the Delta Blues Singers, the 1961 LP that rescued Johnson from obscurity: "The vibrations from the loudspeaker made my hair stand up. The stabbing sounds… could almost break a window."
by pedalhaven  @sofajams  always takes the best photos. Don't forget to DM/Tag us to submit your photos! ▪️ ▪️ ▪️ ▪️ ▪️  #pedalhaven   #pedalboard   #guitarpedals   #knowyourtone   #ambienttones   #pedalboards   #pedalnerds   #pedalporn   #guitar   #gearporn   #gearnerds   #pedalboardpeople   #shoegaze   #geartalk   #guitarsdaily   #gottone   #tonefordays   #guitargear   #reverb   #gearpost   #boardshot 
Gibson Les Paul Standard Electric Guitar This iconic instrument is regarded by many as one of the best electric guitars in the world because of its looks, sound and feel. The 2019 Gibson Les Paul Standard features a figured maple top, mahogany back and neck, rosewood fingerboard with cryogenically treated frets, calibrated BurstBucker Pro humbuckers and an asymmetrical Slim Taper neck shape for total playing comfort.

How about comparing the guitars only by the sound alone. Especially when overdriven playing in the realms rock and plug on the same amplifier or using the same set-up. Arguably there are many guitarist would find less expensive guitars are not bad at all. That they are also very much capable of producing the needed dirty tones and also able to produce a decent smooth clean sound to let players go out there and play.
Echo (also sometimes called long delay) is a natural effect as well, but it is only encountered in large open spaces such as canyons or stadiums. It sounds like when you emit a loud, sharp yelp and a second later you hear the yelp come bouncing faintly back to you from a far wall. This is a particularly fun effect to play around with by yourself. If you set the delay of the echo long enough, you can play against the notes you just played and harmonize with yourself while the rate sets up a kind of beat.
I agree with play with effects if you want to, they're a lot of fun. I do think playing with distortion and practicing with it on is a good idea. I don't think it's a good idea to practice with distortion all the time. It will mask a lot of mistakes and imperfections in your technique. If you can play something in a clean tone perfectly, it will sound that much better when you add effects. – Tony May 3 '13 at 20:09
I had this guitar handed down to me. It is in pretty rough shape. I think it is in good enough shape to restore to good condition/used shape. Before I attempt such a thing I would like to know more about the guitar itself. I know the history of Lyle and "Lawsuit" guitars so that part is done. The body has a cherry red finish with 2 "f" openings. The neck has had some stress on it, enough to have the wood lift a little on its grain pattern about 2 inches long from the nut to the fret board. I am not sure if injecting glue into this will keep the neck from breaking in the future. The fret board is loose at the nut but I believe I can glue it again. This is not the first restoration I have done. I have restored a flute and a grenadilla wood clarinet. Any comments regarding how to or if I am wasting my time will be welcome.
With so many options available in the world today, buying a guitar that perfectly represents your own style, tastes, and attitude has never been easier. Whether you're a classical guitarist looking for that perfectly balanced nylon flamenco, or a hard rock enthusiast who needs Pete Townshend crunch combined with Jack White power, there is simply no shortage of axes to choose from.
Guitar technicians need a high school diploma or equivalent, though some community colleges offer programs in guitar technology. Apprenticeships or on-the-job training may also be available. These professionals should have hearing acuity for tone and pitch and the ability to play guitar. They should know how to use electronic tuning devices, as well as hand and power tools. Guitar technicians should also be skilled at woodworking. According to 2015 data from the U.S. Bureau of Labor Statistics, musical instrument repairs earn a median salary of $35,660.
The Yamaha Pacifica has long proved a benchmark for quality and specification, and the 112V remains one of the best guitars for beginners. The 112 is far from fancy and simply concentrates on the bare necessities. Yet the construction is of excellent quality. Trust us, if looked after this will be a guitar for life. By design it's an altogether more modern, brighter and lighter take on a hot-rod Strat. But when we say brighter that doesn't mean overly shrill. In fact the bridge humbucker will surprise some, it's beefy without being too mid-range heavy and although the coil-split proves a little bland played clean, with a distortion boost it's a pretty useful gnarly and wiry rhythm voice. It's good to have the choice too when mixed with the middle pickup - switching between the full and split coil here is subtle but, especially with cleaner 'class A' amp voicings, there's enough character difference to be useable. The solo single-coils impress - plenty of percussion and with a little mid-range beef added from the amp these get you to the correct Texas toneland. Neck and middle combined produces a fine modern Strat-like mix - the added brightness will cut through a multi-FX patch nicely.

It is possible to perform a setup at home, but it can easily become a laborious and time-consuming process. You can instead bring your instrument to a local store or other professional. Guitar setup cost is usually a large value in comparison to the work it would take to do the job at home. You should consider that the cost of a guitar setup includes the addition of new strings but may not cover the actual cost of them. Whether or not strings are included in the price is something that should be investigated prior to having an instrument professionally setup. Guitar setup cost may also increase if the tuning keys need adjustment, or if you have a complicated bridge system (like a Floyd Rose) that requires extra knowledge and skill to be properly fine-tuned.

At some point, possibly in 1967 – please forgive the fuzzy chronology, – Unicord was purchased by Gulf + Western, the big oil/hospitality conglomerate. This was part the corporate acquisition mania rage of the mid-’60s which included deals for Fender (CBS), Gretsch (Baldwin), Valco (Seeburg), Kay (Valco) and Gibson (Norlin). Either just before or just after the Gulf + Western purchase of Unicord, Unicord was merged with Merson. It was probably then Merson moved from New York City to Westbury.
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Admit it. You’ve slow danced to Stairway To Heaven before. Page’s playing have influenced so many guitar players of today, and Led Zeppelin revolutionized Rock and Roll blending acoustic guitars, banjos, and mandolins while still staying with the same gritty rock image. His guitar riffs are forever etched into Rock and Roll’s hall of fame. How influential was he? Step into a guitar store, and you’ll see. Thousands of 12 year old kids across the globe are playing the intro to Stairway. Now that’s how you know you’ve made it.
The first impressive thing about the Zoom G3X is its build quality. This unit is solid, which puts our fears to rest that Zoom may have sacrificed build quality since the G3X is more on the budget side of the price spectrum. In the reviews and recommendations we read, several owners make it a point to comment that it feels like a serious piece of equipment that could withstand some abuse because of its sturdy metal construction. The G3X can be powered with a 9V adapter (which is conveniently included), or four AA batteries. Zoom claims about 6 hours of battery life, but in our experience manufacturers tend to exaggerate battery life a bit. Still, battery power is very convenient if you’re traveling with the G3X and want to do some on-the-go playing, or just taking it from room to room in your house (to save some money in the long run we recommend rechargeable batteries).
Although it is well known for its guitars, Gibson's largest business is in fact electronics.[citation needed] Gibson offers consumer audio equipment devices through its subsidiaries Gibson Innovations (Philips brand), Onkyo Corporation (Onkyo and Pioneer brands), TEAC Corporation (Teac and Esoteric brands), Cerwin Vega and Stanton,[6] as well as professional audio equipment from KRK Systems and TEAC Corporation/TASCAM.
We've had a thread here in the last couple months about Squires, with some pretty discerning forum members praising their quality and tone. You don't need to spend a lot of money these days for a good guitar. The one the OP bought was years ago. The fierce competition in the guitar market since the economy went bad, has forced manufacturers to up their game, and recent production is of a much higher standard.

On top of that, the Champion 20 offers built-in effects, including reverb, chorus, flanging, delay, auto wah, vibrato, and tremolo. All of these effects can be chosen using a single knob, with an additional FX Level knob to control the mix of the unprocessed sound with the effect. These effects can’t match the flexibility and adjustability of separate effects pedals—for example, with the exceptions of reverb+delay and reverb+chorus, effects can’t be combined—but they can at the very least give beginners an idea of how these effects work. Many guitarists may find the Champion 20’s built-in effects to be all they need.

The fact is, the qualities of different strings can have an effect on your guitar’s resonance and tone, on the quality and responsiveness of your attack as a plectrist or finger picker, and impact your speed and other important factors. And think about your budget. Some coated strings list at nearly $20, while a good basic set of electric guitar strings can be scored for $3 to $4 on sale.
The acoustic guitar is one of the most popular instruments around. It’s versatile, low maintenance and sounds great. You don’t need to lug around an amp if you’re just playing for a few friends and it provides enough volume to accompany vocals but not so much that it overshadows them. I personally love playing acoustic guitar. Everything from the sound to the feel of playing a nice acoustic is satisfying. What’s even more satisfying is learning how to play some great acoustic guitar songs. There are so many amazing acoustic guitar songs out there that it’s hard to narrow down
Got one, a V-???? Gold Top w/ P-90's. Way hotter than my PRS or my Gibson. Plays about as well. If I were a LP kinda guy I'd probably rant and rave, it has a special place in my herd but not in the top five. If you want an LP style and sound but don't want to spend $3K plus, it's more worthy than any of the Epi's I looked at including the '56 reissue.

Overdriven speakers create one of the most desirable distortion characteristics: crunch. The best way to test for this is to dial in a clean setting and turn the volume way up. Low-wattage speakers break up at lower volumes, but they have a tendency to turn to mush at excessive volume levels; high-wattage speakers may not break up at all. Choose a speaker that sounds lively, defined and harmonically rich at volume and distortion levels you’ll normally play at.
Godin (pronounced Go-dan) was founded in 1972 by Robert Godin in Canada and now owns a number of highly respected acoustic guitar brands including Art & Lutherie, Simon and Patrick, La Patrie and Seagull. Their electric guitars, produced under the Godin brand, have been played by greats including Roger Waters, Elliott Sharp and John McLaughlin. Many of their high-end models come with 3 types of pickups - regular electric guitar pickups, piezo pickups for producing an acoustic-like sound, and Synth/MIDI pickups for making any kind of sound you want.
We also decided to test a separate group of smaller guitars with scale lengths (the distance from the string nut at the top of the neck to the bridge that supports the strings on the body) in the range of 22 inches, as compared with 24.75 to 25.5 inches for most full-size electric guitars. These models may be more comfortable for kids because their smaller hands won’t have to stretch as far, and many adults also like them because their compact size makes them easier to travel with.

This is hands down THE BEST brand there is! Trust me, I've been playing guitar since I was a kid. I've had used, owned, and tried every guitar there is. Gibson is NO WAY better than PRS, the sound quality of a PRS is awesome! They are pretty light, the designs are awesome as well, although PRS is a bit more expensive than your average guitar it is worth every penny! Gibson's are way too over priced and would never match the PRS. I used to own a gibson sg and lp, and I sold them after I had my own PRS. If you really know the difference between a good and a great guitar you would pick PRS over any other brand. Period.
I don’t recall how I got his number, but when I called Dana Sutcliffe to talk about what is probably his most famous—at least known famous—guitar, he said we should do lunch. Dana lives just down the road from me in Delaware, so it was an easy meeting. I asked if he’d ever had Vietnamese pho (beef noodle soup, one of the world’s most perfect foods), and since he hadn’t and since he loves to eat, we met one day in one of South Philadelphia’s numerous pho parlors to discuss the genesis of the Alvarez Dana Scoop. It was, as it turns out, all the result of an accident.
I was interested in this book, and almost walked away after reading many negative reviews which complained about black and white photos and numerous typos. Then I noticed it was available in a Kindle version, for only $9.99. I ordered the Kindle version, and have no regrets. I have read it on my iPad, and gleaned a lot of useful information from it. I have not encountered any typos, and the colored wiring diagrams and numerous photos are just fine. It seems that the paperback version suffered from a poor layout and printing job, which is a shame, since it is obvious to me that Mr. Swike put in the effort to make a good product, which the Kindle version surely is. Anyone interested in a simple but comprehensive intro to wiring their Strat/Tele/Les Paul will find this a good reference. I also enjoyed the Varitone circuit presentation, and the explanation of how capacitor values affect treble/bass response.
If the gap is perfect, congratulations – you may now move on to step 2. If the gap is too large, then you need to tighten the truss rod a little (similarly, if the gap is too small, you need to loosen the truss rod). Locate the adjustable end of the truss rod. On every Les Paul style guitar I have seen, the adjustable end of the truss rod is located under the truss rod cover, located on the peg head. To remove this, simply unscrew the two (or three) screws and lift/slide the cover off.
Electronic crackling is a very common problem in electric guitars. Most likely, electronic crackling has very little to do with wiring. Usually the reason your guitar is crackling when you adjust the volume or tone knobs is because the pots are bad or dirty. Before you go and replace the pots on your electric guitar, I would try to use some Deoxit cleaner to see if the pots are just dirty.

Pristine and hi-fidelity are two words that many use to describe the Fractal Audio FX8's sound. Even experts are amazed, like how Guitar Interactive Magazine praised the unit by saying: "it’s easy to say that the FX8 is the most fully featured and best sounding multi effects unit on the market right now". The quality of its reverb and delay got a lot of thumbs up, while other users found its drive and modulation effects to be inspiring.

Valve Amp or Solid State Amp? There's no right or wrong here, but, for tone alone, valve amps are way better. If you can afford a valve amp, just go ahead and buy one! They're the amps all the great bands ever used - from Beatles and Rolling Stones to Arctic Monkeys and Radiohead, 99% of all professional musicians simply prefer valve amps, like the Vox AC30 or Fender Hot Rod Deluxe III. But there's nothing wrong with solid state amps - the audience at a gig wouldn't be able to tell the difference.
For the metalheads, Ibanez has their Iron Label series in addition to the signature models. These guitars are absolutely metal-oriented, with no-nonsense designs that provide exactly what you need for intense shredding without gimmicks. Ibanez Iron Label guitars are based on the S and RG platforms and come in 6, 7 and 8-string varieties, all with fast, shreddable necks. The RG models even have an onboard kill switch so you can do manual strobe effects without the need for a pedal.

I found myself un-obligated, bored and holding a fist full of cash one Friday afternoon, so I wandered into my local guitar shop. With a new found love of single coil pickups I had been eyeballing the Gretsch and Guild hollow bodies unfortunately too poor to actually buy one. On this afternoon, however, I played the Godin 5th Avenue Kingpin. It was love at first strum. Mine is called Cognac Burst. The satin finish on these instruments is beautiful, and give it a vintage, played look. This guitar has a really nice feel in terms of the neck and the thickness of the body. I have fairly long fingers and the neck is comfortable to play. It feels to me, a bit like the thicker necks on the Les Pauls of the late 50s. When I got the guitar, the shop said they'd dial it in for me for free, but frankly, I have no complaints as it is. With the classic style floating bridge you can drop the action impossibly low before you start to get fret buzz. After I brought mine home, I did just that and it plays like a dream. The frets are finished well and there is a bevel on the edge of the fret board and frets that keep them out of the way if you're in the habit of sliding your hand up and down the neck quickly. The Kingpin has a warm mellow tone when unplugged that is perfect for playing jazz and blues. I also enjoy the lower volume of the guitar since it has f holes when I play later in the evening. Plugged in, the P90 kills and sounds good clean and driven. It also retains that warm, mellow tone when played without distortion. I haven't had any trouble with feedback as I tend to keep the volume a bit lower for small spaces. My one complaint is the hideously ugly case, that costs 80 bucks. It's like its made of extra tough styrofoam. I understand they were going for lightness, but it's just ugly. All in all though, this guitar is a great choice and plays as well as my Gibson Les Paul and my buddies Gretsch 51... whatever.
For those students who want a simple path to good sound and don’t want to confront a wide range of tone and effects options, we recommend the Orange Crush 12. It’s a fairly traditional amp with controls for Bass, Midrange, Treble, Volume, Gain, and Overdrive (distortion). There’s nothing on the Crush 12 that can’t be sorted out with a few twists of a knob and strums of the strings.

During the 1930s and 1940s several companies tried to produce a solid-body electric but none of them were commercially successful. Then Leo Fender released his design in 1950 with a single pickup under the name Esquire, then added a second pickup and sold it under the name Broadcaster but soon had to change it due to a lawsuit from Gretsch who were already selling a drum kit using that name. Thus the "Tele" as we know it today was born.
The Telecaster has also been a long-time favorite guitar for hot-rod customizing. Several variants of the guitar appeared throughout the years with a wide assortment of pickup configurations, such as a humbucker in the neck position, three single-coil pickups and even dual humbuckers with special wiring schemes. Fender offered hot-rodded Teles with such pickup configurations, the US Fat and Nashville B-Bender Telecasters around 1998. The Deluxe Blackout Tele was also equipped with 3 single-coil pickups, a “Strat-o-Tele” selector switch and a smaller headstock than a standard Telecaster. The most common variants of the standard two-pickup solid body Telecaster are the semi-hollow Thinline, the twin-humbuckerDeluxe—and the Custom, which replaced the neck single coil-pickup with a humbucking pickup. The Custom and Deluxe were introduced during the CBS period and reissues of both designs are currently offered.

Even cooler was the ’66 Vibra Twin (Teisco Del Rey EP-12T), a twelve-string version of the Vegas. This had a slothead variation of the check mark head, with tuners facing alternatively out or back. The trapeze tail picked up the same angular design of the Vegas vibrato. Despite the Del Rey number, the EP-12T did not have a vibrato. The Teisco Del Rey in the ’66 catalog differs from the Vibra Twin shown in ’60s Bizarre Guitars in that it adds a third rotary select for solo/rhythm/bass sound tones, whereas the Teisco omitted this feature. Figure on finding either.
This is where the roads came back together. Kaman continued to play guitar during his building of the helicopter business. He kept his guitars hanging on the wall, instead of in the case, so he could grab one if he felt like playing. As a result he ended up with lots of cracked backs, including one on a favorite Martin. Charles traveled down to Nazareth to get the guitar repaired and Fred Martin gave him a factory tour.
The Viper came in two versions made of ash, maple, alder or mahogany, the 1271, with two single-coil pickups, and the 1273 Viper III with three single-coils. Vipers had two-octave unbound fingerboards of either rosewood with pearl dot inlays or maple with black dots. A laminated pickguard (with model name engraved) held the pickups and extended down the body for the controls, including master volume and tone knobs. The plastic-and-metal bridge/tailpiece assemblies were the same as on the early Preacher. The single-coil pickups were about the size of mini-humbuckers with metal sides, black inserts, and flat polepieces. Windings were different depending on the position. The bridge pickup had poles slanted diagonally that emulated the slant of a Strat. Early Vipers have a three-way toggle. As with the Preacher, later Vipers have no name engraving, the all-metal bridge assembly, and an extra toggle which is probably a series/parallel switch.
Ovation backed off from its more exotic design directions and in ’77 introduced two more conservative models, the Preacher and the Viper, and its first solidbody basses, the Magnum I and II. The Preacher featured two equal cutaways, whereas the Viper sported more of a Les-Paul-style single cutaway, though neither would never be confused with a Gibson equivalent. Their shape was, in fact, essentially a downsized version of the Ovation acoustic outline. The Magnum shape was derived from the earlier Breadwinner and Deacon, with more contouring.

The electric guitar was born out of necessity. Going back to the big band era, acoustic guitar players needed an instrument that could be heard over all the brass and woodwind instruments. They also need to be heard over the banjos and mandolins on the front porch. In the 1930s, companies such as Rickenbacker and Gibson started to add guitar pickups to their instruments, which allowed musicians to plug them into an amplifier for added volume. Rickenbacker added a pickup to their Hawaiian guitar (also known as a lap steel guitar) “Frying Pan” model, and similarly, Gibson added a pickup to their electric Hawaiian EH-150 model. Soon after that, Gibson introduced the iconic ES-150, which gave players the very best of both worlds. It gave guitarists a world-class Gibson hollow body guitar with a built-in pickup, which made it the perfect fit for guitarists who played large ensembles. In 1951, Fender revolutionized the electric guitar market even further by unveiling the first ever mass-produced solid body electric guitar, now known as the Telecaster, which was introduced in order to combat the feedback that hollow body electric guitars produced. Then in 1952, Gibson worked closely with one of the most widely respected guitarists of the era to create the first Gibson solid body electric guitar, now known as the Les Paul and named after its co-inventor.